Feminine potency at the shrine of Kalimath

Buried deep within the mountains, cut away from all the noise and secluded in this quaint valley laced by the river Mandakini is the sacred and potent shrine of the Goddess.

What initially catches the eye is a rather modern shrine for Kali Ma in which one would expect to find the fiery red eyed Goddess enraged and ready to kill the savage demons and destroy all evil. It is pleasantly surprising to note that this [as far as I know] is probably the only shrine that displays an enormous Kali yantra that has been placed on the ground in the very same spot where demonic blood once fell as the Goddess massacred evil.

Red and yellow flags still flutter in the air to celebrate the victory of the Goddess who once graced this earth. And then they say, she vanished, into the very same earth where she killed him. 

This Kali Ma shrine is just the trailer to what actually lies behind these walls. A local priest ushered us to follow him to a world that hid silently behind the shops that sold offerings to Goddess kali. What lay ahead was not just the most potent shrines attributed to the Goddess's many forms but the ambiance that left us feeling a deep sense of peace and happiness. A sense of discovery enveloped us as we headed towards the inner sanctum.

Old rocky stone had been meticulously put together to shelter great power on this earth. In the silence of the morning with hardly any crowd at this temple, there seems to be enough life within this temple premises. It is energy of a different kind that stems from the soil, glows in the sun and exhibits power that shines through the vermilion. It was as picturesque as it could be, with the Mandakini flowing on one side, a small village precariously balancing itself along the sharp ridge and the sun penetrating through the hills, Kalimath has its own unique beauty.

This would have been a great seat of worship and learning in the ancient days. It just didnt echo the presence of a Shakti sthal here, but also a great seat of Tantricism and occult sciences not to miss the strong presence of the Goddess who also rendered it a Siddha Peeth.

In all its ancient charm, still untouched by modern renovation, stands the roofless Nandi shrine with small Shiva lingas excavated and placed around it. Ganesha adorns the entrance of the Saraswati temple, not by an iconographic measure but more as being unearthed and placed there. Shiva takes on center stage in the next temple with Parvati seated on his lap while a Linga is enshrined in a smaller temple closer to the river. The most eye catching aspect of this temple is the main shrine attributed to Goddess Lakshmi who resides deep within the Garbha griha with the matrikas on vigil outside her sanctum. Goddess Lakshmi is worshiped here in various "swarups" each divine version of her face is inscribed on the sacred rock and is silver plated. Opposite her sacred shrine is the yagnakund whose flames never die.

When the color of vermilion breathes life into the richness of the divine complexion of the Goddess, when her grace and beauty envelopes the air inside this chamber, when the smell of fire and sacred incense covers our soul, awaken to the world of the Mother, to her presence echoing in these rocks. This is life, this is bliss, this is beauty and this is power. 

***

Kalimath is a small town enroute to Kedarnath and 14 kms from Guptkashi.
Photo courtesy: Agastya, Picasa

Rudraprayag: Divine experience of Lord Rudra Shiva

 Om Na Ma Shi Va Ya...

These sacred words reverberated in tune with the waves of the river Mandakini dashing forward to meet the volumes of water gushing into it from the Alaknanda. The rivers met, raising curtains of foam and walls of water sprays across the landscape as the crystal clear streams merged into each other, in union, into a song that echoed the raw presence of the Great Lord Rudra. A million suns glowed, flames in bright hue formed a halo round His head as He shined in gold. The great Lord Rudra Shiva appeared into this realm of life, pleased to feel the rhythm of these sacred syllables in the soft but deep voice of a devotee in meditation.

There was silence and calm as the waves lashed the rocks, echoing in the background and Narada Muni awakened his mind's eye in his meditative state and witnessed this miracle. It had taken many years to call on Lord Rudra, to please him with his devotion and to ask for his wish - a wish for a perfect voice for a perfect soul. It was granted and sacred eternal music was born on earth in this realm, in the heavens, in the deva lokas and in all the celestial worlds. Music was born and the art to take it to perfection was initiated. The great Lord Rudra shook his damaru; the cosmic sound enveloped the universe drowning the sounds of the rivers into itself. The cosmic sound had taken birth in this world, music was now born.

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Kali yuga...

It's a cold wintry morning and I stand here speechless at the fork of the confluence of these gushing rivers. The brilliant rays of the sun coupled with the constant sound of crashing waves precipitates these sweet thoughts in my mind, as I stand and watch this confluence of the flowing waters at Rudraprayag.

My mind knows no mantras for it stubbornly remains blank and overwhelmed over this amazing beauty. This view is one of a kind, as I stand at the fork and watch the two rivers merge in front of me. But there is a difference. There is the feeble sound of Om Na Ma Shi Va Ya barely making its way out of my throat as I try to imbibe this spectacle. I am at unrest and I am still trying to gather myself to experience this world and wondering at the same time what would be the best way to capture it, feel it, in the limited time that I am here. I wonder how I could change my reality, to drop everything and come and stay here because I can feel something very strong in the air, here at Rudraprayag. And I try feebly to grasp this moment, feeling inadequate at the same time that as the supreme energies call, my state is so unprepared to imbibe it.  

The air is chill and yet the sun shines warm, the waters rumble and yet there is rhythm to be felt. The stones erode and yet they shine so smooth and pure. The waters are clear and yet there is color in their depth. He is fierce and yet there is warmth in His formlessness.  

I remembered the sacred texts again... they ran...Rudra, the aghora swarupa of Lord Shiva, the one who is fierce, red eyed, with blazing flames around his flowing locks, sporting a snake for a yagnopavita, decked in gold, holding a skull cap for his bowl, a damaru that he plays and a deadly trishul that he aims head downwards ready to strike through any evil. And then I looked on at the crashing waves in front of me...

No, Rudra Shiva was not all that... not scary... not aghora... not ughra

The form of Rudra echoes every where, in the waters, in the stones, in the white lines that form in the waves of the two rivers flowing furiously by. This heaven is dazzled by the sheen of these clear waters that make up the robes of the Great Lord Rudra and I stare on into the volumes of water that rush away through the hillsides. The thunderous sound of these waters constantly echo the cosmic sound, the primordial sound created by His damaru. White stones are scattered around the riverbed as the rivers run low this winter, each polished stone reminds me of the kabala that the Great Lord Rudra holds in his hand, as he walks through the shamshan. The sun shines through these waves and feels like a million suns shine at me proclaiming His brilliant presence. The rivers flow on as the waves form a trident the tip of which aims right at me, where I stand. Am I the ignorant, egoistic, evil one?

There is raw power and energy in this water as it gushes by almost making me feel the power of His presence enveloping this sacred river bank. But why is my mind closed? Why am I trying to look with my eyes and not feel with my heart?

He is the power, unthinkable, unimaginable, unconquerable, raw wild natural power that is beyond my capacity to understand. He is the all pervading, that which surrounds my humble self in this present. He shines in gold like a million suns, he walks these waters as he steps on each white kabala and he dances to the tune of the cosmic sound he plays with his damaru, the same tune that lies hidden in the flowing waters going by. The form of Rudra Shiva pulsates in this sacred spot, everything echoes his presence. How then am I not able to still see Him?

Related topics:

Shiva Rudra - Tribute to the Red Eyed Lord  

Kalabhairava, the ughra form of Lord Shiva  

KAraikkAl AmmaiyAr - a woman among the 63 Nayanmars  

Significance of the Panchamukha Linga

Sri Rudram - Divine Verses to Lord Rudra

Fated Pradosham at the Sacred Shrine of Ukhimath

In the depth of her splendor
That covers my soul
Do I see the power of Mahakala
Within her sacred womb.
The heavens reveal
In true beauty and reverence
Lord Shiva and his graceful consort
And behold the supreme presence
Of the Shrine of Kedar.

With every step that progressed towards the shrine door, my heart beat faster. I couldn't cope with this excitement but I enjoyed every pleasurable moment of it. It was like a child jumps up in sublime enjoyment when it discovers treasure. Every bit of new vision sent my heart pounding.

This feeling awakens in me a child like happiness because I feel I belong here, I am a part of this pantheon, and I am present here and now in full consciousness at this magnificent sabha, which in my mind is real heaven. My mind and soul now have blended into the subtle reality of this divine presence within this symbolic world.

The shrine chamber of Ukhimath temple is covered in divinity. Lord Mahakala sports his manly mustache etched beautifully over silver with an elegant snake hood covered in flowers above him. The sacred shrine of Kedar sits closely behind with miniature parasols of silver carefully covering its shrine. How joyous was this moment to behold the stark male attire of the Great Lord Mahakala at the central shrine and the small and elegant Kedar shrine in silver, all within the same room. Behind these sacred symbols of divinity, stood the glaring sculpture of Kala Bhairava on the wall with his big silver laden eyes staring straight at me. The Kalabhairava here is very similar in flavor to that at Pashupatinath, Nepal.

The presence of Kala Bhairava and Mahakala as the primary shrines at this temple of Ukhimath, echoed the ancient tantrik rituals of the night. This was a great seat of tantrik practice, a little different from Tungnath but strangely similar also. The depths of Ukhimath temple's ambiance began to reveal itself to me. In the warmth of her peaceful garbha griha was housed the history of a serious and intriguing mystic past. 

With her inner shrine explicitly presenting more forms of Shiva than one, Mahakala's gentle look took me all the way back to Ujjain. Mahakala is probably the only form of Lord Shiva who sports a mustache. As I advanced to the adjoining mandapa, there were exquisite sculptures of Shiva and Parvati adorning this little room. The Shiva Parvati idols in copper have their own charm and Nandi stands in bronze at the center of this ardha mandapa.

Darkness had set in, the shrine doors had previously been closed in the early hours of the evening. We patiently waited for the priest to finish his endless conversation with another devotee, and open the sanctum to give us a better view. Little did he know that I had a plan to sit there longer than he thought. This was the most profound moment of the evening. Pradosham hour was coming to an end and the Lord Mahakala made sure we were there for it. He gave us darshan, as the priest came to open the doors to the shrine.

The grandeur of the inner chamber was alive and brimming as I sat at the door step quickly taking out my wicks and lamps. The ghee was stone cold and digging into its depths was a task. We lit two diyas and with all humbleness we presented Vilvam leaves that we had brought all the way from Chennai as a small gift from us. We stayed there for some time and the exclusivity of the moment made us feel even more special. For an active temple like this one, during the moment of pradosham at the Lord's feet with only a priest with us who didn't push us out because it was getting late, this was completely enjoyable.

What a difference this was from the rest of the temples across India that we had visited so far. The silence of this temple echoed my voice as I sang out the mantras. I felt blessed as my voice reverberated within the grand walls of this Sabha. All the heavens were there to listen to these prayers as the priest joined in the singing too. Rudram, rumbled through the walls as sacred vilva fell over the shrines. The Lord of Kedar had received our gift. I could have danced around the courtyard!! We took another 15 minutes well past closing time. The priest favored us saying it was God's will that we should visit and light ghee lamps. Our lamps were placed inside the inner shrine, to shine through the night as I bowed to the lord in all thankfulness.

This experience was strangely one of a kind in these times. There was no noise, there was no corruption but goodwill, there was no pushing around but patience, there was no haste but worship, there was no argument but respect for a devotee's time with the Lord. And all of heaven was open, listening to my heart sing out. What else could I have asked for!

Photo source: Unknown from the internet

Ukhimath Temple - A Silent Bride in the Moonlight.

Paulo Coelho had once said, if you want something the whole universe conspires to get it for you. Sure enough! It was pretty much the same story with us.

Tungnath was the highlight of the day and the related ecstasy didn't allow us to descend at the appropriate hour. Winter in the mountains is a little different. The world is awake as long as there is daylight and once the foothills plunge into darkness there is no life, no movement, no activity.

The descent down Tungnath was even tougher in the slippery ice and we paid for it with a precious hour of daylight. Exhausted and a little disappointed that this great moment had come to an end we were in a partial mind to go to Ukhimath. As the car swerved along the rough hillside road with occasional thrills of hanging off the cliff edge into the gaping darkness of the valley below the driver decided to drive up to Ukhimath temple to check if it was still open.

The biting cold, the exhaustion and the drunken bliss of Tungnath, made Ukhimath that much more inaccessible in the night within our minds. And yet, as the eyes strained to keep open, we hazily saw the night lights of Guptkashi on the opposite hill make dots of the letter OM floating in the dense darkness of the surrounding forests. It was two nights away from Poornima, and the moonlight was slowly beginning to awaken the silent beauty of the night among the hills. Dotted lights skirted by, and the road was bumpy as ever with sharp turns as it went winding along the hill side. The landscape looked like the sky had opened itself straight to us merging with the star studded hillsides appearing like a completely enveloping universe as we floated through it, it was magical. We drove up to a halt to see the bright light of Ukhimath shine over its finial.

Ukhimath was a different world. Living, breathing with energy and pulsating within its nest over the hillside. Silence and darkness had descended over its ambiance. This Pradosham day was blessed and I don't know how to explain it. It was not about visiting a temple, it was not about making it on time, it was not about lighting a lamp to the great Lord Mahakala... it was the melting exhaustion, the extended beauty of the ancient world and an even higher bliss when I beheld this quaint temple clothed in color so unique that it appeared like a coy bride in this star studded night. Words cannot explain the excitement, through my confusion of wanting to visit this temple in daylight to observe it closely.

Ukhimath temple courtyard is a place I would like to be in forever. We had barely made it to the temple, as we asked our way around to the courtyard to be faced with colorful glitter of this small temple so coy and shrouded in subtle blended light. 

Ukhimath awakened my fantasies about the past. The style of this courtyard, the presence of wood and stone instead of cement, the walls that just hid the surrounding hills from us, and the dancing maidens on the walls who entertained the heavenly celestial world dotting the faceted walls of the temple, plunged my imagination into its finest state. To amalgamate one self into the real, where imagination takes over the present, the aura of the place envelops me and I forget that I belong to NOW [defined by time and change of this era] is a relishing experience. Ukhimath temple appears like a maiden resplendent in rich garish colors, decked in electric jewelry, diamond studded and glowing, draped in bright colors, subtly teasing in the dimly lit night.

This temple lies coy in the shadows of her courtyard like a graceful maiden waiting to be wedded, revealing bits of her color as we strangers walk around discovering every wall that protects her. Gasping for breath, filling my hungry eyes with this splendor, I bathed myself in her resonant beauty as I made my way into her inner shrine.

How dream like is this moment!

To think that I had previously scanned the landscape as the driver pointed out the roof of Ukhimath temple that teased my eyes with her presence on the opposite hill the previous day, I was standing here and now waiting for the celestial world to welcome me into her world. My heart had been excited to visit and though Tungnath took over my consciousness for the entire day, Ukhimath presented herself in the dim light of the moonlit night, most gracefully.

Am I blessed to be here to witness her presence in full beauty and elegance and bathe myself in her ambience. There is silence, there is warmth and yet, as the chilling winds whistle through her courtyard there is subtle presence of life brimming within her walls, awakening my soul and challenging my emotions that lie dormant with me.

To be continued...

Sacred hour of Pradosham at Tungnath

To visit Tungnath in the bleak winter is an opportunity, to make it to the temple on Pradosham day is a bonus. It was that blessed day in our lives that the weather proved to be friendly and the snow at Tungnath had not entirely set in.

The climb to Tungnath proved to be extremely energy sapping, 3500 feet up slope in 3 kms was a lot more tougher than the endless walk to Tirupati. This added to the sub zero temperatures atop the Himalayan foothills where the water didnt flow to the end of its fall but froze half way. This land, these hills, which holds Ukhimath on one peak, Guptkashi on another, Kalimath on a third and Tungnath on the fourth, not to mention Kedarnath which was not in our radar yet... are breath-taking and beautiful.

We had finally managed to trek all the way up. The experience left us speechless, confused and energized as it seemed more like a physical achievement than a spiritual haven to visit. The real Tungnath fills the mind with excitement at the first sight of the flag atop its finial. Gasping for breath and not even having scaled 3/4ths of the distance left us tired with a hollow in the pit of our stomachs but at the same time the mind and the eyes were filled with the most beautiful panoramic view of the Himalayan peaks. Such extravaganza, such virgin beauty lay sprawling all around us as we attempted the next few feet still gasping for breath.

Dry, cold winds sing in the ears, towering peaks appear stark and naked clothed in snow and as we necked up with the range, the temple on this formidable peak looked unreachable as probably the highest ever point. The warmth of the sun was welcome, the feeble heat burned us as we made it up to this quaint little settlement precariously perched on the hilltop.

Why would a group of people in ancient times, want to brave these bleak temperatures and climb all the way up here to build this magnificient temple with the exact rules of architecture and iconography as those found in Bengal or even Madhurai for that matter. Why would there be a seat of serious learning secluded so high up on a mountain almost inaccessible to all in these bleak winters to not just preserve a tradition of deep thinking but to make it a way of life at sub zero temperatures.

I stood here high up on this mountain, having being robbed off my belongings, my identity and having no connection what so ever with the known world. I was lost, in this silent world with no phone, no internet, no money and no identity. I was myself, an individual here and now, in the present, in this beautiful moment that appeared so magical. I was an entity, with no name, no history, no background, no connection and no possession. I was the one, truly detached from all familiarity staring up at this half ruined temple wondering about this blissful relationship I was at this moment sharing with Lord Shiva, whose presence echoed in almost all the stones that made this ancient temple.

I am part of this ancient rule, I am an entity in this ancient world, I am the mantra that flows out loud as I place Vilva leaves gently on this Sahasraha Linga that sits firm at the temple door. I am the lamp I light, I am the sweetness in this moment, I am the only reality that brings this small gift of ghee lamps and vilva to the Lord atop this sacred mountain this bleak winter morning.

The sun slowly starts to descend, the cold winds take over as my mind finds its way back to the steep path way that brought me up here. My heart flows with love for this land, for these mountains and for the purity in this air. There is no person, there is no aim, there is no thought... there is just pure love that flows this evening at this sacred hour at the great temple of Tungnath.

To be continued...

Photo courtesy: unknown from google images

Goddess Tripurasundari, Oh Goddess of Love

Oh Sweet Mother

Who is seated on the lap of the Lord

Who is seated in this divine realm

Who has won his mind and heart

Who rises out of the lotus of HIs divine navel
Who resides in the warmth of his arms

In the silence of this moonlit night

As the crescent moon dances on her fore 

Reflecting his potency in her eyes

Oh this elixir of life 

That shines as bright as His third eye

Oh Goddess of love

Oh Kamakshi, lover of the great Kameshwara

You are the swan that swims

In the Manasa lake, in the minds of great saints

You hold this sugarcane that represents my mind

You are the form of pure consciousness

You who are the essence of the Hamsa Mantra

Dancing to the tune of every reverberating breath

Composed of Brahma, Vishnu, Rudra, Iswara and  Sadashiva

You are that beauty transcending both good and evil

 

Oh great goddess of love

Oh heavenly goddess of purity

Oh graceful maiden who walks 

in the shallows of my dreams

Oh consort of the great Lord Shiva

Your beauty is beyond words

Your love so overwhelming

Your feminity so divine

Your form so sacred

Sweet music dissolves my soul 

Tingling bells of your girdle sing

As you walk your graceful gait

Your enveloping beauty in shining gold

Your elegance that blankets your power
Oh Sweet mother, daughter of this earth

Oh Red hued Goddess

Dressed in garments of yellow gold

I place this yellow flower on your brow

I apply this kumkum on your being

I worship this form, the sacred Sri Chakra 

Oh divine goddess studded in precious stones
Awaken me to your super consciousness

Remore this veil of dense Maya

Bathe me in your divine Love

Free me from this bondage of Karma

Bless my soul to reach the elixir of Soma 

That resides on your crown

This sacred ambrozia forever be mine.

Inspired from the Lalitha Sahasranamam

Tungnath, highest abode of the great Lord Shiva

Chilling winds blow through the mountains as the fog descends on to sacred land. There in the horizon, high up overhanging the cliff stands a small temple, with a character so profound, my feet remain stuck in the earth as I look up to this splendor, this beauty that feels like a divine gift from heaven. 

Brass bells hang down inviting me into this mystical world of beauty and power that I wonder as why I am wasting my life in this mundane reality when my heart yearns out to be with the Lord, here in his heavenly abode. 

Lost in a world of its own, inaccessible to all those who either dont know or dont care, cradled in the lap of mother nature, with a few ancient stones put together to sanctify a presence of the Lord who once graced this planet, here stands the small and quaint temple of Lord Tungnath Shiva. 

The Garhwal Himalayas tower around as a protective cover to this splendid workmanship once meticulously put together in stone. Such is the poetry that mystically covers this land, this earth, this temple, the sacred hands that once fell to the earth when Lord Shiva tried to escape from the Pancha Pandavas. 

The bells ring, reverberating sounds pierce the air as the fog clears to let the bright sunlight through. White clad, ice laiden, transforming this beauty into a mystical maiden, Tungnath temple leaves anyone breathless over how beautiful the world can really be. The red flag of the Gods flies hight up into the air, the eroded rock wake up to another day of chilling weather, and the white snow gleams in the sunlight describing the untouched beauty of Tungnath. 

My feet penetrate the snow that blankets this earth as the sunlight directs me to the open doors of heaven. My heart melts, my emotions sink, my eyes are frozen staring into this clear silence in the wind. Nandi sits in divine presence, the sound of OM becoming even more clearer as he sits at the doorstep of Lord Shiva in silent meditation.

In this chill, I sit for a while, closing my eyes, feeling my breath as I descend into meditating on the sacred verses of Trayambaka Shiva. There is nothing here, simple void, just the stark presence of the Lord makes one feel in union. The chill in the air, the clear blue sky, the constant sound of the bells, the sweet verses that roll out of my self and the deep breath that gathers momentum after repeating the sacred syllables. This is meditation, this is dhyanam, this is what the world looks like when we give up all materialism and desire. 

The belief that great souls once walked this earth, the faith that there is power and purity in this land, the living power of sacred meditation now housed within stone walls of a small quaint temple, built centuries ago to preserve the truth that divinity still rules, love still exists, surrender is the only path and enlightenment is the only way forward to the next life. What a different thought, what a different feeling to live this profound worship.

The Eternal Dream of Bliss

I sit here swinging between two worlds. I met her, a practicing tantric and what a wonderful woman she turned out to be. She unraveled her life, a life that appeared to be a part of me. She sang her way through, she is the ultimate romantic. Just watching her is a pleasure. Just listening to her sweet words is an experience. Being with her brings me this uncanny joy and excitement I have never felt before. She once knew the real meaning of Bhairava, she once practiced Tantra.

With her presence my whole imaginary world of the Gods sprung back to life. The Lord reappeared into this intoxicating space. He lured me to this world of magic, of divinity and of such amazing charm that one could lie there swollen with love, paralyzed and drowning in bliss.

He breaks out of his stony shackles; he dances the wild dance of love. He awakens in me this strange frenzy that is waiting to just burst out of my contained human self. I am wild, I am free. I am that which you do not see. I am the eternal Bhairavi locked in this human temple for this life.

In this mystical realm, where all the Gods and celestial beings live, where charm and beauty are beyond the unthinkable, where intellect is pure and of superior nature, where the language of speech is that within the mind and where the essence of life is pure energy and love. There are no secrets, there is no good or bad, this is my world, the celestial land of the dancing Gods.

Nataraja dances gracefully, his long locks sway in gentle waves in the wind. Parvati seated in divine charm, a golden glow that surrounds her envelopes my heart. Chamunda and Kali bring out their wilderness, such depth in their beauty, such warmth in their eyes, such power in their being I have never seen or felt.

Is this the real worship in my heart, are these the silent depths I ache to see, is this that mystical world I want to be a part of... O Divine Lord, how much longer do I wait to have a glimpse of your divine feet? To be a part of divine land, to take a dip every day at the Ganges, to feel the cold of the mountains, to breathe the silence of the cave, to bathe in the tranquility of life and to view the very Lord every day...Ah! What a life, what an eternal moment of joy.

My eternal home, by a small shrine made for the Lord, by a small kund that holds water so pure, by the walls of towering mountains. To live on sacred ground surrounded by Shiva lingams, to live under the shadow of the divine Trishula, to be a part of that charming archaic world in stone, to smell the pure air and listen to the reverberation of the temple bell echo around the hill side... what a life.

Photo courtesy:
James G. Lochtefeld
personal.carthage.edu

The essence of Shiva Bhairava

Look up to the bright sky and train your eyes to see the brightness in it, you will notice the faint clouds that glow even brighter in that light. Look up to the sun for a few seconds and maintain the gaze even in the brightness, you will notice it is round and glowing even more. Keep silent and close all your sense faculties and kill all the noise around you and you will realize the primordial sound OM grows within you.
This is Bhairava, This is Shiva, This is prana.

Prana, as beautifully described in the Vigyana Bhairava Tantra, is not the breath that goes in and out, but the eternal space that can be felt between any two breaths. Prana is not the air we breathe but it is the energy or life that is generated by the constant vibration between any two breaths. This is where OM is felt.
This is defined as Bhairava, This is defined as Shiva, This is Prana.

The human self is described most poetically; we are but a lotus plant, whose stem is blue on the outside and red on the inside. We are but a lotus plant whose stem is the channel through which Shakti flows upwards to meet her Shiva at the seat of consciousness. We are but a lotus plant immersed in the waters of Maya but enlightened at the epitome of our consciousness - the thousand petal form.
This consciousness is Bhairava, this feeling of bliss is Shiva.

When your senses shiver and your mind becomes still, and when you quiver, feel this bliss. When you practice love in the ritual of union feel the quivering of your senses like the wind in the leaves. You will feel ecstatic love. At the start of this union, be in the fire of this energy released by intimate sensual pleasure. Merge into Shakti, burn in this space but avoid the ashes in the end. Feel your substance, your bones, your flesh and your blood saturated with cosmic energy.
This is Bhairavam this is Shiva, this is supreme bliss

There is beauty in the emptiness of space devoid of trees, hills or dwellings. There is poetry in the fire of life that burns all illusion to death. I see the entire world burn as a blazing inferno and when all turns to ash, I feel this space that envelopes me, I feel the entire universe dissolving into subtler form until it merges into pure consciousness.
This is Bhairava, Thihs is Shiva, This is prana.

Waves are born in the ocean and dissolve in the ocean itself, flames are born out of fire and dissolve in this fire of life. The sun appears in the sky and fades into the sky itself. The self rises in the realm of knowledge and energy and slowly being deprived of it, dissolves into itself revealing to us our true being.
This essence of subtle life is Bhairava, is Shiva, is Prana.

The character of Maya

Adi Shankaracharya has composed 5 stanzas of excellence that describe Maya.

Three Stanzas that really made me smile are:

Stanza 2: Maya, which is an adept at making the impossible happen, makes even those who have mastered the Vedas and Upanishads behave no better than a four legged animal by tempting them with wealth and possessions. What a pity!

Stanza 4: Maya, which is an adept at making the impossible happen, creates in the pure bliss-consciousness which is devoid of attributes such as caste, creed and the like, the notion of "I"-ness, of looking upon oneself as Brahmana, Vaisya etc. as well as attachment to son, wife and home

Stanza 5: Maya, which is an adept at making the impossible happen, creates in Brahman which is homogeneous, without any parts, distinctions such as Brahma, Vishnu and Shiva and thereby perplexes even the learned by making them look upon Brahma, Vishnu and Shiva as different from one another.

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When we see a movie we get emotionally involved in the story, we feel we are a part and we emote with the actors and have opinions of good and bad, right and wrong, funny and smart etc as the characters unfold. As the plot thickens, and the movie gets gripping, we forget the outside world and once the movie is over we snap out of this illusory world of which we were a part for the last 3 hours.

Life as you and I know is quite something like that. Here the plot appears much more real, the players are real, the problems appear real and we come with a preconditioned mindset that doesn’t allow us to see beyond. This is the world of Maya. There is nothing new about it. The only thing we tend to forget is that the movie reel is generated in the mind.

Through each day we wake up to, through each sun rise we see in our lives, the mind sets itself to a set of tasks that need to be done, people who need to be dealt with, moments that need to be lived. The mind works within a framework of thought and emotion, thought that creates the perception and related emotion that makes a person experience it. And so, we get so sucked into it that we fail to see that our perception of the event is a working of our mind and not the actual event in itself.

Once that distinction is made a few questions can come forward. Few questions that are dared not mentioned in a social environment because perception reigns supreme, and collective perception is very dangerous to deal with. Therefore, everyone wants to be perceived the right way irrespective of whether they are that way or not. And it’s amazing; our entire life just goes off in this perception building contest, with a never ending list of events to support. What a waste of time and live and energy!

Spiritualism addresses this illusion, this perception contest that we are in, all the time, at home, at work and among friends. To most this Maya appears like the only thing life has to offer, but to some this is the most claustrophobic environment to live in. The nature of Maya is that of a thick cloud that envelops us, and its presence as an illusion that cages us, becomes even more apparent when we begin to want out of this illusionary drama we are forced to play every moment. But when does one get this feeling of suffocation?

If we have it in us, the thought should arise in itself and question what the word illusion is in the scriptures. It’s a widely used term with no explanation that draws a parallel in our real life. So let’s take a real life situation. Living in a corporate world can be one of the most energy sapping experiences since we want to do things our way and at the same time dance to the whim and fancy of others. We can have a missile coming at us anytime so we work hard enough to make this perception work in our favor, much more harder than we actually work on the job given! There are only 2 ways out of this long endless journey, either we get sucked into it or we want out. If we get sucked into it, there is no way we are ever going to realize the density of this cloud but when we begin to want out, is when the suffocation can really hit.

On one side is the materialism we are used to, on another the greed for that monthly income that sustains our world, and on the third side we have a jumping mind that doesn’t quite know which way to go and we are so controlled by it.

The best example I can think of to describe Maya or illusion is like its a radio channel. The best time to experience it is when we are coming out of anesthesia. Doctors advice that the patient will mumble things which should not be paid heed to as they largely "don’t make sense". The "don’t make sense" describes the presence of the subconscious and that apparent reality of which we feel we are a complete part before we come back into this world. It’s the only time the subconscious and the conscious world are in equal footing for a few hours before we tune back into this world. We live in two places, and if we look close enough the subconscious takes over as dream by night. Its another real world we belong to in a different state. How then can we dismiss it?

Given that our conscious state is far stronger than the subconscious state, we tend to believe we belong to only one world. But when we wake up from a dream or come out of anesthesia we realize we belonged to another world far more strong in emotions and intensity but far more subtle at the same time. What a fantastic world to be in. If the subconscious were that real, we would be of a different nature. Our intensity would be of a much more superior nature, our presence would be much more overpowering and there would be no room for superficial living. The power of the mind is amazing, and God alone knows how different the real world would look then.

Sweet people wake up, for if we thought we were awake and living... we are in deep sleep right now for the subconscious calls and that road is defined as spiritualism.

Mysticism in the Sri Chakra Puja

Mysticism is an ocean of unexplainable phenomenon... well what can I say about it, except that the ingredients are different, the rules are different, the results are different and the acceptance of it makes the world look very different.

Rahasya is a beautiful word. It describes the law of the divine system of the Gods, and the inner meaning and powers and the benefits there of. The power of the Sri Chakra is one such rahasya. Puja is a beautiful system which defines the rules of adoration with the elements of sound, divine geometry that is interwoven with the very being of the worshiper. The art of Yantra Puja, brings a balance between the energies that surround the outer world around the devotee and that of the inner world within them.

Once the association of the devotee starts with the Sri Chakra, the central Bindu of the Yantra maps with the center of the devotee's own inner being. The center of the Universe that are centered around this mandala represent the energies of the psycho physical constitution of the devotee concentrated within. This is the journey of all the forces that are currently diffused to be concentrated towards the center of the being. From here on, with little or no attachment they begin their journey to the center of their own universe. This universe is defined by the same concept that pronounces the journey one makes from the entrance of the temple right up to its main sanctum in its structure, or the movement from the outskirts of a great ancient kingdom to its inner palaces or from the outside world of Maya to the inner realm that lies dormant within oneself.

In this realm, two things play a strong role, that of consciousness and that of energy, both of which are available to the devotee in abundance. Consciousness is the "Shiva" element within the mind of the devotee while energy is the "Shakti" element. When a devotee settles down to Yantra Puja, and gets into the state of divine dialog with the Sri Chakra, they begin to give up the external world around them and start to drift towards the realm of the inside. From here on, what appears to the outside world as "peace of mind" actually is the starting of a whole new life that is defined by the very Yantra that they worship, within which divinity has been brought to reside.

The Yantra is the very nature of the worshiper and breathes life giving energy into the realm of the worshiper thereby bringing harmony and wealth and prosperity as perceived by the outer world. But in the mind of the devotee what matters is the mysterious world of which they have now become a part. Here the rules are different. There is no transaction, there is just divine love, faith, surrender, cause and effect. Here there are just states to be in and each state has its own characteristics. Here society and order have no room. This is the inner realm of the being, of the self where only divine reality matters.

In this world, the Yantra becomes and active player, the life giving source of all energy and with every passing worship it makes the devotee stronger in their zest for life and for death. Life and death appear like two parts of the same reality, life being one state that transits into another that is death. The mind experiences a lot more magic, unexplained and yet spectacular. The signs are all over the devotee's mind. Its a moment of awakening when the devotee realizes that ancient symbolism was not really a creation of man's imagination, it was a gift of the Gods that got left behind as visual proof, the source and logic of which is still being rediscovered. In this state Lord Shiva and Goddess Tripura Sundari are more real that the people who are part of one's external reality.

The Sri Chakra begins to breathe life into the devotee's world. The gates to heaven open in all the four cardinal directions, the 16 petals of time bloom and all the stars begin to let go their clutches, their influence on the devotee's life. The great guardians open their inner gates and the attendant yoginis come alive to dance and worship the great goddess within. The inner world awakens, each divine being in their respective Koshas, display the extravaganza of their nature, waking up this inner world, of beauty and divinity to the devotee. This is the divine realm, of silence and pure sound, of light and powerful energy that awaken within the physical mass of the human mind. At last, the inner world comes into divine reality, the four great pillars of life, of direction signified by Brahma[North East], Vishnu [South East], Rudra [South West] and Isana [North West].

This journey is powerful, different and once its started there is no going back. In the language of spiritualism this is termed as realization, an irreversible process within the mind. At the center of this experience is the Anugraha form of the Goddess, that of Sadashiva and Kameshwari represented by the color white and that of color red. This is believed to be at the peak of Mount Meru, at the sacred uppermost peak within the human being at the Sahasrara Chakra. This world is illumined by the subtle beauty of the crescent moon, by the brilliance of the sun and by the burning desire of agni within the mind of the devotee. This is divine union a smaller representation of which in the outer world is the miracle of child birth in our reality.

To the divine parent I pray
Who reside on my fore
Who awaken the crescent moon of my being
Who are at the epicenter of my Bindu
Who breathe life into me
And produce the sacred sounds of divine life at the Nada
I pray to you, O divine parent,
Bless me with a life
Complete with my earthly duties fulfilled
And lead me back home
To the divine realm of your world
In this hope I continue to live
To catch a glimpse of thee
From within the limits of my finite self.

Related Posts:
Bindu Visarga - A drop of moon on the crown of Tripura Sundari
Maya, an Integral part of Shakti
Sri Chakra Yantra - From Sri Nagar to Ujjain
Chandra Yoga - The moon light, a drop of immortality

Ritual - A science more than just a superstition

Sound, stone, darkness, light, water, flowers, incense, and most importantly the very sacred shrine that resides deep within the temple brings a glimpse of that mystical world that is fast leaving us.

Mysticism, is in that energy that we believe we derive our peace of mind from.
Mysticism is in that energy that we cannot explain even if we feel it.
Mysticism is in that energy that is charged when we mix sound with fire and water on material like stone and metal with a drop of color.
Mysticism is in that change in the environment that takes place after the ritual is performed.

Is there any equation in current day science that we are so strong in believing that can define this theory:

Sound + fire + water + stone/metal[prescribed] + fragrance + oil/ghee[natural extracts] = energy unknown but profound!

The constant in this equation is line + conductor of electricity[veins/nerves] + mind [Bhakti/concentration/meditation].

The catalyst in this equation is mollusks + color + fruit + cow + location

The result is the generation of an energy of such a kind whose nature cannot be defined by language as we commonly know it.

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Equation:
Sound - as defined by beeja mantra, small capsuled syllables that have been predefined and are not part of regular spoken language.

Fire - as defined by the oil that holds the flame in a lamp or as defined by the fire that is worshiped during sacrifice [homam/havan]

Water - as defined by an integral methodology of bathing the concerned element that holds the energy

Stone/metal/mud/wood - as defined by the stone [marble/stone from riverbed/black stone] or metal [gold/silver/copper/brass/iron - panchaloham idol] or [yantras of deities on metal plates] or mud/wooden idols

Fragrance - as defined by flowers and fruit and other offerings like incense

Extracts - as defined by oil/ghee/honey

Constant:

Lines - As defined by the mystical diagram representing a deity, encompassing their nature within it

Conductor of electricity/charge - As defined by the wiring within us [veins/nerves/blood]

Mind - The machine that keeps this experiment running constantly, should it have enough input in terms of Bhakti/concentration.

Catalyst:

Mollusks - Offering of water through sacred shells taken from the depths of the ocean

Color - The color depicted in matter like kumkum, ash, sandalwood, the dress color of the idol in worship [Devi is red]

Fruit - The essence derived from natural bodies for this experiment to sustain

Cow - A strong catalyst that delivers greater results with offerings of milk/ghee/curd/urine/excreta in certain prescribed ways.

Grass - As represented by Kusha or Darbha, to keep the purity of the location

Location - should be ideally remote/hill top/river side/lap of nature.

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Result of the experiment if performed continuously in the form of "ritual" or prescribed methodology has a good chance of rendering the human being energized, peaceful. If performed at certain times[Purnima/pradosham/Ammavasya] in long duration can charge the body further to be able to evolve into a greater realm of states that are yet to be discovered.

Seat of the experiment in material form - Divinity within a shrine
Seat of the actual experiment in the formless world - In the Mind of the person performing.

Should we agree to accept this process as a scientific theory yet to be realized[by us of course] we might just respect our ancient system a little more than what we do mechanically at the moment.

This is serious methodology and not a superstition whose results are yet to be gathered and believed in. The methodology is called Puja in lay man language.

Maya, an Integral part of Shakti

Vaishno Devi Shrine

The Thirumanthiram quotes:

"From thence evoluted Maya
Latent in Shakti like lustre in crystal
Mighty its power
Beyond power of speech to recount."

There is such beauty in this line. Isn't it our perception that rules us more than what really exists in reality?

This is a small example of how our own perception can imprison us into this web of Maya that we make judgments based on our own futile ignorance. I visited the doctor recently for a minor checkup. As I discussed about my ailment to the doctor, I noticed a skull kept high up on the wall that immediately took my fascination. I requested the doctor to allow me to hold the skull in my hand. It was an amazing feeling, to hold something so remote, so feared, and so repulsed. I looked closely at it and imagined myself at a shamshan ghat holding the same thing by night, near the fire and sprinkling mantras to the air calling the Goddess Kali to my doorstep. I smiled and kept it back.

When we reached home later, I raised this subject with my mother, who had also visited the clinic with me. She seemed very comfortable with me holding this skull in my hand at the clinic, but she had no idea about my thoughts :). I asked her the question again. It was so peaceful, and so harmless to hold this skull in the doctor's office. But if I had worn an orange or red outfit, smeared large amounts of Kumkum on my forehead, held this very same skull in my hand in the darkest of nights at a different location, a shamshan ghat for example, and done nothing else, how would she have reacted to it? It was equally harmless there too, and I am calling no Goddess or indulging in any malevolent practice and yet I would have looked deadly, scary and mystically more powerful than ever.

Isn't this perception? Isn't this the description of a mind working overtime, with biased information already fed in; that anyone in this attire in this time of the night holding such objects is "evil" or "scary" and better off left alone? But should I walk into a doctor's office and wear simple clothes and a much smaller Kumkum, in light, I would appear so much more friendly! And yet... the "I" is missing in both these perceptions.

None of these two perceptions describes my personality. None of these two perceptions looks at me the human being and my nature of what I am, but both focus entirely on the exterior of what I wear and how I appear. In short both the perceptions are deceived by my "luster" and none really look at the quality of the "crystal" within me.

Similarly, in this beautiful poetic verse described by the great sage Tirumular, Maya is described as the perception we have of the Goddess and not the Goddess herself. Maya, with all its complications is but a figment of our imagination. It’s an illusion we simply love, are too familiar with and do not want to get out of, so much so that we make it difficult for those who want to try.

Maya, is such a thick cloud of illusion that it doesn't let our mind, or senses even seek that which is in our subconscious. It is so full of deceptive action that we spend our waking hours, our concentration, our time, and our energy trying to live in that illusion without even realizing we have spent so much wasted effort in the wrong place. Maya is that barrier that exists between our consciousness and the world that lives in our subconscious and that glimpse is best found in its purity when we try to seek it within ourselves.

If we were to live this verse as sung in the Thirumanthiram, then we need to be aware of the conscious world, and not let it affect us, making it insignificant enough that it has little or no value in the world that lies within us in our subconscious. The Goddess to whom we have given form and color and power, is that inner energy that we still fail to realize is lying buried within us, unknown and we still remain enamored by the luster of life, of Maya.

Shakti is that which is beyond the Maya as we know it, Shakti is described as that which is beyond the life as we define it and Shakti is that which we experience when we attempt to take a dip into the subconscious world we have built within ourselves. We still remain blindly disposed to the luster of life, we barely even know where the crystal is to be found. The real beauty is within and we so don't have the power to conquer it for we fall to its luster, to its Maya, to its glitter, to our perception of it.

In the darkness of the subconscious, beyond the illusive light of this luster, lies the power of Mata, of the Goddess that remains untouched. She sits there silent, in darkness, in her reddish sheen so subtle that we do not know how to define and perceive her beauty. She is pure, sacred, and formless but her presence is experienced in her warmth as a beautiful Goddess, shining bright as her golden halo radiant with life, the crescent moon glows like a drop of amrita that rests on her all divine self. This is her all encompassing self that is so beautiful to experience, that even words fail to break the barrier of speech to describe her.

She is silence, She is void, She is light, She is beauty.

The only way to reach her is to bring the mind under control, with repeated thoughts focused on her such that we breath, think and live with thoughts only about the Mother and nothing else really matters. At the end of some time, the conscious state tunes itself to the same depth in thought to the subconscious so much that there is really no difference between both the worlds. This is when a thick cloud of illusion becomes a thin line and perception is now as pure are real.

Elements at the shrine of Lord Shiva

In this chaotic world
You have come to reside in my home
In this noisy jungle
You have brought silence to my mind
In this blind rush for wealth
You have given me the greatest gift of all
In this illusion of life
You light the fire of enlightenment.

I have often wondered what is it I am looking for when I visit a shrine. I have wondered what is it I feel when I come close to sacred altars. I have sat back to think, how does a person feel the presence of the Lord residing there?

The darkness within a shrine brings a mysterious world to light that is magical and exclusive. There are no words to describe what the heart and mind can feel when the sanctity of the shrine is preserved, and preservation is described such.

Darkness describes the void beyond this illusion of life, it is the darkness in the realm of nothingness. It is the space, the air where nothing exists. And in this darkness, there is a drop of light, that lights up the form of that who is formless. Fire, the beautiful path of enlightenment brings back to our real world a sacred truth that can only be imagined. The fire, is a path that illuminates the chamber inside, fire is the purity that enlightens one and blesses us with divine vision. Fire is so bright that it blinds the eye from all its illusion. Fire is the heat that reduces the ego to ash. Fire is the formless that gives us a glimpse of the form of the Lord. Fire can neither be created nor destroyed by us. That which is ever present, that which just appears and disappears, that which has the power to sustain us as well as destroy us, that which glows brighter than anything else within the chamber... isn't that the very Lord Himself giving us a small example of how vast and limitless he is, like the fire, he can be a drop of light or grow within seconds into a deadly forest fire? He can give warmth and scrotch us to death at the same time. Isn't this duality the very nature of the Lord Himself?

In these flames does one notice the silence deep within, the darkness now cut away as the light bathes the sacred shrine. The wet floor shimmers as the tiny waves of water come flowing down from the idol in mystical elegance. These are the waters of life, freely falling into the abyss of darkness below. These are the sacred drops that cover his form in purity as they drape his being as they flow down. Crystal clear waters form ripples of a thousand suns embedded in its various reflections. What a beautiful sight it is to see the Lord enveloped in such divinity. The formless, the shapeless, that takes the shape of anything its put into, like the atman that resides in any given body and gives it life, and yet it is so pure and crystal clear even if the container is flawed... Isn't this the very nature of the Lord we define in water?

The air is fragrant, the space is so pure. There is a rush of emotion as the eyes are set in a gaze to look up to this life beauty within these walls. The air is thick with the fragrance of flowers and incense. It is everywhere at the same time, all enveloping, and pure, unmoved and stable. It fills the space in this chamber, covers the ether with its presence and one can feel the gradual flowing waves of the sound that carries the rhythm of the sacred mantras spoken. It echoes within the shrine wall, and one syllable fades into the other rhythmically bringing alive the mystical presence of the Lord. How then cant the heart melt as such beauty overflows within the mind of the bhakta?

He is, He shall be, as he stands in the emblem of stone. He is the unshakable, He is that which has never changed. He is the definition of the eternal, that or equilibrium, that of silence and stability. He is and will always be there, through the world around may perish in its chaos. He stays there unmoved, untouched, unhurt...He is and will always be.

The shrine chamber presents to us the Lord, present in all the elements that adorn him, surround him in this miniature grandeur. This is pure life energy that empowers us to go back and face the world again. This is the power that is subtle and yet makes its presence felt if one has to reach its doors in complete humility. How then can we desecrate it with noise and corruption? How then can a priest have absolutely no faith while they utter the sacred verses? How can we tolerate this utter disrespect to the very shrine that protects our well being?

He is the formless, like the fire, He is bright and wonderful like its flame. He is pure as in its whiteness. He appears like the fire and He disappears all the same, but like the fire, he destroys all that has to die but doesnt perish in its flames. He shines in its glow, as the waters of offering reflect His being. He bathes in its pure light as the drops of water rhythmically wash his feet. He is like the water that takes the form of the vessel he resides within. He is always present like the unshaken stone alive and breathing within this chamber in small grandeur as the incense covers His little room. He is real, alive and silent watching the gradual decline of pure faith at his doorstep.

Intricacy of the Shiva Beeja Mantra

Om Na Ma Shi Va Ya

Attainment of spiritual bliss has its various levels. To the totally ignorant just the mention of these syllables is a great feeling of achievement, since they are unable to control their fleeting mind racing from one thought to another. To the more inquisitive kind, these sacred syllables make their presence felt more often by constant recitation yet the significance of it does not awaken them yet. To the connoisseur the skill of pronunciation is of maximum importance, and clarity in each word matters the most. To the lover of Lord Shiva these syllables are pure music, so sacred and divine that even the utterance of these syllables makes them feel supremely blessed.

This is not just about having devotion but it takes us one step further towards the intensity of it. With every level of contemplation on this mantra crossed, there is a new high to be reached.

Om Na Ma Shi Va Ya, does not end here. It extends into a series of verses each starting with a sacred syllable assigned to this summary:

This is the Panchakshara Mantra

Om

Na:

Nagendraharaya Trilochanaya|
Basmangaharaya maheswaraya||
Nithyaya shudhaya digambaraya|
Tasmai nakaraya namashivaya||

Ma:

Mandakini salila chandana charchithaya|
Nandeeswara pramadhanadha maheswaraya||
Mandra pushpa bahupushpa supoojithaya|
Tasmai makaraya namashivaya||

Shi:

Shivaaya gowri vadanara vrinda|
Sooryaya dakshadwaranaasakaya||
Sri neelakantaya vrishadwajaya|
Tasmai sikaraya namashivaya||

Va:

Vasishta kumbhodhbhava gowthamadhi|
Munendra devarchitha shekaraya||
Chandrarka vaiswanara lochanaya|
Tasmai vakaraya namashivaya||

Ya:

Yaksha swaroopaya jada dharaya|
Pinaka hasthathaya sanathanaya||
Divyaya devaaya digambaraya|
Tasmai yakaraya namashivaya||

To the beginner, this is hard to pronounce. It requires skill and regular practice to twist the tongue around to recite each syllable properly. To the intellect, meaning of each word matters. Each word stitched into these verses either describes Lord Shiva in name or describes His actions in praise. For example, Trilochanaya is the 3 eyed Lord Shiva and Bhasmangaharaya is the ash clad Lord Shiva. Pinaka Hastaya is the one who holds the bow and dakshadwaranaasakaya is He who destroyed the sacrifice of Daksha.

At this level of intellect one would like to believe that the recitation of this mantra results in praising the Lord even by mere recitation. It is a time consuming art to remember the meaning of every word that is recited in this mantra. Having got the skill or correct pronunciation and having learned the meaning of each word recited one would like to believe one has done the best and has achieved all that there is to achieve in this.

But is this where it stops?

What we most often omit, which is beyond the realm of the intellectual mind clouded by ego, is that of hard core devotion and in that state we get to experience something else, something that is very different.

There is subtle truth in this mantra, and this goes far deeper. The secrecy in the magnitude of energy embedded in this mantra in not just in the realization of the meaning of what is being recited, but in identifying the rhythm of recitation. Stress and clarity of words matter, but what matters even more is the rhythm and the music it falls into. There is a difference between mechanical recitation and devoted recitation.

Each word in each verse has been selectively chosen to impart a rhythm of a particular nature. Similar words with similar stress level that need to be recited properly in exactly the same rhythm with adequate knowledge of where to stop and where to start with nuances of change in minor rhythmic pattern are strung together in a single verse.

Therefore the collection of words in each verse varies from that of the previous verse giving that beeja mantra its character. The sound emitted when the bhakta recites the first verse gives the bhakta the experience of the rhythmic flow of the Lord’s Sacred damaru beat in that order which is described by "Na". Similarly the character of the sacred syllable "Ma" "Shi" "Va" "Ya" is described by the words of praise painstakingly strung together giving a feel of alterations in sound for each verse. None of the verses appear to have the same rhythm, but the flow of sound elaborated the real meaning of the syllables that compose the summary of Lord Shiva's Beeja Mantra.

Language in its restrictive nature, allows me to explain just this much of the experience. To those who are inquisitive it is a good exercise to keep reciting and listening to one self, to identify this subtle underlying beat in each verse. A level of bliss is felt when we realize the pattern of this beat and start to sing it and make it a part of us, a part of our rhythmic breath. When the excitement of subtle beauty in realizing and appreciating the nature of sound touches us, bliss is felt in its own small way.

The experience of realization is undoubtedly most amazing and hard to leave once it has been started. At the end it is an overwhelming feeling to realize that this is just the tip of the larger iceberg.

[Please note:

There might be textual flaws in this mantra as I have come across 2 versions of it with minor variations.
This post in entirely my personal interpretation of the most sacred verse that describes Lord Shiva, and this interpretation has just started.]