2013 Kedarnath deluge - When the Lord of Destruction speaks

I have been watching the news for a while, looking at the world scampering around to rescue people stuck in the mountains with no help to get away from the great deluge. I heard the news anchors asking those responsible to account for their inaction, questioning whether this catastrophe was man made, whether we had plundered the great Himalayan foothills and not thought hard enough about the consequences. I thought about all the staunch temple rules that get thrown on devotees when they trek so long to see a glimpse of the Great Lord. 

It brought in a few thoughts... few serious thoughts about how we the people, Hindus  view our faith. I am no one to teach it, but I am an observer...and as an observer I speak. 

The story of Baghirathi wishing for the Ganges to come down to earth and give us life giving water almost came to life here. She came down roaring, crashing through the mountains, bringing to life the power of this mythology but with a difference. Lord Shiva didn't stand in the way to hold down her power in his matted locks. This is the power of the river, brilliant, intense, wrecking every little piece of man made atrocity in its path sending home the powerful message, YOU are a miserable small entity of life on this planet so stay that way.

It strangely reminded me of the Titanic, a grand ship that was built to defy nature and and nature consumed it in minutes with no survivors. We dug into the very foundation of the mountains and hoped to have things standing when they actually fell into the storming river like a bunch of miserable unstable pack of cards. 

Then came the picture of Bhairava in my mind, the fierce form of Lord Shiva. As I watched the Times Now correspondent walk through the Kedarnath temple with his shoes on, flashing the camera at the main shrine which is strictly forbidden these days and closing his nose to the stench of decaying bodies around him, all I could visualize was Ughra Tandava. 
Clearly the Ughra Tandava is not a pretty dance, its energetic in a stage littered with the dead, displaying the wrath of the God, expressing his fury when we miserable creatures hinder the ways of nature. I almost heard his cackling laughter. I wondered, I could feel the pulse of his fury, I could realize the intensity of the picture of truth, I could see the face of death as strongly as I saw the face of life and I could relate to the true meaning of the Kala Bhairava. How many of us have the capacity to withstand and love and worship this form? Isn't he so much better within the cage of a picture frame rather than as a demonstration of his capability!

And then came the horror of another possible truth that the people are probably totally unaware of and don't have the time to worry about. Amarnath Linga has disappeared into the waters, and the Kedarnath Linga is neck deep inside a pile of quick sand to a depth of 9 feet [Times Now coverage]. Was this an attempt of the great God to disappear into the earth leaving us to perish in this world that is slowly getting cheated off the sacred emblems that protect it? Are the great Gods leaving us to our peril? Is this the start of the ending of the great Kali Yuga? We have evolved too and our instincts yell out about such a fate a little too loudly these days.

If this is the beginning of the end, its a grand picture to watch, to observe the power of nature as it unfolds. The common thought is why kill the innocent people? I have not lost anyone personally but my heart sinks in sorrow for those who perished. And yet, I wonder that if I had to die, wouldn't it be a great place and a great way to die, at the shrine of the Lord of Kedarnath? I rather die overnight in the deluge next to the sacred emblem and hope for salvation from this existence rather than lie rotting like a vegetable in some god forsaken hospital looking at people waiting for me to die. And if the people were washed away by the great deluge, maybe it was Karma that applied on them. End of the day, no one is innocent and everyone who lives today is a sinner small or big. And of course, the truth is inevitable... we are born and therefore we will die.  

And yet through all this hardship and survival, those who have been air lifted are just thanking their stars that while they went to Kedarnath and wished for petty things, the Lord of Destruction actually granted them another life. The only hope visible in this whole tragedy are the two sacred fresh Vilva leaves that continue to hold fort on the head of the sacred Linga of Kedarnath. Isn't it strange that the lightest and easily damageable Vilva leaf remains protected over the Lord's head while people lie dead around Him. 

The Lord has spoken, expressing his discontent and wiping off those who had to go. The great army of Yama swept through the Himalayan valley picking up all those who perished along with the waters. The Great Mother Ganges, blessed the parched earth with her life giving waters to those who survived. To the great Gods I bow and thank them for this powerful message, for this great spectacle of life and death playing on the stage of the Himalayan foot hills. 

Har Har Mahadev. 

Supreme presence in the material world

"The Lord is within you" is an old saying that makes us want to believe that the supernatural force governing all life, exists within us as well. There is no disputing this fact, but how and in what form does IT exist in, is worth a discussion. Shaivism has possibly attempted to depict this "not so easily achievable" phenomenon in a more grounded reality with plenty of mysticism thrown in. These are concepts beyond the realm of science and that's probably why they are that much more difficult to explain or understand and are left to our experience to realize them. Simply said, Hinduism in some form attempts to realistically paint the super truth by picking very select material items that would not just represent but would also aid the Sadhaka in achieving their goal.

Kundalini Tantra takes the help of traditional symbology to make various references of the potential experience of the divine Shiva Linga, when a Sadhaka crosses one chakra after the other in their attempt to experience super consciousness. In the Mooladhara the Shiva Linga is represented as a Swayambhu Linga or Dhumra Linga, which is smoky grey in color. The Kundalini Shakti in three and a half coils around this Linga, her luster being as bright and piercing as that of lightening. Could this in reality be a representation of the Parada Linga which is grey in color and made of mercury? Does the worship of the Parada Linga in specific help cross the hurdle of the Mooladhara and cleanse the mind of its instinctive ignorance?

The existence of the Kundalini echoes in almost all temples across India. The three and half serpent coil is what is most often seen within the Garbha Griha of the main shrine, bringing the whole vision of the supreme into these houses of stone that represent our womb, the location where this chakra originates. Does it take divine light and consciousness represented by the brightness of fire to have a glimpse of this reality through the art of arti performed at the shrine?

At the Ajna Chakra the supreme consciousness is represented as a black Linga. This is called the Itarakhya Linga. In this state of consciousness the representation of awareness is a more pronounced version of "What I am". Most Shiva temples represent the form of the Linga in black granite. Were the ancients trying to remind us of our original goal having taken birth in this universe by echoing it across monuments of stone systematically across the land, the root purpose of our life being the realization of Who I Am?

The experience at the Anahata Chakra is that of the inverted triangle of Shakti in burning Akhanda Jyoti, the unflickering eternal flame which is essentially the awareness of the jivatma. In the Tantrik texts this Linga is represented as the Bana Linga. It is believed that the Banalingas in reality are the essence of Shiva and do not require any pranapratishta for their worship. These are superior Linga stones are not are easy to procure.

The Bindu Visarga brings with it the cool experience of the moonlit night with the crescent moon shining in the night sky. The crescent moon represents the drop of ambrosia acquired which elevates the Sadhaka's state to that where material sustenance ceases to exist, they completely disconnect from our world. At this point the cosmic sound of OM is heard within the being of the Sadhaka.

Last and by far the most supreme, is that of the luminous Linga experienced at the Sahasrara Chakra. This is represented by the Jyothir Linga which is formless. This is the state of the void, the nothingness where the Sadhaka ceases to exist in relation to "I". Could this in reality be represented by the Spatika Linga which is transparent, and yet almost invisible?

It amazes me that each Linga experienced in the spiritual journey has possibly been represented in material form through natural stones/metals available in nature. How far deep does this search go, how far beyond is the truth and how much closer can it be if its within me to realize?

Jyotirlinga - Kasi Vishwanath, Varanasi

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Kasi-kshetrancha Kalabairava darsanam|
Prayaga madhavam Trushtva Yega Bilvam Sivarpanam||
Maha-Smsana Nilayam Prasanna Spadiga-prabavam|
Vedhacvam Jyothir Roopamcha Yega Bilvam Sivarpanam||

... Varanasyantu Vishwesam ...

The ancient city of Varanasi understands life in a different way from the rest of the world. The Ganges ever flowing sweeps the banks of this ancient city as she flows by. A city seeped in faith, aware that the only truth is death and reminds itself every time with every spec of ash that merges with the river, the essence of life leaves the body to return another day. This city has seen the soul depart every day with every burning pyre reminding us about the only truth that lies is the realm of Shiva.

While the mind dwells on the limitation of life, and witnesses its freedom along the burning ghats of the Ganges, as the ash merges into water, it presents a very different spectacle on the morning of Shivaratri.

As one rises up in the early hours of the morning, to make a visit to the Kasi Vishwanath temple, there is a strong possibility that you get run over by a clan of nagas visiting the Lord on this auspicious day. A river of ash clad naked men just gushes through the narrow street of Vishwanatha temple, and nothing except the Ganges can stop them. Its a different world, of Gods and saints, of a river of ash clad aspirants coming to life and suddenly disappearing into the darkness for another night of Shivaratri.

And then the path is open to us. To step in the direction of this ancient temple, to breath in the air that surrounds it, to imbibe the peace and tranquility it presents is a very different experience altogether. A series of small temples are located deep within the jungle of temples and mosques within this narrow street. And here within this small compound you find everybody. The heavend descend to earth to present its silent extravaganza.

The various shrines present within this complex are dedicated to Vishnu, Virupakshi Gauri, Avimukta Vinayaka along with a cluster of five Lingas that are enclosed inside another shrine chamber called Nilakanteshwar temple. Apart from them,Shanishchara and Virupaksha also are housed here. Interestingly there is a shrine chamber dedicated to Avimukteshwara Shiva, which has also been speculated to be the main Jyotir Linga at Kasi Vishwanath.

The main story goes that this temple was constructed by a brahmin called Divodas on the request of Nikumbha and Aunikumbha. This pleased the Lord and he granted a boon to all his devotees. Divodas wanted to have a son but he was not blessed with one. This enraged him and he went and destroyed the same temple he had built for the Lord. Nikumbha cursed the land and said it would be devoid of worshippers. When the land grew empty the Lord descended again and took residence here permanently. The Lord stands here as a Swayambhuvalinga. Parvathi offered food here to all her devotees and is known by the name of Annapoorni. The Lord Himself is seen with a bowl here, asking for annam from the seated Goddess.This is also a ShaktiPeetham as the Goddess's left hand fell here when her corpse was cut my Vishnu's Sudarshan chakra.

The Shiva Linga here is placed within a square shaped mettalic (silver/brass) pit. The Linga is of black stone. The Lord is worshipped and bathed with holy Ganges water and flowers are offered. The puja to the Lord for the day is complete when the Arti rises into the air and fills the chamber with song and light. Truly its a journey through life to heaven in a single visit to Kasi.















Photo courtesy: Liveindia.com

Jyotir Linga Vaidyanath at Deogarh, Bihar

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Trithalam trigunadhaaram trinetram chatriyayudham |
Trijanma-papasamharam Yega-vilvam Sivarpanam ||

Though this is a write up on Deogarh Vaidyanath temple, there is a strong possibility the original Jyotir Linga is at Parali, Andhra Pradesh... Quoting the stotram - Paralyam Vaidyanatham

It’s a peaceful evening, as one walks around this quaint temple complex. This complex originally had 12 but now there are 22 temples in all that are dedicated to various Gods, the primary deity being Lord Shiva. Temple bells ring as devotees intimate the Lord that they have come to visit him. A bath in the nearby Shivaganga Lake purifies them before they make their way towards the main sanctum.

This temple complex is simple, with small shrines scattered around within its walls. The interesting aspect about this temple is that even today modern scientists have not been able to open a ventilated door; hence the popular belief of the common folk is that this temple has originally been built by Lord Viswakarma. This temple complex is also famous for being one of the 52 Shakti peethas of Sati. It is believed that when Vishnu used his Sudarshan chakra to destroy her half burnt body as Lord Shiva carried it; her heart fell here at Deogarh.

This temple complex lies on the undulating land of the plateau landscape among small hills, near the Shivaganga. The well-lit courtyard of this complex in ancient days would have had fire torches lighting up the various passages around the temples with oil lamps within shrine chambers, bringing the presence of the luminous Jyotir Linga out for any ardent aspirant to witness.

Talking about devotees, there were none as great as Ravana himself, who is known to be one of the greatest bhaktas of Lord Shiva. It is believed that it was his wish to bring the Jyotir Linga back with him to Sri Lanka. He is known to have attempted to raise the very peak of Mount Kailasa, which has been so beautifully depicted in the Ravana Anugrahamurti. Lord Shiva, pressed him down with his toe and promised to give Ravana a Jyotir Linga to take back home, with a condition that should he ever keep the Linga on the ground, it would take root again.

Having accepted the condition, Ravana started his long trek back to Lanka. On his way back to Lanka, Varuna the Lord of water created a disturbance in his stomach, and Ravana felt the need to relieve himself. Vishnu disguised as a lad offered to hold the Linga, but soon got tired and laid the Linga on the ground. With this the Linga was finally rooted to the ground here at Deogarh. Ravana tried very hard to uproot it, damaging it a little in the process. The Linga still carries the chip. Ravana, disappointed with the event, decided to worship Lord Shiva, and came to cutting off 9 of his heads. It was then that Shiva descended in the disguise of a Vaidhya and joined the various heads of Ravana, back on him. Shiva is therefore known as Shiva Vaidyanatha at Baidhyanath Dham.

At the entrance of this temple is a well called the Chandrakoopa well, the waters of which are considered very holy since the well has been built and consecrated with water from several theerthas by Ravana himself. It is believed that all physical ailments get cured when one visits this temple.

They say that this temple went into ruins and was later discovered by a young man called Baiju. According to folklore he used to religiously worship the Linga and hence this jyotir linga came to be known as Baidhanath.

Photo courtesy: © Kundan Amitabh, Angika.com 2004

Jyothir Lingam Sri Sailam - Mallikarjuna temple

Mahonnadham Mahakasam Mahodharam Mahabujam |
Mahavaktram Mallika arjunam Jyothi-swaroopam Namosthuthe ||

Andhra Pradesh, a state baking in the summer heart breaks into lush green carpeted landscape when the monsoons hit the parched lands. The Sri Sailam range has the Krishna River meandering through the foothills. There are places where the river flows inside the mountain, underground and is therefore called Patala Ganga. Legend has it that if one takes a dip in its sacred waters, they are blessed with amazing mind control and purity of thought. They say that even “manaseek darshan” (darshan through the mind) is also very effective here and bears fruit to one’s wishes.

Mallikarjuna is also known to be a Jyothir Linga sthala apart from hosting a Devi Peetham. It has its own share of mythologies surrounding it, in this case more than one event seem to have taken place in history, well beyond the measures of the western calendar.

Chandragupta ruled over a greater part of India, beyond the Northern banks of the Krishna River. He was a benevolent king who for the greater part of his life stayed away from the court fulfilling his royal duties. He had a very beautiful daughter, princess Chandravati who was very pious by nature. One day the princess when to the southern side of the Krishna River into the Sri Sailam forests to do penance. She was accompanied by a group of faithful herdsmen with cattle. She stayed in these forests for a while, and her main diet was milk from the cows.

One day she observed that her cow was not giving milk when the herdsman milked it. Curious to know the reason why, she ordered the herdsman to follow the cow wherever it went. The herdsman came back with news that the cow was yielding milk over a Manikam Shiva Linga (Linga made of Ruby). The princess went over and witnessed this for herself and was left pondering. That night Lord Shiva appeared in Jyotir Swarup in her dream and asked her to build a temple around this sacred Jyotir Linga. The princess built the temple according to the Lord’s instructions and the luminous Lord took the form of Shiva Mallikarjuna. This temple faces east and has a special shrine for Lord Brahma and Nandikeshwara occupies the central hall.

The Sthala puranam has another story to say. Lord Shiva and Parvati once decided to find suitable brides for their sons, Ganesha and Muruga who argued on who would get wedded first. Lord Shiva put the condition that the one who would go around the world in Pradakshinam would get married first. Lord Muruga took his vahana (vehicle), the peacock and flew away on his mission. Lord Ganesha held his hands together in adoration and walked around his parents 7 times. According to the Shastras, going round one’s parents in circumambulation is equal to going around the world in Bhupradakshinam. Having completed first, Lord Shiva got the daughters of Viswaroopan, Siddhi and Buddhi married to Ganesha.

When Muruga returned, he was enraged and went away to Mount Kravunja to stay alone there and assumed the title of Kumarabrahmachari (Bachelor). When Shiva and Parvati went to pacify him, he decided to move to another peak, but stayed back on request of the Devas. Lord Shiva and Parvati came to stay close at Sri Sailam. It is believed that Lord Shiva visits Muruga on Ammavasai and goes back to Parvati during Poornima.

















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