Tripura Sundari Mandir, Banswara Rajasthan
In the definition of Kundalini, this is the source of creation, represented by the dot or Bindu in the center of the Sri Chakra. The Bindu means the drop or the point, or literally Bindu Visarga which is the falling of the drop. This is represented by the crescent moon and a white drop which is the nectar that is dripping down from the Vishuddhi chakra. It is the ultimate source of immortality, that state which is called bliss when this chakra is activated through sadhana.
"From that Bindu came ether, air, fire, water, earth and the letters of the alphabet" - Kama Kala Vilasa
The Bindu is connected with the Vishuddhi Chakra and its seat is at the back of the head, typically where brahmins leave a tuft of hair growing. It is believed during sandhya, the brahmin ties this tuft of hair tighter, and while he practices mantra, he develops a powerful and continuing awareness of this Bindu point. This is one of the traditional methods of accessing the Bindu Visarga consciously.
In Tantra, Bindu is depicted by the crescent moon on a moonlit night. The Bindu is closely related to the kalas, that is the waxing and waning of the moon. The Bindu gives a hint towards the vast void beyond, the Sahasrara. It is said when the Bindu is awakened, the sound of OM is heard within the self. It is also believed that this Bindu, or the moon, produces a very intoxicating secretion, which is nectar or ambrosia or amrita or soma. At this point, the bhakta enters the state of complete bliss and is no longer dependent on the world for sustenance.
Other explanations to the same Bindu define this as the red and the white Bindu, where the red represents the Goddess, alias blood of menstruation. White represents the sperm or shukla. The red Bindu is established as the sun and the white Bindu as the moon, representing the ida and the pingala. There are various interpretations to what the Bindu really is, but what strikes out most is that which is depicted on the crown of Goddess Tripura Sundari or that of the great Lord Kameshwara.
This is a phenomenon that renders the bhakta immortal, supreme and one with the divine. Great sages have made this secret phenomenon understandable to the masses by simple depiction. Simple depiction that hides within itself a supreme phenomenon unknown until contemplated upon.
This is embedded in the depiction, in the music, in the verses, in the songs to the great Goddess Kamakshi, Tripura Sundari. Quoting...
Tripurasundari Vijaya Sthava
[Ode of Victory to Tripurasundari]
Lakshya bhakthi rasardhra hruthsarasije sadbhi sadaradhitha|
Sandrananda mayi sudhakara kala gandojjwalanmoulike||
Sarvani sarana gatharthi samani sachinmayee sarvadha|
Srichakradhi nivasini, vijayathe Srirajarajeswari|| 14
Victory to the Goddess who resides in the center of the Sri Chakra, who lives among those hearts drenched in devotion towards her. She resides in the realm of happiness among those good. She wears the crescent moon on her crown and is the consort of Lord Shiva in her all pervasive form. She consoles those who seek protection in her, who is true knowledge, who is wisdom, who is Bindu, who is bliss all within the self.
Hreengarathraya saputathi mahatha manthrena sampoojitha|
Hothri Chandra sameerana agni jala bhobaswannabhoroopini||
Hamsa sohamithi prakrushtadishanair aradhitha yogibhi|
Srichakradhi nivasini, vijayathe Srirajarajeswari|| 15
Victory to the Goddess Rajarajeshwari who resides at the center of the Sri Chakra, who is invoked by the great chant in the three hreem, who is in the sacred offerings, moon, air, fire, water, earth, sun and sky. Who is worshiped by great yogis who look upon her in the divine form of Hamsa Soham.
Tripura Thilakam
[The Ornament to the Tripurasundari]
Eeshashad unmishada marthya sakhi kusumaavalee vimala tharakaa|
Vrunda Sundara sudhamsu ganda subhagee kruthathi guru kaishikaam||
Neelakunchithga naalakaam nitalabhooshanayatha vilochanaam|
Neelakandasukruthonnatheem, sathathasraye Tripurasundareem|| 3
My heart depends on the Goddess Tripura Sundari who is the greatest treasure of Lord Shiva, who is beauty described in her dense crown of hair which is embellished by the crescent moon she wears, that is surrounded by the very stars of the night sky. This appears like a fully opened flower of the Kalpaga tree. Among her blue locks of hair that gently flow down her crown, and frame her half open eyes that are like lilies blooming in the full moon night.
Lakshm aheena vidhu lakshanairjjitha vichakshanana saroruham|
Yikshukarmuka sarasanopamitha chillkayugamamathallikam||
Lakshaye manasi santhatham sakala dushkrutha kshaya vidhayineem|
Uksha vahana thapo vibhuthimahadaksharam Tripurasundarim|| 4
My mind remains awake towards the Goddess Tripura Sundari, who is beauty personified within the lotus face she has, growing like that of a million moons, and has teeth like the bow of a sugarcane of the God of love, who reduces the effect of all bad acts done, whose blessings is the greatest gift gotten from the worship of Lord Shiva.
The realm of the Goddess, the awakening of the Bindu is a drop of moonlight that descends into the consciousness of the Bhakta awakening him into the Sahasrara, the path to the realization of the void, of the universe beyond. The experience of this is probably far, but the very thought that the moon makes a poetic drop of elixir, brings intrigue and mystery into the subtlety of this great phenomenon, represented by a silver glow of the crescent moon on the face of the Goddess.
References:
Kundalini Tantra: Swamy Satyananda Saraswati, Bihar school of Yoga
Vedanta Spiritual Library.
The name Eklingji is not that of a temple as much as it is the name of a place. Eklingji hosts approximately 108 temples scattered around the green hilly Rajasthani countryside near Udaipur. In this untouched terrain, one is faced with low hills, lakes with proliferating wild life, thick ancient walls and narrow alleys leading into small houses surrounding stone temples...its almost dream like.
Rural Rajasthan is a quiet landscape with architecture so quaint and so different that one could live there and just admire it. Its not about forts, palaces and havelis, or the homes of the once rich and famous but about single chambered temples with a simple mandap in front, scattered every where yet sacred in themselves.
While the sun rises and lights up these ancient wonders into current times, while the lamps light up these otherwise silent interiors, they bring with them an aura of spiritualism far more active and prolific than what we probably have today. These once populous temples just remain historical wonders, waking us up only occasionally to their presence.
In this vast sea of stone structures, crowded with sculptural representations of an open society in ancient times, we have the deep under currents of faith ruling these miniature wonders. One of the most interesting temples, with a difference is that of Eklingji temple Kailashpuri founded by Acharya Viswaroopa, a contemporary of Adi Sankaracharya.
This in one word is "anokha" or unique. This temple is dotted with smaller single chambered temples along its walls that surround the larger temple with two floors in the center of this courtyard that gradually climbs the hillside.
Going back into those ancient days, where electricity gave way to fire torches and lamps lit the interiors, and folk songs echoed among these walls, the ambiance appeared almost magical. As we step into this wondrous world of dancing flames in the wind, throwing shadows of sculptures on the walls and almost bringing them alive, the drums beat reverberating through the walls and the bells ring as the flame goes up in arti, we witness a spectacle of divinity that touches our souls. Deep within the garbha griha, are the sparkling eyes of a Shiva linga, comprised of four faces each in a cardinal direction.
Silent cool pillared halls lead into this deep chamber that hosts one of the most spectacular icons of divinity. Covered by a gold triple parasol, we have all of the Gods residing within. The flames flicker on, lighting up the face of Surya to the east, Vishnu to the North, Brahma to the west and Rudra to the south, all carved into a sacred black marble stone. Decorated with precious stones that shine through like the cosmos itself, the lingam is striking, with the eyes of divinity capturing us, our senses, our minds, leaving us helpless and swollen with an emotional high of bhakti in its purest form. As we circle around this icon of divinity on earth, all forms of the Lord locked into the linga peetha, we are met with the most powerful and profound symbol of all. A sacred yantra crowns their heads, powerful and divine that rules the faith of people who visit this enchanting temple. Surrounding this divine form, resting within their niches are Parvati, Ganesha and Karthikeya.
This chamber brings alive a phenomenon, in a symbolic form. The black marble represents the cosmos, the universe itself, created and preserved by the very forms who reside within the linga, each eye glowing and sparkling waking us to that which is beyond. At its crown lies the power of the yantra, that which defines the nature of this power that has created the universe and controls it. The unique element of this yantra is that it is not embedded deep within the idol but out in the open, present for us to see, a very unique feature uncommon in Indian temples.
This linga is a reminder, that Brahma, Vishnu and Surya are a part of a larger whole, the apex of which is the divine form of Lord Shiva, embedded within the yantra, that is sacred and has been preserved through generations for worship. Indeed, with the vastness of the cosmos proliferating with life, there is indeed just one force that controls it all - Eklingji Shiva who protects all and is not just the guardian deity of the Maharanas of Mewar.
Photo courtesy: Indiantemples.com (templenet.com)
Eklingji Temple near Udaipur, Rajasthan: There was chill in the air as Srinivasan walked on the cold stone floor of this remote temple, near Udaipur. The north has a charm; the rural west is so quaint, undeniably simple and slow and laden with tranquility. It’s like a village, with not too many people, no shops selling the familiar chips and coke, just clean untouched natural beauty lying spotless all around him.
He had cut out the noise of the city, of a busy life to come here, and what lay around him was pure historical magnificence. He walked slowly, pillar to pillar of this small Nagara styled temple breathing in the chill as he progressed towards the dark interiors of the shrine chamber. Within the deep silent darkness lay the stone idol of the Lord, as vibrant as it was centuries ago when this temple was first built. A small lamp glowed, lighting up the bare interior as Srinivasan just transported himself to another world, breathing in this fresh air around him. He sat on the floor, the chill eating into his veins as he looked on to the Lord ahead.
The temple bell rang, a single ring resounding in the air, reverberating through the temple interiors almost bringing alive the dancers on the walls. This was Eklingji, the one and only Shiva who is unattainable and only surrender is the way towards Him. Srinivasan, closed his eyes, as his heart sank, and he shut his mind down to hear the sounds around him. Birds chirped, peacocks shrieked, and the sound of water slowly began to cover the air. He opened his eyes and saw rays of sunlight beaming into the temple, lighting up the stage along the temple walls as stone idols played their music and danced to a different tune, one that was so pure, so clear and almost lost that it was left within the imagination of the self to really live this moment of silence.
Srinivasan yearned to just leave his work, and come to settle here, live a simpler life with fewer desires and worship the Lord. He breathed a sigh, one that echoed the bondages in his life, those that he could not leave due to karmic entanglement though he just wished to break free. But wasn’t this all in the mind! Srinivasan got up to walk around the temple. As he walked out of the pillared hall the beauty of the land just sprawled itself out in front of him. He looked around to see a large lake behind the temple, circled by low hills, dotted with many more such small temples. It felt like heaven had opened its gates to make us feel the presence of all divinity, such brilliance meticulously carved out by men. A heavenly paradise of a different kind, of which he was a part. The wind blew among the hills, causing small ripples in the waters of the lake that made the sounds like that of a woman’s anklet as they splashed gently along the stony temple floor. A lake, covered with green, untouched in the lap of rocky hills. This was nature in its purest form, all its elements being felt so close without any distraction. His mind was so much at peace.
Srinivasan thought, the beauty of this land is so subtle, it needs to be felt. Peace is hard to find, but here it was very much in abundance. Spiritualism can be found only in the silence of the mind, and there seemed to be so much tranquility here, he felt he was so far away from the familiar world he knew so much. He watched a lady pass by, rural in appearance singing an ancient folklore as she walked by with a pot of water. Srinivasan walked down to the lake, touching the chilling water surface with his feet, feeling the sudden chill through his bones as he sat looking around. He was but a small speck in this large panoramic world of the Lord, surrounded by hills and silent villages, with no apparent rules, just pure freedom with the self.
As the clouds covered the sun, draping the world into sudden shade, Srinivasan turned to see the silhouette of this small temple housing the very symbolism of his existence and the meaning to his life. As he stared on the temple bell rang again, a resounding echo which rippled out of the temple scattering itself into the space around bathing life on its way. Eklingji temple, another world, another reality, but running right through his being in this little paradise.
Click on the photos to see larger view
Tripura Sundari Mandir, Banswara Rajasthan
