Secrecy within the Sun temple, Konark

Konark, well known as the black Pagoda strangely captures the mind for only its association with being the chariot temple to Lord Surya. With every stone falling apart, with every piece of evidence hitting the dust, the secret mystical world of Konark is fast disappearing. 

Taking a closer look at this gorgeous structure echoes a lot more than the iconography of Surya. Its sheer size makes the experience all the more overwhelming. Konark presents a grand entrance, against the cloudy sky and wet floor, history slowly unfolds. As we rise towards each step of this mysterious world the power of the ancients welcomes us with much song and dance as each kanya dances her way into our world. With drums and musical instruments, they gracefully dance into existence.

The sheer structure of Konark is mammoth, but what’s even more intriguing is the depth of philosophy into its architecture buried in every stone. It not just covers the ancient Surya cult but also has traces of the roots of deep Tantricism as well as Naga cult in its form. Buried in the rocks that build up the platform of the temple are scenes from life in Orissa as it was among the nobles, and the people with royal screens scattered across the walls. Inter-spaced with this world is the stark presence of the netherworld where the Nagas ruled. Naga lords endowed with the 7 hooded serpent are inter-spaced with nobles and maithuna couples all across the platform. These worlds of manushas and the Nagas are occasionally broken by the great Konark wheels that draw the great chariot of Lord Surya.

The presence of the Naga cult draws our attention to this strange world which is otherwise not as obvious on the sculptural panels of other temples around India. Could these snake hooded mystical beings belong to the netherworld of the Nagas or is it representations of Rahu and Ketu of the Navagraha pantheon of stars associated with Surya?

The mystery gets even deeper as we walk onto the main platform of the temple and are faced with explicit poses of maithuna visually describing the Kamasutra. It amazes me that while the maithuna depictions of Konark are yelling, yet the erotic sculptures of Khajuraho seem to grab the delight of the average tourist when they can hardly be found on the walls.

These sculptural panels depict the deep philosophy of Vama Marga embedded in them of the Tantrik origin. They bear their roots in the Panchamakara ritual of the ancient left path. referred to as the 5Ms of this esoteric ritual, maithuna is one of 5 parts to the ritual where all the gross elements of existence and channelized to a higher spiritual existence. These loud echoes of the esoteric cult practices of Orissa, which belonged to the silent mystical worlds of the Tantriks and Nagas have been profusely depicted on the walls of the temple associated with the Sun God, the epitome of brilliance and divine light. In a strange way, this contradiction to approach life, this dualism in the belief systems with every school following its own path lends itself to our minds to realize just how vast this spiritual ocean is and how difficult it would be to cross it.

Truly this is a contradiction in the mind as much as it’s depicted in mammoth canvases of stone.

Divinity born from the depths of the ocean

The Great Preserver, the Lord who sleeps in Anantha Sayanam, the Lord who dwells in the cosmic ocean blessed this Yuga with sacred emblems of faith from the depths of the cosmic ocean of life.

It was in the ancient seas that a sacred log came floating back to shore, a log that was referred to as Daru in the Rig Veda. No one knows the origin of this piece of wood but it has powers, powers that could rule the world. It came ashore along the eastern coastline of India, finding its home within the topography of Shankha Kshetra. 

Subsequently it is believed, as the days of the great Buddha came to an end, his bones and teeth were buried within the sacred Stupas, a symbolism that depicted his Samadhi. One piece of tooth enamel is believed to have been embedded within this sacred log of wood. And this mysterious log of wood now became the center of worship not just for Hindus but also the Buddhists.

It is very rare, that the earth gets sanctified and carries on its surface the topography of a conch shell as rare as the Dakshinavarta Shankha. This rare form, with its south facing opening marks the land up to a distance of 10 miles along the coastline. It is believed only 40% of this sacred earth is accessible while the rest has been absorbed by the sea.

What possibly could the mysteries of this land be, to which four* of the greatest faiths that shaped this country stake a claim, where an ancient log of wood is most revered, and where mysterious temples sprung up to define the sacred contours of this holy land.  

 

This is the land of Jagannatha, the sacred soil of Puri that marks the iconic emblems of Lord Vishnu. This sacred earth is defined by Lord Shiva as Lokanatha and Nilakantha at its apex, followed by 8 other Shiva shrines that mark this land. The form of this Shankha is defined by 7 concentric folds, the first and the innermost being the navel of the Shankha, at the seat of which resides the sanctum of Jagannatha, Baladeva and Subhadra.

This land is a representation of the heavens on earth, starting with the main temple of Lord Jagannatha that has 9 gates leading towards it. 4 gates in the cardinal directions lie along 2 boundary walls that surround the temple and one that leads towards the ethereal realm beyond. There are little intertwined streets that lead from the temple up to 114 other sanctified residences and Tirthas that surround this great temple.

This land that surrounds Puri is called Shankha Kshetra, that surrounding Bhubaneshwar is the Chakra Kshetra, Jajpura is the Gada Kshetra and Konark is the Padma Kshetra. This makes the land around this coastline conceptually powerful though when we descend into its real world, the Brahmin corruption kills every pulse of divinity on this earth.
   
And yet the air is powerful, the feel is mystical, the architecture is supreme and faith is unlimited. This is the land that gave birth to great poets and saints like Jayadeva and Chaitanya Mahaprabhu. But slowly and surely with the chaos of today and the lack of understanding of this sacred divinity, in these times this faith is dying a slow death. 

Om Na Mo Na Ra Ya Na Ya

* [Vaishnavism, Tantricism, Buddhism, Jainism]

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