What a thought it is to reverberate the ideas of Thirumular who immaculately describes that Lord Shiva and His consort, the graceful red hued Parvati actually reside over my forehead. What does that mean? When the book says that it is possible that the Lord makes his presence felt by taking seat atop my fore, does it reflect in a glow around me, such that a person who looks at me wants to take a second glance, such that there is purity shining through of a different kind that leaves people speechless.
Its this strange spot between my eyebrows that intrigues me the most. Strange because it is at my crown, in the highest zone of my anatomy that dictates respect, and that anything scribbled over there has symbolism, meaning and depth to its presence.
This forehead is a canvas of a different kind, for anything that is drawn on it has a meaning to be there. Lets take a few examples.
If I, being a woman, were to draw a design and color it, with small sequence hanging on to it, it would reflect my need for explicitly enhancing my beauty, fueling my ego and my vanity and inducing seduction to some degree to the opposite sex.
If I, being a man, were to paint three vertical lines to the center of my forehead, I would be designating myself to a school of thought following a single God and dictating the power of Viashnavism.
If I, being a man or woman [either unmarried or widowed] had to put 3 horizontal lines of ash across my forehead, I would be declaring my inclination to another school of thought, namely Shaivism. I would be at the same time displaying my detachment to life and my need to know the truth that is beyond my being.
If I, being a man or woman, had to put a red dot at the center of my fore, I would determine the power of the Goddess reflecting through my face to the world around me. I would define my faith in the mother goddess cult and my deep faith in her worship.
If I, being a man or a woman, didn't put anything on my forehead but the Lord inscribed strange marks on the lines of my skin, I would have crossed the line of known spiritualism and entered a zone that no one but I would know of and that would lead to my evolution into the next plane of spiritual enlightenment.
The deep lines on the skin draw a parallel with the deep crevasses that make up the character of Mount Kailasa, the three horizontal lines starkly stand out between the rock and the snow awakening the presence of a deeper truth we scarcely have a hint of. The deep cut on the forehead of the great mountain Kailasa possibly depicts in a natural way, the half opened frozen third eye of the Lord, that could widen and shine through, bathing the world with its divine rays. How magical is that world, that the mountain reflects in the silent waters of the Manasarovar lake that describes the equilibrium of my thoughts, and of my mind.
As the Lalitasahasranamam says, the Goddess Parvati is like the swan that swims in the silent waters of the Manasa lake deep within my head. Isn't the picturesque view of the Mansarovar lake with the Kailasa towering beyond a real depiction of the inner silent truth of the Lord and the Goddess residing over my forehead?
The snow laden mountain with its deep crevasses clearly shown appears like the forehead of my mind is smeared with sacred white ash that glows in the light of the sun that shines upon it. How true it is that the Lord resides at Kailasa, how true it is that the Lord has taken seat upon my forehead, how true it is that the frozen vertical eye of the great mountain represents the dormant energy that is awakening within me to shine as the source of light that enlightens me and blinds the rest of the world with its power.
The secrets of ancient Hindu spiritualism are far beyond our normal capacity to understand, but a glimpse of this truth in the imagination of one's own thoughts and ideas can be the most intoxicating state of permanent bliss. And our forehead is the silent screen that depicts the level of spiritualism we are at. What a concept!
