Conquest of the Astha Siddhis

It has been cooking for a while in the mind and I am taking my time to connect the dots. Spiritualism is great fun when it comes with puzzles that make the grey cells work harder. I have had the general idea that the offering of aarti, dhoop and naivedya are connected to the conquest of the great Siddhis, a thought that once popped up in my mind may be after reading about it somewhere but the truth of it is that it refuses to go. 

A small puzzle fell into my path when I chanced upon a book that was a biography of the Mahaperivar of Sringeri, who sows the seeds of this quest in his composition of the Pancopacara Puja. In his prayer, he offers fire, water, sandal wood, flowers, and incense to the supreme in the form of the five great elements. This sounds like regular puja, but for some reason I didnt feel like stopping at it. 

Each offering is initiated by a sacred syllable followed by the object of offering towards the supreme power as it manifests in nature. At the same time each syllable in isolation didn’t make any sense until it struck me that the puja essentially starts with Lam - which is the bija mantra of Muladhara Chakra. And there started the next quest. Each syllable personifies the chakras within our being through which the Kundalini rises. 

It soon became clear that the passage to conquer the elements of nature was through the process of offering with the recitation of the divine syllables with bhakti. I cannot explain this but for some reason it made sense that the conquest of the elements was linked to the conquest of the siddhis as a result of the rise of the Kundalini within oneself. And why is that? Let’s take each siddhis and study it. 

Anima: The power to reduce to the size of an atom
Mahima: The power to expand to an infinitely large size
Garima: The power to be infinitely heavy
Laghima: The power to be almost weightless
Prapti: The power to have unrestricted access to any place
Prakamya: The power to realize what one desires
Istva: The power to conquer
Vastva: The power to subjugate all.

If we look at each of these attributes, the 5 great elements of water, space, earth, fire, and air have exactly these qualities - one or more if not all. Could this be the sacred spell that the great Shankaracharyas tried to tell the masses towards spiritual growth? 

Further to this is the other form of worship which is the Panchayatana puja, popularized by the Shankaras where an aspirant could worship all the 5 sacred Gods within a framework, they being Ganesha - representing the water element, Vishnu - representing the space element, Siva - representing the earth element, Devi - representing the fire element and Surya - representing the air element. 

The great Shankaracharyas tried to convey to the lesser mortals a far greater truth that can only be realized by the experience of puja - panchayatana or pancopacara puja, with devotion and love. How amazing is this truth that with the help of a sacred act of ritual worship we can offer certain offerings of divine acceptance to access certain chakras within ourselves and render us capable of realizing the great elements that at some point we will be able to move/live/experience them when we have attained the capability of the great siddhis that allow us to move from one element to the other with ease, in short conquering them. 

Does the performance of the sacred ritual of puja with deep devotion enable us to conquer these elements and therefore enable us to move up the spiritual ladder... it’s a good thought to think about. The discovery of this thought is baffling and will keep me excited for a good time to come but I wonder about the "how". Will I ever get the success of seeing it work on myself in this lifetime... no idea. 

Secrecy within the Sun temple, Konark

Konark, well known as the black Pagoda strangely captures the mind for only its association with being the chariot temple to Lord Surya. With every stone falling apart, with every piece of evidence hitting the dust, the secret mystical world of Konark is fast disappearing. 

Taking a closer look at this gorgeous structure echoes a lot more than the iconography of Surya. Its sheer size makes the experience all the more overwhelming. Konark presents a grand entrance, against the cloudy sky and wet floor, history slowly unfolds. As we rise towards each step of this mysterious world the power of the ancients welcomes us with much song and dance as each kanya dances her way into our world. With drums and musical instruments, they gracefully dance into existence.

The sheer structure of Konark is mammoth, but what’s even more intriguing is the depth of philosophy into its architecture buried in every stone. It not just covers the ancient Surya cult but also has traces of the roots of deep Tantricism as well as Naga cult in its form. Buried in the rocks that build up the platform of the temple are scenes from life in Orissa as it was among the nobles, and the people with royal screens scattered across the walls. Inter-spaced with this world is the stark presence of the netherworld where the Nagas ruled. Naga lords endowed with the 7 hooded serpent are inter-spaced with nobles and maithuna couples all across the platform. These worlds of manushas and the Nagas are occasionally broken by the great Konark wheels that draw the great chariot of Lord Surya.

The presence of the Naga cult draws our attention to this strange world which is otherwise not as obvious on the sculptural panels of other temples around India. Could these snake hooded mystical beings belong to the netherworld of the Nagas or is it representations of Rahu and Ketu of the Navagraha pantheon of stars associated with Surya?

The mystery gets even deeper as we walk onto the main platform of the temple and are faced with explicit poses of maithuna visually describing the Kamasutra. It amazes me that while the maithuna depictions of Konark are yelling, yet the erotic sculptures of Khajuraho seem to grab the delight of the average tourist when they can hardly be found on the walls.

These sculptural panels depict the deep philosophy of Vama Marga embedded in them of the Tantrik origin. They bear their roots in the Panchamakara ritual of the ancient left path. referred to as the 5Ms of this esoteric ritual, maithuna is one of 5 parts to the ritual where all the gross elements of existence and channelized to a higher spiritual existence. These loud echoes of the esoteric cult practices of Orissa, which belonged to the silent mystical worlds of the Tantriks and Nagas have been profusely depicted on the walls of the temple associated with the Sun God, the epitome of brilliance and divine light. In a strange way, this contradiction to approach life, this dualism in the belief systems with every school following its own path lends itself to our minds to realize just how vast this spiritual ocean is and how difficult it would be to cross it.

Truly this is a contradiction in the mind as much as it’s depicted in mammoth canvases of stone.

Mysticism in the Sri Chakra Puja

Mysticism is an ocean of unexplainable phenomenon... well what can I say about it, except that the ingredients are different, the rules are different, the results are different and the acceptance of it makes the world look very different.

Rahasya is a beautiful word. It describes the law of the divine system of the Gods, and the inner meaning and powers and the benefits there of. The power of the Sri Chakra is one such rahasya. Puja is a beautiful system which defines the rules of adoration with the elements of sound, divine geometry that is interwoven with the very being of the worshiper. The art of Yantra Puja, brings a balance between the energies that surround the outer world around the devotee and that of the inner world within them.

Once the association of the devotee starts with the Sri Chakra, the central Bindu of the Yantra maps with the center of the devotee's own inner being. The center of the Universe that are centered around this mandala represent the energies of the psycho physical constitution of the devotee concentrated within. This is the journey of all the forces that are currently diffused to be concentrated towards the center of the being. From here on, with little or no attachment they begin their journey to the center of their own universe. This universe is defined by the same concept that pronounces the journey one makes from the entrance of the temple right up to its main sanctum in its structure, or the movement from the outskirts of a great ancient kingdom to its inner palaces or from the outside world of Maya to the inner realm that lies dormant within oneself.

In this realm, two things play a strong role, that of consciousness and that of energy, both of which are available to the devotee in abundance. Consciousness is the "Shiva" element within the mind of the devotee while energy is the "Shakti" element. When a devotee settles down to Yantra Puja, and gets into the state of divine dialog with the Sri Chakra, they begin to give up the external world around them and start to drift towards the realm of the inside. From here on, what appears to the outside world as "peace of mind" actually is the starting of a whole new life that is defined by the very Yantra that they worship, within which divinity has been brought to reside.

The Yantra is the very nature of the worshiper and breathes life giving energy into the realm of the worshiper thereby bringing harmony and wealth and prosperity as perceived by the outer world. But in the mind of the devotee what matters is the mysterious world of which they have now become a part. Here the rules are different. There is no transaction, there is just divine love, faith, surrender, cause and effect. Here there are just states to be in and each state has its own characteristics. Here society and order have no room. This is the inner realm of the being, of the self where only divine reality matters.

In this world, the Yantra becomes and active player, the life giving source of all energy and with every passing worship it makes the devotee stronger in their zest for life and for death. Life and death appear like two parts of the same reality, life being one state that transits into another that is death. The mind experiences a lot more magic, unexplained and yet spectacular. The signs are all over the devotee's mind. Its a moment of awakening when the devotee realizes that ancient symbolism was not really a creation of man's imagination, it was a gift of the Gods that got left behind as visual proof, the source and logic of which is still being rediscovered. In this state Lord Shiva and Goddess Tripura Sundari are more real that the people who are part of one's external reality.

The Sri Chakra begins to breathe life into the devotee's world. The gates to heaven open in all the four cardinal directions, the 16 petals of time bloom and all the stars begin to let go their clutches, their influence on the devotee's life. The great guardians open their inner gates and the attendant yoginis come alive to dance and worship the great goddess within. The inner world awakens, each divine being in their respective Koshas, display the extravaganza of their nature, waking up this inner world, of beauty and divinity to the devotee. This is the divine realm, of silence and pure sound, of light and powerful energy that awaken within the physical mass of the human mind. At last, the inner world comes into divine reality, the four great pillars of life, of direction signified by Brahma[North East], Vishnu [South East], Rudra [South West] and Isana [North West].

This journey is powerful, different and once its started there is no going back. In the language of spiritualism this is termed as realization, an irreversible process within the mind. At the center of this experience is the Anugraha form of the Goddess, that of Sadashiva and Kameshwari represented by the color white and that of color red. This is believed to be at the peak of Mount Meru, at the sacred uppermost peak within the human being at the Sahasrara Chakra. This world is illumined by the subtle beauty of the crescent moon, by the brilliance of the sun and by the burning desire of agni within the mind of the devotee. This is divine union a smaller representation of which in the outer world is the miracle of child birth in our reality.

To the divine parent I pray
Who reside on my fore
Who awaken the crescent moon of my being
Who are at the epicenter of my Bindu
Who breathe life into me
And produce the sacred sounds of divine life at the Nada
I pray to you, O divine parent,
Bless me with a life
Complete with my earthly duties fulfilled
And lead me back home
To the divine realm of your world
In this hope I continue to live
To catch a glimpse of thee
From within the limits of my finite self.

Related Posts:
Bindu Visarga - A drop of moon on the crown of Tripura Sundari
Maya, an Integral part of Shakti
Sri Chakra Yantra - From Sri Nagar to Ujjain
Chandra Yoga - The moon light, a drop of immortality

Chandra Yoga - The moon light, a drop of immortality

The elixir of life
The divine rays of the moon
The soft reflection of cool light
In the water of the stream that flows

The sounds of the ripples
Awakens the primordial sound
Bringing alive the subtle world
As I immerse my being in this flow

The universe brightens
The night sky all clear
The chill in the air sweeps by
In the pure breath that dives within

I am jeeva, I am life
I am this phenomenon present now
The shimmering waters cover my soul
Opening the channels of life within my breath

I drink this elixir of life
This wholesome breath enriches my soul
My body submerged in these divine ripples
I hear the primordial sound in my ears

I rise out of the waters
Tiny silvery droplets cover me
I wear this shimmering cloak
Moon droplets cover my being

The night has set in, the moon rises high as I step into this ocean of peace. The waters are silent shimmering in the moon light bathe me in this heavenly theater. I breathe, taking in this silent intoxication as I wake up to the shining rays of the moon defined by Kaala that brings energy of a different kind that needs to be consciously experienced during the pattern of regular breathing.

In the pleasant silence under the night sky shimmering with stars and other heavenly celestial bodies, my mind drifts into the wholesome breath that fills my lungs. Cool breeze in steady flow, pass through one nostril as I hold my breath to feel the chill in the air. The calm in the air brings alive the moment of lull, the equilibrium that knows no time, no kaala, no breath but just this cool sensation that begins to grow within myself. The breath gets slower, the exhalation lesser and the air turns into this growing elixir that stays on longer, bringing the senses to a halt.

The body relaxed, the senses settled, the mind at rest is the definition of this equilibrium. The night is quiet and all have slept leaving its beauty ready to be experienced by inner vision. The full moon glows, the light penetrates the space, the air settles and the magical world of the celestials comes alive. They have come too, to worship the supreme, to appreciate the untouched beauty of divine creation while the world rests in deep slumber.

As the moon waxes the kaalas expand, the rays become stronger and brighten this world, and as the moon wanes they contract fading into the darkness slowly. Every night I visit this stream, I breathe and experience this beauty that appears in my mind, this world that awakens within my consciousness. This is the world of Kundalini, as it rises from the Muladhara to the Sahasrara. This is the heat, this is the fire, and this is the Agni Kundalini that arises from the Muladhara to the Anahata as it awakens me at every point, as the lotus of my consciousness blooms. I rise from the Anahata, the Kundalini now glows as bright as the sun, bringing alive the surya mandala that has been lying dormant in me. This awakening is silent, in the moon lit night as the energy rises up towards Susumna. My breath is rhythmic, the nadis open, I breathe in wholesome and rise to Chandra Kundalini. Here the Kundalini resides at Sahasrara, here my energy converges into the divine as Turiya Kundalini.

With every rise of Kundalini I hear my heart resound, I hear the beat of creation as the rhythm of subtle life is ignited with every breath that flows through me. I am the self sustaining, I am one with the divine, and I am life that lives a thousand years. I stand here under the starry sky, as I feel the celestials arrive, blessing me in their divine light, that bathes me in the silence of this moonlit night. This is the world of the divine - of the devas, of the gandharvas and of the greater Gods, who bless me - as the Sun glows in his splendor blowing his conch and awakens the celestial world, welcoming me home.

This is pure consciousness, this is “chit”, this is the moment of truth, and in this silent moon lit night, I hear the divine couple play this beautiful game of dice. This is another world so far removed from the noise of maya that I have been sucked into. This is the pure sound of the pranava mantra, the sound of creation, the sound of OM. As the divine dice roll on, it is a small play of love, of union between Lord Shiva and his consort, Tripurasundari. This is the world of Lord Shiva and Tripurasundari, their beauty overwhelming as the Mother blesses me with her half opened eyes that bloom like water lilies in the night sky. This is pure elixir, this is pure amrita, this is somaskanda, that bring me to witness the divine couple within my mind, awakening my soul to new renewed undying consciousness.