Showing posts with label Sadashiva. Show all posts
Showing posts with label Sadashiva. Show all posts

1.05.2009

A journey from Pictures to Temples to Yantras to Nirvana.

The temple, sacred in its presence and alive with energy that sets the heart beating when a devotee walks in wanting to catch the sight of Paramatman again in his aniconic form, is the seat of the universe itself.

The walls don't just house the supreme emblem inside but fortify the very energy center along a ground plan that is the blue print of the yantra that forms the mystic symbol of the individual Gods and Goddesses.

The yantra is the mystical base on which either temples rise or Gods descend into puja rooms. Be it an elaborate architectural wonder or be it a picture of deity well decorated within the puja room, the form takes on that which is intricately woven into the sacred syllables within the yantra - the geometrical representations of these deities.

This is not just about geometrical patterns that mystically define a form that we feel a lot familiar with in pictures, these are sacred beeja mantra syllables that define a lot more and call upon the very living force to bless the home or the temple with their presence.

Entering into the main temple shrine is defined by the number of gates that surround it, in the south of India, this is defined by the gopurams in four cardinal directions as well as the number of walls one crosses to get to the main shrine, which is the same as depicting 4 square gateways that lead into the center of the yantra from its four square sides describing the same gates geometrically in abstraction. This in popular terms is possibly called Vaastu Shastra.

Coming into the vicinity of this energy center entails one to be pure physically as per the scriptures. Be it a bath before the puja or be it a dip in the temple tank one is purified physically before they make their way to the main shrine. With offerings of flower and fruit, coconut and small flame of life the devotee offers moments of contemplation to the Istha Devata.

Walking around the temple as one advances towards the sanctum, brings the devotee face to face with the many Avatars the deity took to bring calm into the universe, the same is described by sacred syllables and minute depiction of the sacred self in the geometry of the yantra either obviously or through direction that emphasizes the respective forms as in the case of Sadashiva who is made of 8 forms of himself, each representing a cardinal direction. Back in the picture, this might not be depicted altogether but is largely understood.

In contemplation, deities appear either 2 handed,4 handed, 8 handed or 16 handed. Each hand carries an element, that visually appears like a noose, a sickle, sword, axe, arrow or bow etc. but also carries a profound sound that is capsuled with energy around the deity, defining their presence a lot more effectively in contemplation. These profound sounds are small syllables that appear in petals around the main geometrical form, in numbers of 4, 8, or 16 petals of a lotus inscribed in the yantra. In the picture at home, the deity is seen carrying these elements or is seated on a lotus seat of similar number of petals.

The Yantra described triangles with colors representing various Gods and Goddesses, the same is redefined in the clothes they wear in the pictures. Authentic pictures always show Devi in red and Ganesha in green and yellow. Decorating the deity with a crown and ornaments with flowers and clothes is similar to doing alankaram to the yantra after regular abhishekam. The same is done in a more elaborate way within the temple walls where the deities are dressed in the same colors in silks.

Contemplation involves invoking these forms of the supreme by regularly reciting the sacred syllables and mantras that bring them alive. Back at home, this leads the bhakta into silent japa, at the temple the priest utters these sounds during abhishekam. The energy is kept alive and the deity invoked blesses the bhakta.

On completion of this contemplation, as the peace sinks in, the devotee raises the small deepam in aarti, culminating the puja to an end. The priest raises the aarti in various lights, of numbers 1, 3, 5, 27 and 108, with mudras and offerings of a parasol, fanning and other sacred symbols of divine praise, offering them to the devata who is seated on their throne, beautifully decorated within their sanctum. This is the same form that is captured in a picture that comes alive within the puja room, a visual and far more familiar and understandable form as compare to a yantra, that strangely asks for more rule and greater care in its worship.

As one goes deeper into worship, spending more time in contemplation, one comes into understanding deeper levels of worship, superior forms of ritual that define methodology that helps realize the secrecy of this mysticism which brings alive a different world to the bhakta. This mysticism can just be realized and experienced, as the devotee is blessed with heightened emotion, mesmerized by the very form that they see of the supreme paramatma. These are in the form of mudra, natya, song, japa, vrata and sadhana.

This entire ritual through life, awakens the istha devata within the self and triggers energy of a different kind within the physical temple that we are built of, awakening each chakra within our system and converting us into a living temple where the apasmara is smashed to give way for the supreme to be enthroned within the seat of our sanctum - hrudaya kamalam.

12.28.2008

Shiva Rudra - Tribute to the Red Eyed Lord

Lord Shiva Rudra along the Narmada

Rudra, the red eyed, gentle and fiery represents warmth and protection. Rudra, the red eyed shines through anything in the material world. Rudra the red eyed makes His presence felt no matter how uncanny the reality around. Rudra the red eyed, is there to be experienced if we try hard enough.

Fire is not as dangerous as it appears, Rudra is not as scary as he appears, Bhairava is not as violent as he is pictured. He is real, subtle and present in the pulse of life. What do I mean when I say this?

Rudra Shiva is not a treasure hunt or a well of information that once discovered is realized. No he is none of this. Rudra Shiva is the eye of life, the awakening being within myself, the consciousness, the fire of my soul, that has just started to burn. Rudra, the sound, brings vibration and heat of a higher kind, energy and life of a different nature, that needs to awaken, and mature with time. Rudra is vibration that if contemplated upon persistently reveals its nature slowly. Rudra, is the constant within us, the beat of the heart, the silenced thoughts that disappear to give way to pleasant imagination and high emotion when the Lord appears deep within the subconscious to be experienced. Rudra, is the light within, the sound energy within that silences all worry that clouds the imagination.

Rudra is that pulse within, you have it and I. We just need to try and He is there waiting to be awakened. Rudra is the blessing, he is the warmth and the fearlessness that makes us feel that this world, this maya is really quite trivial. Rudra is the subconscious that opens the inner world to us. Those ideas, those thoughts that I dont own, and those feelings that melt my heart pouring into tears that well out of my eyes, are these not an external expression of this awakening within myself?

My subconscious, the purity within me is where the Lord resides, as Bhikshatana, as Annapurni Mata, as Shankara, as Trayambaka, as Rudra. These are not just names attached with mythological stories, these are not just presentations of the Lord in human form, these are the very nature and energy of the supreme force Himself. And what if they appear within the vision of the subconscious to just bless the being, the human being, the limited human being that knows none, understands none, but fears all.

I am a speck in this ocean, I am a drop of life, and I am the 8th element, asleep lost and clouded in maya, I am part of Ashtamurti Shiva.

Om Bhavaya, Om Sarvaya, Om Isana, Om Tatpurusha, Om Rudra, Om Ughra, Om Bheema, Om Mahati, Om Paramaeshwar, the eight formed Lord, who represents the elements of water, fire, wind, ether, earth, sun, moon and my mind, O Sadayojata, O Sadashiva, the Lord of all the directions, the single pulse of energy that guides this world, O red eyed Rudra, I bow to you humbly for granting me this vision. The single energy center, the red eyed Lord, so clear and pure, so warm and enveloping, why then are you feared? Why then are you called terrific, why then are you considered so violent when all I can see is tenderness in your glowing eyes!

Om Rudraya devaya Namaha|

I bow to the Lord of the devas, to Rudra, to the creator of spiritual sound, that is involked in his names, the spiritual energy that vibrates within my being when I contemplate on his name. This devotion looks so small, so meak, so insignificant in front of your greatness, your form. To the fiery Lord of Love, warmth and peace, I bow humbly, and surrender to your presence deep within my subconscious, my real world, my core, that vibrates with the name of Rudra Trayambaka Shiva.

To see the sun, the moon and fire is one thing, but to feel the presence of the three eyed Lord Rudra is yet another. The core of red, the eye of light, the eye of life, the eye of fiery energy, the eye of divinity is in eternal abstraction, hard to explain but fulfilling and overwhelming to experience. Its the feeling of heightened emotion that results in heavy droplets of tears, that flow out like pearls falling through space, enhancing the bliss within so high that the minds knows nothing else. This awakens pulsating heat within the heart, heat that stays giving warmth of a flame that can beat the external cold without cover. This is ecstacy, this is emotion, this is beyond logic of the known kind, this is beyond blind faith, this is pure love, this is real.

Rudraya Devaya Namaha||

Photo courtesy: Creative commons - flickr.com

11.30.2007

Mahasadashiva - Vishwaroopa darshanam

The Vishwarupa Darshanam of Lord Krishna has been elaborately described in the Gita, but few know or realize that of lesser known Shiva. This is a form of Lord Shiva that defines pure consciousness. A form of Shiva that is hard to come by. Few have sculpted His form in stone and bronze. Strangely the Vishwarupa Darshan of Shiva is very similar to what we see for Krishna/Vishnu in illustrative representations of the Gita today.

The Uttarakamikagama describes Sadashiva in white with flowing jatamukuta sinking the glowing crescent moon into His locks. He sits in Padmasana and is depicted either with 5 faces or with one face and 3 eyes - each symbolising Agni, Chandra and Surya or Iccha Shakti, Jnana Shakti and Kriya Shakti. He has 10 arms; his right carries Sakti, Sula (spear), Khatvanga (spear/tantric staff of a long arm bone with a skull at its head), prasada and the last arm is in Abhaya (Hand gesture blessing symbolising "Do not fear"). On his left he carries Bhujanga (snake), akshamala (garland of beads in counts of 27 to 108), Damaru (Sound of creation - OM), nilotpala (half opened lotus bud) and a fruit of the Matulunga (Ayurvedic fruit). He wears a yajnopavita (holy thread) and when he is depicted with one face and 3 eyes, he is also accompanied by goddess Manonmani.

The more terrific form of Sadashiva or Ughra form is 18 armed with flames rising out of His 5th head. He is alternatively found carrying the sûla (trident), pâ'sa (noose), khadga (sword), khetaka (weapon), musala (food grain), para'su (axe), ghanta (time/bell), kapâla (skull cap) among others. Mahasadashiva is described to have 25 heads (5*5) - they represent the Panchabrahmas and symbolize the 25 tattvas of philosophy.

Mahasadashiva depicts a state of mind, one which is further emphasized by the presence of goddess Manonmani alias Durga. Manonmani is a state (a mudra in yoga) where the eyes are neither closed not open, a state where breath is neither inhaled nor exhaled, and the mind is blank, it doesn't speculate or have doubting thoughts. Its after this stage that Unmani stage of super consciousness is reached. The state of the eyes when they are neither opened nor closed is called Nilotpala or resembling a half opened water lily(lotus). To reach this state of super consciousness, one needs to detach from worldly illusions and conquer their fear of death. Hence the Lord is shown in the Abhaya mudra. His various hands hold icons of this truth, emphasizing that this illusionistic world is just a facade, the real truth behind which is probably too difficult to imagine and hence is represented by the Rudra form of the terrific Sadashiva.

But the most beautiful emphasis is made to the three eyes of the Lord - Trayambaka(release from the cycle of birth and death). The third eye is typically associated with fierceness, but in reality the eye radiates a brilliant light, a kind of eye blinding brilliance which is not there in the calm of the other two eyes equated to a blooming lotus when the moonlight falls on it. Such is the beauty of Sadashiva, where coolness of the moonlit night is experienced at the same time as the brilliance of enlightenment when the fiery third eye opens one into consciousness. Such beauty can scarcely be scary except to the ignorant who fail to see the beauty if Mahasadashiva.

A quiet path to self realization brings the brilliance of Lord Shiva's Vishwarupa darshan to the mind's eye. One where the Lord presents his all encompassing form into one - Mahasadashiva roopa.

The other surviving example of Mahasadashiva is this rock cut sculpture from Elephanta caves.


Courtesy: Gopinatha Rao, T. A. <1872-1919>: Elements of Hindu iconography. -- Madras : Law Printing House, 1914 - 1916. -- 2 Bde in 4 : Ill. -- Bd. II, 2. -- S. 371 – 374 PL CXIII and PI. CX V illustrate the description of Sadâ'sivamurti