The nature and composition of divinity

Srinivasan stood contemplating over the beauty of the monument that lay silent in front of him. In the cool breeze, he could hear the wind echo through the rocks, bringing with it the messages of hard work and toil, passion and love, the call of war and bloodshed, hatred and fear, and a host of supremely high emotions that fell to dust with the collapse of this little world in stone.

He sat down and looked up to the remaining bricks and stone that made up this temple, as they still held on together a mystical stage that still had exquisit dansels dancing on its walls. The mesmerising beauty still enveloped him, the mysticism of the past still whispered in his ears and the ground plan echoed profound mysterious elements of truth that were now almost brought down to dust.

He wondered, to himself that this land in some era long ago was lush green and blooming. The air was pure and the earth rich with life. The waters were crystal clear with the sunlight shimmering in its waves and there in the middle of this silence and serenity would have been a rishi in deep meditation in a quest to attain higher bliss. Srinivasan imagined him sitting still, motionless in severe penance till at last the Lord appeared before him and asked him for a boon...

This was documented; his penance, the sacred syllables and the moment of awakening to the supreme, the experience and the boon all wrapped into sacred syllables that described it in the form of a simple scriptural verse.

-*-*-*-*-

Centuries past by, eras passed and a young man happened to walk this path and came upon this place. He lay under a tree enjoying the environment and decided to worship the lord here right under the tree. He installed a linga made out of the earth and offered it flowers and fruits for a while and then disappeared into the darkness of time.

-*-*-*-*-

Time shrouded this emblem of the Lord, this symbol of life till there came upon it a King who had been out hunting. He came by this place and decided to take some rest. As he settled for the afternoon he noticed a linga under the tree and went closer to observe this icon, or rather what remained of it. He decided to build a temple around it and give it proper ritual and worship. Soon there came up an exquisit temple that housed a linga that replaced what was uprooted and consecrated the newer version to the shrine chamber. But his happiness was short lived. War engulfed the land and the enemy was far too strong and the kingdom fell to the oncoming forces. The temple was ravaged and demolished and the shrine chamber was unrecognizable with the icon destroyed.

-*-*-*-*-

Years later another king happened to come in search of rich land and came upon this location. He decided to have a temple built around the same place. Within this extravagant temple he installed a much more larger and flamboyant linga in its shrine a little farther away. The temple grew with riches and was prosperous till it fell to invaders. Subsequently, newer temples came up and several "pranaprathisthas" took place to install newer versions of the linga within the main walls of the sanctum. And yet they fell to enemies.

-*-*-*-*-

It is NOW and Srinivasan was staring up at this delapidated structure that cried its past. A more recent version of this shrine was built a little farther away but by now the original location of the shrine was lost and so was the original shrine. Srinivasan looked up wondering what was left of the sanctity of this shrine. Srinivasan sat back thinking deeply...

What made this place get its sanctity? What, in this whole story actually defines the supreme?

Was it the effort that the Rishi took to worship and go into severe penance to have the Lord descend into this world and bless him?
Was it the mythology that surrounds this place and its reference in the sacred scriptures?
Was it the spot where the Lord had appeared?
Was it the earth or the air that was so sacred?
Or was it the era where everything was so pure that it wouldnt really matter whether he appeared here or 10 feet away.
Or was it the Linga that was kept here by a devotee who took to worshiping the Lord?
Was it the temple that was built to house this linga or any of the subsequent versions of the temples that were built?
Or was it the newer version of the idol that was consecrated by means of ritual and not by severe penance?
Or was it the very structure that protected it?
What is it that attracts us to temples? or Shrines?

Or is it pure Bhakti? That what ever it is this land is sacred and therefore even if there is a mosque standing in its place today it should not matter... Bhakti knows no form or designation of religion.

When we look up to this delapidated temple why does it hurt? Is it...

This exquisit structure in stone so paintakingly put together now destroyed by some heartless soul? The sanctity of this structure, but is it the structure that is sanctified or the earth on which it stands or the young man or the rishi...
The shrine that has been vandalized?
The feeling that the Lord has left us behind on this earth to face our peril?
Or the feeling that the purity of this earth has been vandalized by men and now there is nothing left of it but pure impending death in the form of slow pralaya...

Think about it... the original shrines of Somnath, Kashi Vishwanath, and many more temples are long gone... I really dont have a clue on what we are worshiping. What is the composition of divinity and why is it that in the middle of a mad crowd and a threat of a stampede, I still felt 3 seconds of absolute bliss and void at Thirupati... What is it we feel in these places... its far more than vibration... its something else...

Shiva Rudra - Tribute to the Red Eyed Lord

Lord Shiva Rudra along the Narmada

Rudra, the red eyed, gentle and fiery represents warmth and protection. Rudra, the red eyed shines through anything in the material world. Rudra the red eyed makes His presence felt no matter how uncanny the reality around. Rudra the red eyed, is there to be experienced if we try hard enough.

Fire is not as dangerous as it appears, Rudra is not as scary as he appears, Bhairava is not as violent as he is pictured. He is real, subtle and present in the pulse of life. What do I mean when I say this?

Rudra Shiva is not a treasure hunt or a well of information that once discovered is realized. No he is none of this. Rudra Shiva is the eye of life, the awakening being within myself, the consciousness, the fire of my soul, that has just started to burn. Rudra, the sound, brings vibration and heat of a higher kind, energy and life of a different nature, that needs to awaken, and mature with time. Rudra is vibration that if contemplated upon persistently reveals its nature slowly. Rudra, is the constant within us, the beat of the heart, the silenced thoughts that disappear to give way to pleasant imagination and high emotion when the Lord appears deep within the subconscious to be experienced. Rudra, is the light within, the sound energy within that silences all worry that clouds the imagination.

Rudra is that pulse within, you have it and I. We just need to try and He is there waiting to be awakened. Rudra is the blessing, he is the warmth and the fearlessness that makes us feel that this world, this maya is really quite trivial. Rudra is the subconscious that opens the inner world to us. Those ideas, those thoughts that I dont own, and those feelings that melt my heart pouring into tears that well out of my eyes, are these not an external expression of this awakening within myself?

My subconscious, the purity within me is where the Lord resides, as Bhikshatana, as Annapurni Mata, as Shankara, as Trayambaka, as Rudra. These are not just names attached with mythological stories, these are not just presentations of the Lord in human form, these are the very nature and energy of the supreme force Himself. And what if they appear within the vision of the subconscious to just bless the being, the human being, the limited human being that knows none, understands none, but fears all.

I am a speck in this ocean, I am a drop of life, and I am the 8th element, asleep lost and clouded in maya, I am part of Ashtamurti Shiva.

Om Bhavaya, Om Sarvaya, Om Isana, Om Tatpurusha, Om Rudra, Om Ughra, Om Bheema, Om Mahati, Om Paramaeshwar, the eight formed Lord, who represents the elements of water, fire, wind, ether, earth, sun, moon and my mind, O Sadayojata, O Sadashiva, the Lord of all the directions, the single pulse of energy that guides this world, O red eyed Rudra, I bow to you humbly for granting me this vision. The single energy center, the red eyed Lord, so clear and pure, so warm and enveloping, why then are you feared? Why then are you called terrific, why then are you considered so violent when all I can see is tenderness in your glowing eyes!

Om Rudraya devaya Namaha|

I bow to the Lord of the devas, to Rudra, to the creator of spiritual sound, that is involked in his names, the spiritual energy that vibrates within my being when I contemplate on his name. This devotion looks so small, so meak, so insignificant in front of your greatness, your form. To the fiery Lord of Love, warmth and peace, I bow humbly, and surrender to your presence deep within my subconscious, my real world, my core, that vibrates with the name of Rudra Trayambaka Shiva.

To see the sun, the moon and fire is one thing, but to feel the presence of the three eyed Lord Rudra is yet another. The core of red, the eye of light, the eye of life, the eye of fiery energy, the eye of divinity is in eternal abstraction, hard to explain but fulfilling and overwhelming to experience. Its the feeling of heightened emotion that results in heavy droplets of tears, that flow out like pearls falling through space, enhancing the bliss within so high that the minds knows nothing else. This awakens pulsating heat within the heart, heat that stays giving warmth of a flame that can beat the external cold without cover. This is ecstacy, this is emotion, this is beyond logic of the known kind, this is beyond blind faith, this is pure love, this is real.

Rudraya Devaya Namaha||

Photo courtesy: Creative commons - flickr.com

Jyotir Linga Trayambakeswar, Trimbak near Nasik

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Brahmagiri hills are a part of a charming countryside, in the wilderness of Maharastra surrounded by green and years of worship. A voice sings the praise of the 12 Jyotir Lingas and attributes his worship to Lord Shiva. The sweetness in his voice wake the senses and sends goose pimples through oneself, just experiencing the peace at Trayambakeswar temple.

Om Namah Shivaya

A shikhara rising up into the sky carries with it smaller vimanas intricately carved into itself. Its not just the beauty of these minor temples dotting the roof that stands out, its a reminder of the recurring pattern of our births, a cycle we don't want to get out of.

My life, like these endless vimanas, goes through its never-ending rhythm of living and desire. A churn so strong, that I do not know the way out. A reflection of this endless living with no effort to rise out of it brings the Jyotir Linga of Trayambakeshwar temple to those suffering this misery. How blind are we, that we don’t see this glaring truth in front of us and just leave it to being an ancient wonder. All that remains is a stone Linga embedded deep within these walls that beckons us to look within ourselves and find our own flame of enlightenment.

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The potency of this Linga is well known, from the yuga of Gautama Rishi(sage) and his wife Ahilya who lived in their ashram here and attained great siddhas such that it rendered even Indra insecure. Gautama Rishi's devotion was so superior that Varuna (Lord of water) blessed him with a bottomless well from which rose unlimited supply of grain. The other sages conspired against him in jealousy. Few versions run from here on. A cow once strayed into their ashram and began to eat the grain. This cow is believed to be the incarnation of Ganesha in some cases and Jaya(an associate of Parvati)in other versions.

When Gautama rishi saw the cow eating into the supply, he tried to shoo the cow away with a bunch of Darbha grass. The cow died within the ashram, this in reality was an illusion created and Gautama Rishi brings Kala Sarpa dosha upon himself. Kala(time) sarpa (snake like) dosha (sin) is a state of higher misery given to those who have attained higher levels of perfection like the great sages in ancient times. The misery is such that it follows generations of lineage of those who have commit a sin, the death of the sacred animal - the cow, being one of them.

In order to release himself from this dosha, Gautama made a small Linga and diligently worshipped the Lord asking for respite. He prayed to the Lord, asking for the Ganges to descend to the earth, in the form of Godavari, and flow through his ashram and rid him off the sin of killing a cow within his courtyard. The Lord answered his prayers and the source of the Ganges starts here in the south and forms the River Godavari.

The Ganges still flows within the shrine chamber, ever covering this small linga, that stays beneath the earth with the water rising out. The Lord lies here submerged, in a constant abhishekam, the worship of whom resurrects anyone from this endless churn of living.

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Photo courtesy: ©Lux