Sacred Residence of Ma Kali

Disclaimer: You may not stomach a few facts in this article...

Who is this unique warrior woman?

Her terrifying war cry pervades the universal battleground.

Who is this incomparable feminine principle?

Contemplating her limitless nature,

The passion to possess and be gratified dissolves.

Who is this elusive wisdom woman?

Her smooth and fragrant body of intense awareness

is like the petal of a dark blue lotus.

A single eye of knowledge

Shines from her noble forehead

Like a moon so full its light engulfs the sun.

This mysterious Goddess, eternally sixteen,

Is naked brilliance, transparent in sight

Cascades of black hair stream down her back

To touch her dancing feet.

Perfect in the art of wisdom warfare

She is the treasury of every excellence,

The reservoir of all that is good.

Her poet sings with unshakable assurance:

"Anyone who lives consciously in the presence

of this resplendent savioress

can conquer Death with the drumbeat

Ma! Ma! Ma!"

Original Poetry: Ramprasad Sen

Translated by: Lex Hixon

The hunt for the sacred residence of the Goddess Kali has been on for a while now from reading about the mother who roams the Shamshan by night to her temples that dot the countryside mostly occupied by Saktha worshipers. It took me to the ancient city of Kolkata, Tarapith and Nalahati known primarily for their Shakti Peethas. This journey was not just about visiting these temples and having a darshan of the Mother, it turned out to be much more than that.

For the average passerby the darshan at the main Shakti Peetha seems to be the achievement, but when I came back home to study more on the Mother, the revelation was far more intense. Kali has made an appearance in my mind many times, not letting me sit relaxed with contentment that I have figured her out. My journey to discover her has just started. It has led me to set sail from the shores of standard Tantrik sadhana to the ocean of literature of great Tantrik Bengali Poets like Premik, Ramprasad Sen and Kamalkanta who have sung songs in her name. Kali Ma has turned mysterious with every new discovery I made dwelling deeper into the lives of her Sadhaks.

The first striking quest of the Mother is her association with Sati. Kali Ma is what appeared and destroyed Daksha when Sati rubbed her nose in anger over the disgrace of her husband. This is one reference from mythology, but the greater symbolism is the association of Sati with her death. Sati's corpse hung of Lord Shiva's shoulders as he roamed the worlds in sorrow and madness carrying her dead being with him. Sati's corpse is what falls on this blessed earth when Vishnu destroyed her. What echoes in this mythology is the anger of Sati in the form of Kali, and her corpse that adorns this earth at various places bring home the idea of death being closely association with the worship of the Mother.

Kali Ma is associated with all those who dwell around the shamshan; men in this world who take to worshiping her and beings from the other worlds who make similar contact. The inhabitants of these worlds are rakshasas, asuras, vetalas, yoginis, dakinis, gandharvas, kinnaras, siddhas, bhutas, pretas, pisachas and nagas apart from regular people who live in this world. There are good beings and weird beings - good defined by those who have a "soumya" disposition as compare to those who display "ghora" disposition. Interestingly the flavor of regular people is what catches our attention.

We would normally associate Tantriks, Aghoris and Kapalikas with the worship of the Mother and therefore conclude that Kali worship is not meant for the Grihasta. Strangely enough, even the grihastas have a strong inkling towards the mother. Ramakrishna, Ramprasad and Premik are great examples of Kali worshipers who transcended the grihasta role and took to serious Tantrik sadhana. And all of them had a few things in common.

The common aspects in their lives are that they were great Ma Kali bhaktas. They all married and couple of them even had offspring. They lived in the middle of society, a society that accepted the worship of Tantrik Sadhana in the cremation ground as part of regular life with no aversion or bias towards it... even today. Given this environment and the acceptance of sadhana in the middle of the night, all great Tantrik practitioners have made the shamshan ghat a part of their lives. Strange Tantrik rituals have been a part of their sadhana, and these include rituals that are very hard to stomach. While they have been admired for their bhakti and their literary prowess, I wonder how many have accepted them for their way of life.

The sacred residence of the Mother can be unearthed in the sadhana of the bhakta. Few common aspects of their sadhan include the worship of the mother in the darkness of the night, in a secluded place preferably the cremation ground. They have gone through the rituals of accepting the impure and pure as part of their life and have transcended all bias towards aversion. They have been associated with human corpses which not only echoed the symbolism of Sati's mutilated body but also dared them to give up their social inhibitions. They have spent a lot of time meditating seated under a tree on what is called the panchamundi asana. They have worshiped, offered food and prayer and eaten out of human skulls taken and cleaned from the shamshan ghat. They have finally won the Goddess's favor and blessing and entered samadhi with her.

The air in Bengal is thick with energy, the average man on the road accepts this way of life. Ma Kali resides here in this earth. Various accounts of great Tantrik and aghor babas, of great Bengali poets and most of all the great love of Ramakrishna reveals the mother inhabits this earth, she is rooted to the soil where her corpse fell. She roams the night with her army of spirits. She lives in the skulls that dot the cremation ground. The 5 impure skulls are her home and she grants any wish to those who meditate on the sacred ground that covers them. She finally resides in the heart, in the hrudaya kamal that is buried deep within us. Ramakrishna and Kalidasa outshine everyone and are the greatest bhaktas in whose heart Ma Kali resides.

She is the wild Goddess, the one who walks the night and awakens it with her presence. She is the blue hued lotus that blooms by night. She is the wrathful one who kills all evil, she is the terrific one who dances in my heart.

References:

Sacred spaces in the temples of West Bengal [June McDaniel, College of Charleston]

Prabuddha Bharata, a monthly journal of the Ramakrishna Order started by Swami Vivekananda in 1896

Tantric Vision of the Divine Feminine: The Ten Mahavidyas [David R. Kinsley]

Poetry of Ramprasad Sen 1718 - 1775

Tantra in Practice [David gordon White]

The divine celestial from the Holy Land

Srinivasan sat back in bed, trying hard not to let go of the dream he had just woken out of. It was divine in its pulse for his emotions were raging high even after his mind has sunk back into the real world. Who was that he wondered? Who was that person, so charming and angelic with a smile so sweet that he could stay intoxicated with it forever. His dream had been very strange and his emotions were uncontrollable. He had never wanted someone so much. This person he saw in the dream looked monk like, fair and rounded like a baby extremely active with a spark of life that overwhelmed him. What stood in front of him was a celestial, whose smile and twinkling eyes just gave him more presence than just another human being. He appeared to be God sent, from the realm of the supreme and the energy he displayed was overwhelmingly powerful.

Srinivasan had no intentions to let go of his divine imagination. That dream was too precious. He pondered over his emotions, this celestial being belonged to him. Who ever he was and where ever he came from... he looked unreachable and the same time he was right there. His face spoke a million words, as if he was from the world of the wise. He looked enlightened; he looked as if he knew, as if he knew a lot. He looked as if he mocked the ignorance of Srinivasan as he stared at him and played with his emotions. He was there in front of him, and suddenly he disappeared only to reappear with the most charming smile, beaming life in his eyes, with a divine glow that enveloped him. He was so full of Tejas, Srinivasan could barely hold himself together.

Srinivasan felt a surge of divine love. It was not compassionate as much as it was possessive. He wanted that celestial being to be with him, he wanted to keep observing him, he was completely fascinated, completely enchanted by this ray of spiritual presence that draped his mind this morning. At the same time, Srinivasan felt fear, fear of his celestial friend being discovered. Fear that others would notice this spark of divinity and wish it away or destroy it with their evil glance. This was Srinivasan's moment in reality, his moment of being blessed by the supreme. And he couldn't share this joy with anyone... no one should ever know such a celestial came by. Srinivasan felt that the Gods had sent a messenger of some sort who was there to be with him for a while, protecting him and at the same time enticing him towards the realm of divine truth.

Srinivasan was ready to give up everything and go where ever the celestial being took him. It was no woman, there was no lust, no sensuous attraction, no hunger for flesh but there was supreme presence, it was beyond words to explain. Srinivasan felt blessed as if he was granted that strange wish of being protected and at the same time, he felt he was given ultimate freedom to leave this world we live in. Nothing about this world mattered. No money, no human, no happiness in the world, no woman could grant him this kind of a joy that he had felt suddenly. And he felt fear, fear to guard it, fear to hide the presence of this blessed being in his realm, so worried that someone else would notice and chase this celestial being away.

The dream faded with time, the emotions subsided and Srinivasan soon forgot the presence of the celestial being in his dream... it was a distant thought, one that he would love to entertain but as the thick weeds of ignorance grew over his spiritual realm Srinivasan very quickly got back into the mad noisy world of people.

Years later Srinivasan mulled over his life, his thoughts and his experiences. He was married now, and waiting for his first child to arrive. How would he be as a father, was he capable at all? As the day of his transformation approached Srinivasan's time and mind was long lost in getting himself and his home ready for the new arrival. The emotions of being a father were quickly smothered by the many people who took active interest in how the little one had to be brought up. Srinivasan barely got time to sit back and feel the joy in silence. Months flew by and it hardly took time for his child to grow into a beautiful baby. It was time for a trip to the holy land of Tirupati and Srinivasan and his wife decided to ceremoniously do away with the long jatas of their little one. Srinivasan was convinced that this had to be done soon and the long trek to the holy land brought him to this sacred earth for another round of darshan. This time he wondered whether his little one could sustain the overwhelming mass of people through the dingy passage ways. He would brave it anyway and he only hoped his little one would manage to take it all in with little trouble.

In the queue, the wait was endless. Srinivasan sat watching the crowds, some sleeping, others chatting over a coffee and few others yelling out loud "Govinda Govinda" occasionally with the sound of whining children in the background. The gates opened and the crowd raced almost causing a stampede. Srinivasan and his wife waded in the crowd, letting the flow of human beings carry them with its tide. Sticking close was all he could think of holding his little one up occasionally as he slept peacefully in his arms. The crowd swayed into the temple gates, the river of people now turning into rough rapids with no sensitivity towards anyone. Srinivasan's mind was a mixture of emotions, on one side he felt strange and blessed to be back on this earth, on the other side, his mind was on his little one who had just woken up in a daze staring at the river of strange people all around him, and he was leading the way for his family to stick together and make it safe for a minute longer in front of the sacred shrine of Lord Venkateshwara.   

The crowd surged in madly, meandering through the pillared passage way within the chamber of gold, and Srinivasan caught the glimpse of the Lord as he maneuvered through the maze. He was now heading straight for the spot, the one spot in front of the Lord before he got pushed away, where the Lord quickly fades of out sight. Srinivasan held up his little one to face the Lord, and looked at him. There in the background of all the chaos and in the thick of the human river, Srinivasan looked at the form of the Lord and then at his little one, only to be baffled by the play of life and time. What smiled in his arms was a little fair child, tonsured and smeared with sandalwood, monk like, with a glowing twinkle in his eyes, smiling a beaming smile at him, alive with a presence and energy he had not caught all these days. Srinivasan succumbed to the emotion as it came charging back into his mind, his eyes overjoyed with tears bursting with emotions as he stared at his little one... he held his own, his little divine celestial in his arms, the Lord had blessed him well at last.

Secret channels of spiritual telepathy

 Mount Kailasa depicting the sacred family.

The Gods are clever; they gave us a mind to think and also gave it the nature to wander. We are small minor spiritual centers that dot the earth, each center housed in the mind, have a task to do. The purpose is simple; it is to log on to the mother ship of spiritual thought and meet the celestials in other worlds. This is easier said than done for the mind generates thought, but while it meanders through it, it gives little consideration to the quality of the thought it nurtured on the way. We live in a mental swamp, a place that we call home and feel familiar about but scarcely do we realize this stinks of rotting thoughts that need to be disposed.

So here is a swamp inside the mind, being constantly fed by the muck of every one's swamp outside, so much so that we tune ourselves to get used to everyone's swamp being important enough to be a part of our own. Yes, in our journey to meet the celestials on the other side, we are looking for a couple of gems within the swamps that surround us but there is hardly any luck in finding it. Given the miserable helpless lives we lead, a few great beings who once dotted our earth decided to give us a set of rules, as defined by a school of thought. They gave the Gods a form, they gave them character that we would understand, they gave them names, they gave them sacred syllables and they assigned all of them a mystic path, that we could latch on to in order to reach them in the other world.

Here is where the whole cosmos seems to have played the game in sync with these great masters. They just didn’t give rules and tell us to follow it. They derived an ingenious method to bring in intrigue and mystery into this search leaving us ever wanting more with no apparent luck to getting it. Our journey into this mysticism gets thicker as we realize that the realm we apparently deal with is something quite beyond the swamp. As we spend more time and energy with it in what is termed as ritual, this process starts to clean up the thoughts we have and slowly the swamp within begins to flower. The experience of this change, the color and fragrance within, the freshness and newness of these thoughts lead us away from the swamp we belong to while physically we still exist in it.

The more the cleaning of these thoughts, the greater is the inner resistance to let the outside swamp bother us so much so that we start living within this beautiful garden inside and scarcely look at the swamp outside, it is as good as non existent from here on. But is that all?

Not really. This inner garden has the tendency to log onto the bigger paradise in the other realm. This garden now starts to have the nature of being a drop of paradise and as it transforms itself, it urges us to start the outside journey to visit the sacred earth that once held the power centers as part of them. What we apparently assume is a temple hosting the idol of the Gods with the walls defining their character; we scarcely realize that deep down within its core is a circuit that connects directly to the Gods, giving us mysterious access to one of the doors of this invisible mother ship. These are sacred mandalas or yantras that are housed with great reverence within the temples and are constantly fed everyday with living worship to ensure the doors remain open permanently to all who seek. The other way of accessing these spiritual doors is to house the yantra itself within one's own home, but that comes with a set of rules. To keep to door open, and to feed the yantra we need to be spiritually clean and the mental swamp has to try hard enough to clean itself up through a disciplined approach which has also been defined.

And so life moves on, giving us living moments to ensure we evolve ourselves and transform our swamps into paradise. Finally we reach the sacred power centers that call out the rules really loud. These are zones that we don’t get to visit often, they are almost inaccessible and have the nature to resist the swamp from a long mile. They are the actual mother ship, the axis mundi, the host spiritual power center and the home of million celestials. We are blessed to even get the opportunity to access these zones and our time is short. Access is limited to these zones based on how unclean our swamp is. The rules are so potent here and the experiences so intense that should a person have no swamp at all, they can simply fly to the mother ship discarding the body that housed the mental swamp. Others simply see and experience the realm of the mother ship, feeling the tingle of spiritual bliss as they view the grandeur of the mother ship for the first time with their naked eye.

How would this metaphor translate to real life?

Should we be blessed with purity that we worked hard for to clean up our own mental swamp, and managed to be blessed to visit the shores of the ocean of beauty, the Manasarovar, we would have the joy of viewing the crystal moon, this pure white dome of snow, this huge peak draped in white, the great abode of Kailasa.

Kailasa is one such zone, the others being Mount Meru, Mount Mandara and the like. These are spiritually clean places, hardly allowing us to inhabit the earth around their zones, and hence they exist in bleak regions. They are extremely sacred power centers, rich with life in other realms. They are the homes of the celestials who live in the space, in the air, in the realm of the atmosphere around them. Lesser celestials live closer to the earth and greater beings live higher and deeper within these zones. What is invisible to our swamp is the richness and the purity of the earth, water, air and wind around here. This is an overwhelming experience because the purity outside has a very strong impact on the swamp inside which undergoes a sudden urge to transform into a garden leaving us emotionally very intense resulting in tears on the exterior. The need to want to stay, the urge to remain and the weakness of attachment to the swamp makes us retreat to our marshland.   

Back home in the stench of swamps, we have managed to grow a pretty garden inside the mind. We have connected with the Gods, and touched the sacred door to paradise. Our mind has made a connection it cannot forget, though we are incapable of expressing it. We only feel the beauty of that paradise, we experience the sublime feeling of freedom to disconnect from the swamp, we know there is a path and we want to take it. This garden is now beginning to flower and mystical path is now open and is speaking to us. We have opened the channel to the celestials, to the Gods and if we are persistent, they will visit us. And when they do, we speak a language they understand, a set of syllables strung together, a particular set of sounds when woven in line will produce music to their ears and make them appear to us. What a beautiful world, what an ingenious technique to make the mysterious super world a part of ourselves and transform this swamp into a path leading up to the mother ship of the super gods.

Photo courtesy: Wikipedia: Axis Mundi

Divinity in the Aditya Hrudayam

It’s another peaceful morning, bright and airy giving the world a new life; life as we soak in this light, life as we soak in these rays, life that subconsciously controls our emotions, and life that we have so easily taken for granted. The sun, this golden ball of fire, has always risen and always set without fail giving us this precious life, the value of which we still don’t quite know. This very ball of fire has seen many years; it has defined what we call as time.

Centuries ago, in the earlier yugas, a distressed Rama stood on this earth, in a battle field facing the wrath of his opponent Ravana on one such brightly lit morning, just that the mood was entirely different. As Ravana continued to intimidate him, Rama was not very inclined towards war. It was at this very prime moment that Sage Agastya appeared before him and shared with him a few pearls of divine wisdom. The Aditya Hrudayam is a profound set of verses composed by the Great Sage Agastya and rendered by Rama in his search for the answer to his distress on the battle field.

The meaning of Aditya is synonymous with the Sun, the giver of energy that helps us enjoy all the experiences of life with our senses
Hrudayam relates to the one who shines or dwells in the heart. Hence the consciousness that resides in the heart of Aditya, pulsating with energy is the inner unchanging witness to all thought, words and deeds.

It is believed that by reciting the Aditya Hrudayam, one is blessed with pure thought, words and clean deeds carrying no karma forward and is ensured of moksha. The sun is universal, the brightest light of divinity visible to our consciousness and hence we bow to this light as a sacred form of the supreme for without it, there is no life, no consciousness.

The essence of the Aditya Hrudayam brings about all destruction to our fears and human inhibitions and prepares us for any calamity/unforeseen event in our lifetimes. The Aditya Hrudayam is a catalyst that helps control emotions while experiencing these events and bring them to moderation thereby seeking to achieve greater heights in our hunger for moksha.

The Aditya Hrudayam when literally translated describes the in detail the state of anxious Rama on the battle field when Sage Agastya appears before him. He teaches him the secrecy of divine worship of the sun which in our language translates to the Great Sun having warm rays with golden hues, nourishing and energizing the universe that rises and brightens up the horizon. It is an all encompassing bright light that is worshipped by both the Devas and Asuras. This light empowers Chandra and Agni and therefore is equal to worshiping the lord of the world. He is the embodiment of all the Gods, self luminous and the sustainer of life. He is Brahma, Vishnu, Shiva, Skanda, Prajapati, Indra, Kubera, Kala, Yama, Chandra, Soma and Varuna. He is the embodiment of the 8 vaasus, the Sandhyas, the twin Ashwins, the Maruts, Manu, Vayu, Agni, the maker of the seasons and the store house of divine light. He is the Son of Aditi, the inspirer of the senses, the nourished, the one with golden rays, the ever brilliant, the seed of the universe and the maker of the day. He is the master of 7 green horses, having thousand rays, the destroyer of darkness, the source of happiness, the one who mitigates suffering and the infuser of life into the cosmic egg. He is the store house of riches, like the hiranya garbhah - the one with a golden womb, the illuminator, the bearer of the divine fire, the ever blissful and the destroyer of "cold" [evil minded]. He is the master of the 3 vedas, Rig, Yajur, Sama, he is the sender of dawn, the one who blesses us with rain, the one who crosses the Vindhya range, and the one who sports in the Brahmanadi. He is the giver of heat, adorned with rays and reddish in appearance. He is the Lord of the stars and planets and constellations and the origin of everything in the universe. he is the Lord who appears in 12 forms through out the year [12 months]. Salutations to Him! He is the great lord who is the presiding deity of the eastern mountains and western mountains. He is the giver of victory, he is joy born out of victory, the golden one. He is the one who subdues the senses whose emergence makes the lotus bloom. The Sun is consciousness, that is seated in all those who live, in all created beings and he remains awake when all else sleeps. He is both the sacred fire as well as the fruits of such divine worship. Sage Agastya tells Lord Rama, Raghava, to sing the glories of the divine sun and conquer all the dangers that befall him; the Sun will not leave him. Concentrate on the Sun, recite this hymn 3 times and you will conquer all your fears and enemies.

Gazing at the supreme sun, Raghava recited this divine hymn and experienced the supreme joy of fearlessness and sipping water thrice; he purified himself and prepared for battle. Thus knowing the impending death of Ravana, Surya, and all the other great gods blessed Rama with victory.

The Aditya Hrudayam, in its divine words encapsulates energy into itself that spread divine vibrations around us as we recite these words. Over a period of time, this regular recital leads us to purify and conquer our inner thoughts and conquer our fears by discarding the desires that lead up to them. This profound knowledge is experienced everyday with the waking of the sun into our lives. It may also be described as the tiny drop of light we light for the Gods when we bow in reverence to them during our daily prayer. This fire is but a small speck, an extension of the larger ocean of flames that make up the great Sun.

To the great divine Sun God I pray for another bright day.

The lost joy of being a Brahmin Priest

In the ancient days priesthood was a very prized position and was not earned merely by birth, it was earned by hard work and excellent education in the deep roots of ancient philosophy. But as all things change, this too changed for the worse.

Time, need and desire have changed the overall landscape of this divine profession. There doesn’t appear to be too much pride in this role any more as it is clouded by the deadly imagery of corruption, greed and complete disrespect for the divine. Incidentally these men are the keepers of the faith and sadly they had not lived up to divine or mortal expectations. I have had very sad experiences with current day Brahmin priests, and like every other person walking to the temples with some hope, my desires towards a drop of enlightenment have been massacred too within these ancient walls, leaving me with a bad taste in my mouth towards my own faith. While most of us end up cursing the faith itself and search for our own warped inner peace, the only way I have known that works for my temperament is to believe extremely deeply in the faith but disqualify the current keeper of it. The bottom line being, I am the keeper of this faith at this time and it is my duty to learn it for myself and not depend on anyone for it. 

But I have wondered about the role itself and often felt the urge to want to learn the science of it. I have taken active interest to learn ritual to some degree to my personal satisfaction and have also fallen prey to the disease of "How things should be done" as compare to "What are these things and why are they done that way". I don’t have the answers to everything, but yes I have chosen not to question everything in order to believe it, because I know, if I wait for an answer and not practice in the mean time, I will just lose precious time and that is not good. Hence I am a believer, and I love the rule of discipline and orthodoxy consciously because I know, its the only way to reign my wandering mind back into my "divine" self. I have chosen this path.

And this decision has set my mind thinking many times. What if I was blessed to be a Brahmin priest in the ancient days... how would I have been?   

I would have considered myself the luckiest. The joy of this role speaks for itself. While in these times it is a job that reeks of corruption, deceit, and utter selfish motive with no adoration towards the Lord incarnate, the original purity of this role was well worth several lifetimes.

The moments of spiritual bliss, the pockets of joy dotting my day would be in the rigorous worship of the Lord from the early hours of the morning to the late hours of the evening. What a wonderful moment it would be to enter into the sacred garbha griha as if it was my own home and chant sweet words of adoration to his being that rests within these thick walls of time. The gabha griha otherwise is forbidden ground, for only the pure can enter. Its ironical that in these times, one has to be pure physically while the mind festers the darkest poisons within itself!

Lighting the lamps and pouring the oil to keep that divine flame alive, bathing the Lord in traditional abhishekam and dressing Him in his royal robes and decorating Him with beautifully woven garlands of flowers and vilva leaves...I would eagerly wait for this moment everyday and when it becomes the main task of my life to spend these living hours with Him, wouldn’t I be truly blessed?

To have a feeling of divine ownership, to be the ever present servant of the Lord during my living hours, to be the keeper of His home, to be the cook for his daily meal that He blesses as Prasadam, to sing to Him and pour sprinkles of Bhakti in these divine tunes, to hold up the divine light of Arti and see Him up close in all his grandeur, what more can I ask of life.

It would be joyous to share the divine light with any bhakta who came to His doorstep, it would be a pleasure to explain the divine doctrine and enlighten people to understand His presence within this idol and its significance. It would be inner happiness while I contribute to the community to teach this knowledge to all who are interested. How then can I ask for money blatantly when others would like to share this joy? How then can I be rude when a bhakta attempts to learn more about His divinity? How then can I sell my knowledge to perform rites for a few hundred bucks? How can I cheat people of their inner peace when they come to meet the Lord? And finally how can I ever face the Lord the next day when I come back into his chamber...until I have killed the life in him and consider him just a stone and my knowledge is just part of a text book and left me with no wisdom... when I have not spent my time doing my fair share of Vichara?

Priesthood is a definite path to heaven, if the path is chosen and lived well. While the path starts in the lines of religion, it slowly converts to spiritualism. My time and consciousness is always towards the Lord, my mind stops taking this as a regular job but starts working on the lines of contemplation i.e. Vichara. He is always there and yet not that close for me to feel Him, He plays with my mind, a silent game of hide and seek and leave me a whole lifetime to learn and understand him. He gives me all that is needed, the environment, the divine scriptures, and the constant time that I need to serve Him and its now my turn to realize the true value of what lies in front of me. My only magic portion is Bhakti and when I sing in its tunes, my spiritual path lights up before me... I am now a true bhakta. I am no longer a priest; I am Shiva, pure divine consciousness.

Reflections on the divine Guru

In this world of noise
I am left speechless
In this space within my mind
I am plundered by a million thoughts
In this journey to realize you
Am I lost in a sea of desires
In this search for enlightenment
I fall through the darkness of ignorance
Hounded by all my fears
I cling on to this single flame of divine faith
In the blackness of my reality
I look up to you, O Guru,
to help and guide me through

This is my world, suffocating, with thoughts undesired and endless events creatively stitched together by fate to make me realize the futility of this life and yet I get sucked into their elaborate web of occurrences. I jump from one event to the next accepting some and rejecting others with uncontrolled emotions, cursing the Gods for my existence, wishing every moment that it may be made better.

With a heavy heart I look at this lamp, whose warm flame flickers unconditionally bringing light into my otherwise dark world. There it is, so gentle and warm, so pure and calm as it glows on. It is a tiny drop of whiteness, of a heavenly bright light that seems to magically appear when I desire and disappear when I dont care enough. It has the power to light up my room, and even more, it lights up the darkness in my life. This is the divine light that shows me the path to the other side, more promising and magical than my predictable existence in this world.

I have been on that path before, it enchanted me with its beauty, with startling revelations and with divine promises of a mystical universe unknown to anyone who dares not take this path. It gave me peace and yet a strange excitement to look forward to more experiences of a different kind. Strewn with hardships, nerve racking experiences that could leave me destroyed for life; it dotted my world with small miracles that intoxicated my soul and gracefully ship me across to the other side.

Ah! What a world it is, embedded deep within my head with experiences changing the landscape of my thoughts making me believe that my imaginary world inside was fueled by these strange events outside, making me truly believe in this magic of life. As I faded away from the world of other people around me, as I drifted into my being, the world outside feels like a fruitless tree withstanding the illusion of torturous times.

I want my world back again, I want my divine Lord to dance holding this light of joy, this fire of divine knowledge. I want to feel his energy, his swaying presence in my heart lighting up the million flames of enlightenment deep within my soul. In the silence of this world, I want to listen to the rhythmic beat of his feet, look up in awe towards him and quench my mind's desire to observe him as his jatas sway and his damaru beats along as he moves.

I stare into the flames of this lamp, into the whiteness of this light, into the glow of its presence, and worship its power as the creator, preserver and destroyer of all that thrives in its presence.

Oh Lord, my divine Guru, guide me through these times and bring me back to this path of love and divine grace. Help me contemplate and reflect on your divine presence and fill my mind with your divine thoughts.

To this divine light, to the great Guru who shines in its flames, I bow in reverence hoping to see your true form some day.

Search for the real Guru

I have had many people ask me whether I have a guru, whether I have been initiated, and whether I have had spiritually uplifting experiences. While I can sense their curiosity, it has not been very easy to answer these questions. I understand that we all want to know "the path", we want to learn it fast and we are not ready to be careful about treading this path. There is hunger to want to know, in some people its a lot more intense.

I have been initiated into Shiva worship in the traditional Brahmanical order. While having studied quite a few of the influential paths of Shaivism, namely the cults of Aghories, Tantriks and Virashaivas I have come to understand them as a whole as well as individually. I respect them and their methods though I might not necessarily take to the path myself until that Sadhana is a must for my own salvation with no other alternative. There are disturbing elements in each of these paths when observed in their unadulterated potency and its for our mind to accept the ways of the world or reject it and face repercussions both good or bad.

But Sadhana typically starts with the initiation from a Guru. They say we shouldn't search for him but he will come on his own to us. Well, does the waiting get tough then? That's probably the time we resort to following self proclaimed Gurus in today's world and hope to find peace in their teachings. What's missing in such cases is the personal attention we want in these cases. What we don’t realize is, when we are not "ready" the Guru will never come. Preparation for a Guru is most important to get started. 

The first Guru we come in contact with in our lifetimes are our parents. They set the ball rolling giving us insight into the prescribed path that we would most probably take through our lives and seldom change it. And hence the first initiation has begun. There is no ritual in particular except for the male child maybe. Our search for the next Guru begins when we come to the age of understanding life. We want to dive deeper and understand the science better, of what is possible within our capacity.

The typical route from here is the confused path of ritual worship - a disciplined methodology of dos and don’t with no reasoning to explain why. While on one side the heart encourages this, the mind looks for logical reasoning which might not be immediately apparent. The questions arise and sure enough they don’t have convincing answers. Do we at this point hang on to the path or change or give up and look for the undefined universal God?

In my opinion understanding ritual worship is like learning a language. We don’t understand the nuances of grammar or the idiosyncrasies, yet we hold on to it hoping we will make good masters of it some day. We do not reject language because we didn’t attempt to learn it.

In my personal experience and understanding, at this stage its good to hold on to ritual worship and follow it consistently even if we don’t understand it initially. Its up to us to read up and dig deep to understand what we are doing, rather than doing it mechanically and feel like a parrot reciting mantra. We most often expect someone else to teach us the meaning and do not find a reasonable Guru to explain this vast science; we have little time to do this on our own.

If we do this right, there is a good chance of attaining a spiritual high at this point, reaching a level of sublime experience with the supreme in a small way and getting enchanted by the turn of events in our lives. This is probably the time we are taking to prepare ourselves for the Guru's arrival into our lives. Following the ritual path is a must to go to the next step, but it is effective only when we approach it with Bhakti rather than mechanical action with no comprehension of what we are doing.

The next misconception is that the Guru will show up in human form and speak to us in a language we speak in. Thats where we make the biggest mistake. The first criteria of eligibility towards getting a Guru, is that we in our individual capacity are prepared to be a pupil.

The true pupil has single pointed intense faith in a path with no room for deviation. This path is well understood by him/her and not a result of mass teaching of the community they belong to. At this stage, the pupil is ready to disassociate from the community [herd culture] and walk towards the lonely path of self realization. The pupil understands detachment as a reality, and though they might be in the midst of people, they move towards looking at them with detached compassion rather than possessive love and expectations. This feeling of course is not as overwhelming in the beginning as it is at the end of this path, but the pupil gets to feel the crux of what is expected. The pupil has now decided while living in the middle of this chaos, they don’t quite belong to it anymore and the journey towards understanding the inner self now becomes a breathing reality. The pupil is ready to surrender to the supreme force.

In the silence of their mind, in the void of their being and in complete surrender, the pupil awaits the arrival of the Guru. If luck has it, the Guru will be present in human form at that time. The gyana of the way ahead is mostly transmitted through touch or sight or in silence but never through speech as sound is a lesser path of communication. If the Guru is not physically present, the gyana is arrived at in the mind. It just happens, and the pupil is subconsciously directed by the power of the thoughts they harbor in the mind. This is when the pupil transitions from religion to spiritualism. From here on ritual has no value, it has led the pupil to the doors of the master.

The Guru appears in the subtle world of their mind to direct them and lead them in their path. The path is never easy and surely has no room for personal bias. It can test the pupil through tough times, with unhappy experiences to force the pupil to detach from what is around them or it could be through comfort as well. Either way, the pupil realizes that what is around them in the exterior world doesn’t matter any more - both good and bad. They have now learned to accept all the twists and turns in their lives.

One of the most mysterious forms of experiencing the presence of a Guru in a "non human form" is the sculptural depiction of Adi Shankaracharya at Kedarnath. While to most people it might have looked like a symbolic representation of his Dandam, this form of his hand holding the sacred symbol of the Shankara, is believed to appear in the mind's eye when a pupil worships this Guru. 

In this search for the supreme, when the Guru accepts us as an eligible pupil and the divine education begins, this experience is far more overwhelming than any other we may have experienced before in our lifetimes. It is potent, magical, and mysterious and strictly rule driven and supersedes all the scientific theories we have come across so far. This is a different reality, unexplored and excitable on a different plane. The Guru transforms into a God like being and leads the way, while we - the pupil - pick up the reins of Bhakti and ride on this path to supreme bliss.
 

Musings on the Philosophy of a great Sage

 Photo Courtesy: bhagwan-ramana-maharshi.blogspot.com

There are some arguments that stop even before they have started and one that glares at me is the continues debate of that which is unreal vs that which is real. Pure spiritual philosophies define the real world as unreal which is the basic argument that people agree to disagree on even before they tried to understand the potential deeper meaning of the words.

Here is an eye opening statement of Bhagavan Ramana Maharishi that helps me understand this phenomenon a little better from my perspective.

Quoting from "The Teachings of Ramana Maharishi In His Own Words" by Author Osborne:

"The world is perceived as an apparent objective reality when the mind is externalized, thereby abandoning its identity with the Self. When the world is thus perceived the true nature of the Self is not revealed; conversely, when the Self is realized the world ceases to appear as an objective reality."

Let me first start with the meaning of externalizing and internalizing the mind. We live in 2 states of the mind all the time, that which we stitch into the external world around us, which we call "real" and that which is a figment of our imagination and perception which is apparently internal and "unreal" from our own perspective.

To put this in a practical example, the real world could be defined as what my boss expects me to do at work tomorrow and the unreal world is my apparently realistic imagination of how beautiful Lord Shiva Nataraja looks in the great hall of Chidambaram when I imagine Him through my devotional mind. As I am extremely connected to the external world, it is very difficult for the mind to state it as unreal and try and connect to the "Self", hence the external world appears as the apparent objective reality. In case, in all sincerity I made the dance of Lord Shiva Nataraja all real in my mind and enjoyed the blissful moment of viewing his divine presence in my mind, that world built on the river of Bhakti is far more real than a distant boss I may or may not meet tomorrow.

The next word I would like to explain is what the Self is. This of course is my understanding and purely my perspective, and I may be wrong :). To my understanding and realization, the Self is the definition of ME, at this present moment in time, with no thoughts that cloud my mind, with no intellect that defines my ego, with no rules that define my identity, with no relationships that govern my role, and with no possessions that define my earthly existence. I am free off the world, I am free off society, I am free off my ego, I am free off man made rules and I possess nothing. When the mind tunes itself to this thinking for even 5 minutes and connects with this reality, I have touched the Self, that is the real ME. Hence the world now ceases to appear, it is non existent, and therefore not real.

This explanation in simpler terms defines the deeper truth of what the Great Ramana Maharishi might have tried to indicate, but now, there is the other argument of how do we call an ever changing world as unreal and illusionistic specially when the changes are visible right before our eyes?

Let’s revisit this statement of the illusion in this so called real world. Let’s take the step back and view the history of this country and its people across the ages. We have had a colorful past, there have been enough battles, there is enough diversity in language and life style, and yet the religious nature of Hinduism in the country is intact, and as ancient as ancient can get surpassing all the other world religions in terms of time and tolerance to withstand any form of destruction.

As Vedanta explains, that which changes is unreal and that which remains unchanged with the tolerance of time is real. People have come and gone, generations have changed, dynasties have been wiped out and replaced and yet the basic religious identity hardly got shattered by these blows. Isnt the faith of Hinduism, this way of life, this art of spiritualism actually real that it didn’t depend on any one human being or time for its sustenance? The thought of Lord Shiva is as powerful today as it was in the Indus valley ages. The thought of Vishnu is as profound now as it was during the Aryan age [If there was a disputed Aryan period at all?!]

Change is not permanent, and that is best explained by the recent turmoil brought in by the wealth revealed after centuries in the ancient temple of Lord Padmanabha Swamy. The wealth belongs to no one; the wealth in our system of rules still has great value, without an owner. Our rules don’t define what to do with this wealth, but this wealth certainly reeks fear into people about who will manage it and how justly they will be honest to the Lord's earthly possessions and hopefully it will not go into the wrong hands. The wealth cannot be used [to be fair to all] and therefore much as it is of great value, it is as good as sand for it belongs to no one.

Conceptually, what good has "Change" brought to this newly found wealth at an ancient temple? Is Lord Padmanabhaswamy suddenly that much more important because of the wealth he now has revealed to us as we perceive it through our minds? He always had it, we found His wealth now! This wealth was illusionistic and conceptual till it was brought to the surface, and now it controls the mind a lot more than the Bhakti that rules the devotees mind to Lord Padmanabhaswamy. He is no longer the Great divine being who rests in the enigmatic ocean of time, he is now the owner of Rs 90000 crores which will again disappear with time, but Lord Padmanabha Swamy as a concept will remain even if this temple is ravaged by time. 

Its a matter of time, the wealth that was once open treasure was buried for more than a century, and is now revealed and will be buried again. As we have seen before, what will remain is the unchanging principle of spiritualism defined by the existence of the great Trinity, by the spiritual presence of the Gods who rule the Indian mindset. We are part of the change, the physical body will give itself up, its the astral body that will bail us out to the next level in our spiritual journey. The change as we perceive it is limited to this life, the unchanging is the Atman that pervades the space and will leave the physical body at will survive the individual after death.

To the great Sage Ramana Maharishi, I bow in all humility for these divine teachings.

The Mysterious Yakshini: Suratha

The construct of Hindu philosophy and the roadmap to Nirvana in the Hindu way brings to us a pantheon of Gods that look supremely large in number but actually boil down to just a handful. The misunderstanding of large numbers come from the many names we encounter in the scriptures, sometimes not realizing they belong to the same God or Goddess. There is a hierarchy and every deity has his/her place in this vast heaven of super beings.

While the supreme beings are the chosen few, like Lord Shiva, Vishnu, Brahma, Ganesha, Surya and Devi there are many  attendants and celestials whose purpose of existence revolves around the worship of these great beings. Every one has a name, a designation that is defined by the attributes they possess and the power to deliver something that we mortals perennially thirst for. And then we have the scriptures that are a great store house of information painting this brilliant picture giving the visual appearance of these great beings whom we may never meet; but the mantras are stitched such, that we tend to forget we ever wanted to meet them and instead get lured towards all the gifts of prosperity that they can supposedly grant us in return for our feeble prayers.

There is a pattern in all this, every known deity has a form, every deity has mantras and sacred verses describing them and also gives an idea of what they are capable of doing. This is a given, if we dig deep enough, the more we get to know and understand the exploits of these great beings. But there are a few, who seem to be lost in this oblivion of great souls and though we have the mantras that call on their presence, we may not have tangible iconography to support the visual appearance... or let me say, I have not found it yet :)

Here is one such celestial, whose description is given in a single verse with details of her location and her 
attributes and yet, there is no picture to paint of her to explain what she really looks like. 

Himavat uttare paarshre suratha namah yakshini
Tasya smarana maatraina vishlya garbhini bhavet
[Please excuse any textual errors in the above mantra]

This translates to the backdrop of the Northern Himalayas, where there lives a Yakshini by the name of Suratha. If an expectant mother intensely contemplates on the form of this Yakshini, she will protect her during labor blessing her with minimal pain and suffering.

Does this mean only women should think about Yakshini Suratha at the time when they are pregnant and not any other time during their lives? Suratha increases my curiosity more from the perspective that written records of her are very few and there is hardly any easy access to visual references of this Goddess. While reciting the mantra is the only art we have learned and the potential immediate need of the hour for only selected people is to recite her name, why doesn’t Yakshini hold a place in the mind of the average human being? Doesn’t this question our outlook towards our own faith making each of these deities a wish fulfilling tree who is conveniently forgotten once the "sadhana" has been achieved.

This brings me to the mechanical mind set we all are very comfortable with and the lack of persistence we show towards not questioning its real intent. When someone is given a mantra, the immediate act is to start reciting it whether we understand the meaning or not. In the stray occasion that we do understand the blatant meaning, we barely get to the subtle meaning of the verse, that which is governed by a bit of experience, lets say the art of the sublime experience of love. The mantra though capable, hardly leads us into that sublime haven of truth which we want to see but don’t have the patience to approach the right way. This hits our overall confidence on our belief and faith and we left with no answer to proceed. We want results without taking trouble, but these things need time for anything to surface.

A true lover of the scriptures, of this science, of this way of life called Hinduism, settles for nothing less than 
the real truth, and how is that truth defined? In this extensive learning curve, if one is blessed with patience, 
the first is to understand how this system of faith works, not just by the rules taught blindly at home but by 
individual understanding. Persistence to know more, to understand the ancients who created the scriptures as the sacred books that we need to follow for good living. And these sacred books are well beyond the realm of the Gita or the Ramayana. Next is to realize the various arts of expression, be it architecture, sculpture, painting, poetry, scriptures or even song, which gives an insight to what they might have possibly experienced in the search for the supreme for the great souls expressed their love for the sublime in these forms. And lastly, is one's own lonely path to salvation to experience this sublime love for themselves and break away from the attachments of maya that govern every aspect of our lifestyle, be it materialism or be it love for our dear ones, some day the truth to depart will dawn on us, and maybe that day we are too far off from recovering from this illusion.

Ecstacy in the experience of divine art

Have we ever wondered what the court of Indra might have looked like? This is a heavenly city among the clouds, floating in space, brimming with activity and carefully placed well beyond the radar of human consciousness. It’s a city so beautiful, where the magic of life and the miracle of consciousness can be sensed in every pulse of one's own awareness.

They say it is a land of purity, of super men, whom we call Devas, celestial beings with superior knowledge of life and an ever pulsating consciousness that can be an intoxicant to enjoying divine experience. This is the land of super powers, who not only spend their time creating a balance of goodness in the global aura that surrounds the universe, they are constant worshipers of the supreme beings, the core of all spiritual power, the trinity and with this realization they create a world that glitters in such beauty, its too breath taking for us to even sense.

And in this divine court that glows in such light that equals a million suns, where air is so fresh, water is so crystal clear there is music that reverberates from the instruments played by the celestial Gandharvas to whose beat dance one of the most ravishing Apsaras described in the Indian scriptures.

They are not just beautiful in their divine femininity, they are not oozing sensuality on the floor, no none of this... they are the very embodiment of beauty describing a very different consciousness. In their divine glow, and in their graceful movements they dance on the royal floor of Indra's court waking up the divine senses to the superior arts of divine love in the form of dance coupled with an intellect that supersedes any earthly knowledge we know today. These are women of superior power, with sharp intellect that can challenge any being, with beauty that can overwhelm the onlooker and with grace that can weaken any mortal mind. And they had their place in the heavens, of respect, of power, and of divine love for the supreme, untouched, protected, and honored.

*-*-*

Back here on mortal earth, men tried to create one such ambiance within the temple walls and as close to divinity as possible. Women were associated into the temple arts of love, of divine music, of dance that relived the presence of the supreme beings and accentuated their mythological exploits.

They came to be known as Devadasis, the divine women, the Lord's attendants, who were married to the very Lord himself and had dedicated their lives to the divine entertainment of the Lord, creating a similar mortal court of Indra back here on earth. Their qualifications were difficult to achieve, and unless they dedicated their lives from childhood to this divine art of love, they probably never reached such levels of high honor.

But there was a flaw in this system, and we forget mortals are mortals, no matter how superior their education into the truths of the sacred texts is. When it came to describing beauty, the focus apparently shifted, from the love of divine art in grace, and dance and music to the very sensuality of the woman who displayed it. The more the woman displayed her grace, and her beauty in the arts, the more she probably attracted the spiritual men who worshipped the Lord within these walls into the mortal sensual world of beauty.

The difference between superior beings and mere mortals is very apparent in the truth of this tradition. Supreme beings focus on self consciousness, on accentuating their enlightenment on divinity where the body if any doesn’t really count. It is about the superior rise in consciousness. Mortals don’t take too long to fall prey to their pleasures related to the mere flesh and bone. The more beautiful the flesh, the more they want the power to control it, losing every sense of control on their self consciousness.

And this practice over time, has led the way to "divine prostitution" maybe well within the very walls that were meant to attribute these arts to the Lord himself. The cult degenerated, the women reduced to mere toys of sensual pleasure with male supremacy overpowering their existence. Maybe some enjoyed it, some didn’t, but none the less the very death of honor and protection to the women in this practice displays their hypocrisy of the human mind and its complete weakness.  

The men in this world were the best intellects the mortal world apparently produced, they were the closest to the Divine Lord, they had dedicated their lives to the study of superior knowledge to lead the way to lesser mortals and yet, when all knowledge failed and the animal power of the body took over the divine consciousness of the mind, is there any honor left in these men?

Whether the women were a party to this crime or whether they were forced to submit to the celebration of this derogatory art, or whether they lived in a free society where the art of divine expression of sensual love was not a taboo is a debatable topic. None the less, we lost the heavenly beauty of the realization of self consciousness in the experience of these arts that have been so carefully brought down the ages and knitted into our society.

What we need to realize is where honor really lies, in animal instinct that governs and overwhelms of sensual existence or in divine thirst for supreme awareness that makes this very sensuality appear like a decease. To all the confused souls who search for the divine truth on this planet, whose minds are unstable and flutter from one sensual pleasure to the next, isnt the truth within the quality of thought we harbor?

How then can the mind experience the divine embedded in sacred art if the mind searches for the grace in the mortal body of a woman instead of searching for divine love in her eyes for the Lord?

Vaital Deul - The art of conquering fear

Vaital Deul temple stands silent along the bustling streets of Bhubaneshwar, it is a contrast from the world we are in today and the world that once was. The landscape of the day has completely changed with buildings rising around this quaint ambiance but the image of this quiet locality must have been quite different during the old days. Vaital Deul, sharing its compound with Sisireshwar temple, would have been shrouded among dense forests with a possible pathway leading up to this shrine.

Tantrik cults have ruled this temple for long and their main deity of worship has been Chamunda devi. While the exteriors of this temple are covered with innocent looking kanyas luring the passerby to these temples, what lies inside looks far more fearsome.

In Indian spiritualism, there is no room for feelings of fear or attachment. In fact our scriptures repeatedly advice us to get over these emotions over a period of time. These forms of Devi and Shiva, of Kali, Bhairava and Chamunda bring in feelings of fear when viewed by the ignorant eye, but to the aspirant who loves and views them in bhakti, the emotions reach a state of sublime that supersedes the average emotions that rule us. Its similar to the emotion of indescribable love a mother feels towards her potentially ugly baby as compare to the judgemental view an onlooker takes towards the same child. We have innumerable examples of Shiva and Shakti in Ghora rupa, displaying actions of gore like consumption of blood and mutilating the body of the sacrificed, living in formidable locations like the shamshan ghat and waking up in the night to be worshiped by their devotees. There must have been a meaning to all this.

Vaital Deul is one such potent example of a Shakti sthal converted to a hard core location for strict, deep rooted tantrik practices for the worship of the Mother, in one of her many forms. The temple itself has a silent aura of mysticism with a luring exterior of the most ravishing Kanyas. But when we step inside, the view changes everything. Shiva, the Durgas, Sapta Matrikas, Varaha, Ganesha form the pantheon that welcomes us, but with a difference. They appear far more scary than what we in "civilized society" are used to. It is almost a reflection of the Jewish Sabbat - the dance with Satan. While the imagery is dangerously close involving sexuality and potential blood rituals, the rules and beliefs are completely different.  

Hinduism depicts the vanquishing of evil in this imagery, where killing is incidental, but the method is explicit. These emaciated sculptures of Chamunda and Bhairava dance around with fire bowls, holding decapitated heads and a sickle for more blood coupled with scenes of copulation all in the name of victory. They scream out not just the destruction of evil but the path to higher super bliss through what appears to be bizarre rituals. But why are they bizarre? Its a method, like any other strong school of thought with its own set of beliefs, just more daring in areas sparingly visited.

Pure spiritualism has no room for bias, lack of bhakti, easy nirvana or just the mechanical art of worshiping a wish fulfilling tree to bear fruit. We have strong contradictions, seriously controversial rules that fight the battle of what pure faith really is. Conquest of fear, of attachment, of temptations and of discipline is the bottom line of all the rituals that build up Hindu spiritual art of worship. Be it the worship of Chamunda and Kala Bhairava or be it the worship of Shiva and Parvati, the mind has to be tamed and the methods could be varied to cross this ocean. To some the path is acceptable within the realm of society and to others the path blatantly addresses human nature in its many aspects.

Vaital Deul temple depicts Chamunda in her gory best, with dancing ghosts and goblins hitting the drums of victory around her. In the darkness of this small temple, with hardly any windows to bring in daylight, the appearance of the Goddess in the lamp light can trigger the emotion of fear and echo the thought of death in our heads for longer than we ever felt it. The thought here is not about death as much as it is about the eeriness of the ambiance that calls death upon us. Vaital Deul has been active in history with blood sacrifices more in the order of humans than lambs and other creatures. The aura of this temple can brings shivers to the mind and the only way a person can beat this creeping eeriness is vanquish the very emotion that encourages weakness out of its presence. Vaital Deul is a good example of a temple that creates the aura of gore and fear to make the onlooker realize their emotions and not fall prey to them. Its a classical test towards attaining higher bliss by inducing contemplation to conquer our mortal emotions.

The thought of contemplation now should ideally change from the fear and shock of the unknown to peace and bliss over the surprises the Supreme forces throw on us to make us realize how inadequate we are to proceed on our spiritual journey.

Photo courtesy: Indira Gandhi National Center of the Arts

Related blogs:
Shakti Peetha, Chamundeshwari - Chamundi Hill, Mysore 
A night with Nava Shakti - Chamunda.
Chaunsath Yogini temple

Mysteries of a begging bowl

The ancient Tantriks are great followers of the cult of Bhairava, the form of Bhikshatana Shiva, the naked mendicant who walked from one forest to the other, ash clad and pure. Shiva carries a damaru in one hand and a skull cap shaped begging bowl in the other. The Tantriks are the only people today, who are found using a skull cap for a begging bowl, literally mimicking this picture of the Lord, but delivering it in not as much beauty.

Mythology holds that Lord Shiva once cut off the 5th head of Brahma. Thirumular's Thirumanthiram states that Lord Shiva holds the skull cap of Brahma as a begging bowl in order to save it from hitting the earth and perishing, for Brahma is the creator of the Universe and his head signifies all that lives and transitions to the next life after death. Lord Shiva is also known to wear a garland of skulls that belong to great celestials, as he protects them from falling to dust. Hence the idea of holding the skull cap and wearing a garland of skulls has a very profound meaning and is not as gory as perceived by many.

These are not just stories as they hold a great deal of truth and deeper significance and this brings us to the larger question of why is a skull cap a significant depiction of a begging bowl?

Lets take a few steps back and observe another ancient tradition, that of Buddhism. The idea of ahimsa as well as the idea of bhiksha started during the time of Buddha. There is great significance to the begging bowl in Buddhist tradition. When Sidhartha Gautama Buddha reached the end of his journey to enlightenment, he realized his emaciated state was of no help and that he would need food to gather the energy to go through to the other side. It was at this time that a young girl gave him grain in a golden bowl which he divided into 19 parts, one for each day till the day he reached his moment of enlightenment. One he crossed the threshold to the other side; he discarded the golden bowl into the river - a marked significance of detachment from any kind of materialism. The golden bowl marked the catalyst to Sidhartha's transition from one state to the next.

Ancient faith believes that the last segment to divine Nirvana is when the Kundalini energy reached the highest zone, that which is near the Kabala of the human skull. It is also believed that Jeeva enters the body through the Kabalam and if it exits the same way, one is blessed with superior transition at the time of death, it is the perfect death achieved.

Brahma, the creator symbolized the transition of life and death in the hands of the Lord of destruction. Hence the passage of the afterlife and the highest form of realization is depicted through his kabala which is held as a skull cap, a bowl that depicts the last state before one attains the highest form of spiritual bliss.

Both Buddhism and Hinduism tried to depict this great truth in their own ways. While Buddhist belief took a different turn and depicted this truth in a far less violent way, ancient Tantrik cults and Vajrayana Buddhism depicted the ferocity of Kala Bhairava, the Lord of time in their depictions by emphasizing on the skull cap which symbolizes the Bhramaranda zone of the skull, where the essence of Atman remains shrouded in this area and releases the soul upon death.

Such deep significance of life and transition to super death, such profound truth lies embedded in what we perceive as just a skull cap in the form of a begging bowl.

P.S. It would be interesting to note that the Tibetan Buddhist tradition has also devised a singing bowl which reverberates the sound of OM when one plays it while meditating. Could it possibly signify the highest state of bliss when the mind resonates the primordial sound of OM.

Secrecy within the Sun temple, Konark

Konark, well known as the black Pagoda strangely captures the mind for only its association with being the chariot temple to Lord Surya. With every stone falling apart, with every piece of evidence hitting the dust, the secret mystical world of Konark is fast disappearing. 

Taking a closer look at this gorgeous structure echoes a lot more than the iconography of Surya. Its sheer size makes the experience all the more overwhelming. Konark presents a grand entrance, against the cloudy sky and wet floor, history slowly unfolds. As we rise towards each step of this mysterious world the power of the ancients welcomes us with much song and dance as each kanya dances her way into our world. With drums and musical instruments, they gracefully dance into existence.

The sheer structure of Konark is mammoth, but what’s even more intriguing is the depth of philosophy into its architecture buried in every stone. It not just covers the ancient Surya cult but also has traces of the roots of deep Tantricism as well as Naga cult in its form. Buried in the rocks that build up the platform of the temple are scenes from life in Orissa as it was among the nobles, and the people with royal screens scattered across the walls. Inter-spaced with this world is the stark presence of the netherworld where the Nagas ruled. Naga lords endowed with the 7 hooded serpent are inter-spaced with nobles and maithuna couples all across the platform. These worlds of manushas and the Nagas are occasionally broken by the great Konark wheels that draw the great chariot of Lord Surya.

The presence of the Naga cult draws our attention to this strange world which is otherwise not as obvious on the sculptural panels of other temples around India. Could these snake hooded mystical beings belong to the netherworld of the Nagas or is it representations of Rahu and Ketu of the Navagraha pantheon of stars associated with Surya?

The mystery gets even deeper as we walk onto the main platform of the temple and are faced with explicit poses of maithuna visually describing the Kamasutra. It amazes me that while the maithuna depictions of Konark are yelling, yet the erotic sculptures of Khajuraho seem to grab the delight of the average tourist when they can hardly be found on the walls.

These sculptural panels depict the deep philosophy of Vama Marga embedded in them of the Tantrik origin. They bear their roots in the Panchamakara ritual of the ancient left path. referred to as the 5Ms of this esoteric ritual, maithuna is one of 5 parts to the ritual where all the gross elements of existence and channelized to a higher spiritual existence. These loud echoes of the esoteric cult practices of Orissa, which belonged to the silent mystical worlds of the Tantriks and Nagas have been profusely depicted on the walls of the temple associated with the Sun God, the epitome of brilliance and divine light. In a strange way, this contradiction to approach life, this dualism in the belief systems with every school following its own path lends itself to our minds to realize just how vast this spiritual ocean is and how difficult it would be to cross it.

Truly this is a contradiction in the mind as much as it’s depicted in mammoth canvases of stone.

Supreme presence in the material world

"The Lord is within you" is an old saying that makes us want to believe that the supernatural force governing all life, exists within us as well. There is no disputing this fact, but how and in what form does IT exist in, is worth a discussion. Shaivism has possibly attempted to depict this "not so easily achievable" phenomenon in a more grounded reality with plenty of mysticism thrown in. These are concepts beyond the realm of science and that's probably why they are that much more difficult to explain or understand and are left to our experience to realize them. Simply said, Hinduism in some form attempts to realistically paint the super truth by picking very select material items that would not just represent but would also aid the Sadhaka in achieving their goal.

Kundalini Tantra takes the help of traditional symbology to make various references of the potential experience of the divine Shiva Linga, when a Sadhaka crosses one chakra after the other in their attempt to experience super consciousness. In the Mooladhara the Shiva Linga is represented as a Swayambhu Linga or Dhumra Linga, which is smoky grey in color. The Kundalini Shakti in three and a half coils around this Linga, her luster being as bright and piercing as that of lightening. Could this in reality be a representation of the Parada Linga which is grey in color and made of mercury? Does the worship of the Parada Linga in specific help cross the hurdle of the Mooladhara and cleanse the mind of its instinctive ignorance?

The existence of the Kundalini echoes in almost all temples across India. The three and half serpent coil is what is most often seen within the Garbha Griha of the main shrine, bringing the whole vision of the supreme into these houses of stone that represent our womb, the location where this chakra originates. Does it take divine light and consciousness represented by the brightness of fire to have a glimpse of this reality through the art of arti performed at the shrine?

At the Ajna Chakra the supreme consciousness is represented as a black Linga. This is called the Itarakhya Linga. In this state of consciousness the representation of awareness is a more pronounced version of "What I am". Most Shiva temples represent the form of the Linga in black granite. Were the ancients trying to remind us of our original goal having taken birth in this universe by echoing it across monuments of stone systematically across the land, the root purpose of our life being the realization of Who I Am?

The experience at the Anahata Chakra is that of the inverted triangle of Shakti in burning Akhanda Jyoti, the unflickering eternal flame which is essentially the awareness of the jivatma. In the Tantrik texts this Linga is represented as the Bana Linga. It is believed that the Banalingas in reality are the essence of Shiva and do not require any pranapratishta for their worship. These are superior Linga stones are not are easy to procure.

The Bindu Visarga brings with it the cool experience of the moonlit night with the crescent moon shining in the night sky. The crescent moon represents the drop of ambrosia acquired which elevates the Sadhaka's state to that where material sustenance ceases to exist, they completely disconnect from our world. At this point the cosmic sound of OM is heard within the being of the Sadhaka.

Last and by far the most supreme, is that of the luminous Linga experienced at the Sahasrara Chakra. This is represented by the Jyothir Linga which is formless. This is the state of the void, the nothingness where the Sadhaka ceases to exist in relation to "I". Could this in reality be represented by the Spatika Linga which is transparent, and yet almost invisible?

It amazes me that each Linga experienced in the spiritual journey has possibly been represented in material form through natural stones/metals available in nature. How far deep does this search go, how far beyond is the truth and how much closer can it be if its within me to realize?

Nalhati - Shakti Peetha up close

Far away in remote northern Bengal, lost in the rural landscape is a small shrine to the Mother. While the representation is that of Kali Ma, the potency of the shrine hints at the ancient Shakti Peetha of Ma Sati. Indeed, not too far away from the sacred Siddha Peeth of Tarapith is the sacred shrine of Ma Nalhateshwari, at Nalhati. 

Nalhati, buried in her potency, is a small temple surrounded by a village. The main temple of Nalhati rests atop a small hill and within it, draped in hibiscus flowers and red sindur is the sacred rock of power. The name of Nalhati comes from the word "Nal" which refers to the great Mother's throat that fell here when Sati's body was destroyed by Vishnu's discus. Hence this temple houses the form of Ma Nalhateshwari.

The charm of Nalhati is the peace and the sheer lack of corruption. The priests are simple and do not mind devotees taking photographs of the Great Mother's shrine. There is Tantrik presence at this shrine for everything hints towards Kali Ma and Shiva Bhairava. The Bali peeth at the foot of this temple stands in powerful silence and in brilliant red demanding more blood for the Mother.

But what would the landscape of Nalhati have looked like in the ancient days. How could anyone have identified the potency of this sacred earth? Nalhati appears to  have been shrouded in dense jungle along the river side and at the peak of this low hill stands this rock, possibly the fossil of the Great Ma's throat. Reflecting back on the appearance of this shrine, it is a wondrous thought that apparently a stone could command such power.

When we stand at the entrance of the main shrine, its the discovery of this form that moves the heart first. Closer observation brings in the familiarity of the rules and the iconography. The red color, the long hair, the red dress that always makes the mother look like a new bride, the Trishul and the hibiscus flowers at her divine silver feet, all these  proclaim the written laws for the Goddess in the sacred text. And hence the worship is defined, that this rock should be decorated as the head of the Goddess is the rule applied, that she was most probably in ughra form brings on the features of Kali Ma. The fire rises into the air and arti is performed, the divine vision to see the Mother is granted in the light of the flames. 

While these are the familiar rules that are asserted on this stone, while the acts of divine worship are performed to seek her blessings in the method known to us, while fire and water create the sacred path to the feeble offerings we make in half hearts, how does a simple devotee touch the potency of this great shrine when we stand up so close to it in its presence?

Why do we take it for granted that the only method to get access to the divine are "acts" of worship and our mind and heart hardly have a role to play in it because the larger looming presence of time [Kala] defines the limit of our stay in her presence? While I turn my head again to the door, descending the steps of this hill, I just wondered what I really achieved after coming this far. Is this enough or if life, rules, time and family would allow, could I have stayed here longer? And if I did, how would it have made a difference to me if I had to take a dive into my spiritual self?

What am I missing that makes this trip fulfilling in the perspective of having met the divine Mother, but leaves a lacunae in my heart for hardly having spent any time with her? The divine Mother at Nalhati, Tarapith and Kalighat are as close as we can get to the sacred rock that governs the spiritual world we live in. And yet, as we rubbish away all the noise and corruption, and watch her in silence... am quite speechless thinking what next?

As the divine flames rise and the bells ring in my heart, reverberating within the hollow of my inner self, Oh Ma, I ask for forgiveness towards my shattering ignorance of not being able to recognize your potent presence.