Arti at Chidambaram Nataraja Temple

When you walk into the Chidambaram Nataraja temple as a non entity, the feeling of divinity doesn't cover you half as strongly, as much as when you are guided into the temple by someone who knows the life in every stone in the wall.

Chidambaram temple might be a different world to the average devotee who comes there, but when you are guided into the temple, by one of the most passionate human beings, who sings nothing but the praise of the Lord, this temple has a different tune to play.

I am really blessed to have finally had the opportinity to meet this very passionate soul, a very learned man to whome Lord Shiva Nataraja is sublime poetry, music to the ears and rhythm to the feet. In his words one can hear the music of the ancients, the potency of the divine and the superiority of Hindiusm as a science. Every sanskrit verse he sang out were like a new pearl of wisdom, one that you connect with or want to keep listening to.

He walked us though the temple, circling at every shrine with adoration, through each prakara that we could access explaining each sculptural panel, defining each mural and giving me the freedom to click away. It was close to a dream come true. We sailed through the temple, breathed its calm fresh air, free from present day turmoil and corruption.

We entered the zone of the main sanctum, where the temple stood so grand, even in all the hussling crowd, one could hear the ghunguru sounds of the Lord as he danced in the central chamber. I was guided to ascend the steps to view the Lord up close, decked in flower and jewellery with the twinkling moon on his brow. The Lord danced gracefully at His seat in the Universe, the land of ether, within a ring of fire that glowed and brought His dance to life. This is where the Ananda Tandava can be felt, as the flames rise with the 6.00p.m. puja arti.

The drums resound, the bells ring and the sound of OM can be heard in every hit of the gong, the Universe awakens and the churn starts, the air reverberates and the flames of Arti rise in adoration. Fire, an element of purity, that burns out our egos, and merges us to this divine form, as the Lord swirls in Anandam.

As Raja Deekshithar describes it, when one reaches the sublime state of poetry, of beauty and bliss, of devotion... when nothing in the world matters anymore, you can feel the Lord dance, you can hear His divine feet in rhythm, you can see the grace in the ring of flames that cover Him, and then, history doesn't matter, living doesn't matter, its just beauty from within. Waves of grace, a veil of sound and music brings the Lord alive, its an experience to witness this through Chidambaram Nataraja.

Video courtesy: Raja Deekshithar

Pradosham - The twilight hour

It was during the hour of twilight that the Devas and the Asuras began to churn the ocean of life to bring out the promised Amrit(elixir of living) which they had promised to share equally among themselves. With Mount Mandara pivoted on Vishnu's back in the Kurma Avatar (Turtle) the churn rhythmically continued till the deadly Halahala began to emerge out on the waves of the ocean. So strong was its potency, so strong its poison that all the life forms began to die not withstanding it element, almost bringing the world to its doom.

The Devas worshipped Lord Shiva to save them from this ordeal. Lord Shiva came down from Kailasa and swallowed the poison to save the world and hence is called Shiva Neelakantha(or the blue throated Shiva). This particular auspicious hour when the Lord saved all humanity is attributed to Pradosham, a special moment in the day, twice a month when Shiva is specifically worshipped by all devotees and all their wishes are believed to be granted.

This very same concept is brought alive architecturally at the Kailashnatha temple at Kanchipuram, in an unusual way. The path of circum-ambulation around the main sanctum is peculiar in this temple as it promises every aspirant an exit from the cycle of birth and death into eternal bliss. It presents them with the elixir of "life", where life is not meant to be taken in its literal sense. The dark passage hosts no light through the path of circum-ambulation, is entered by a flight of 7 steps, each signifying a birth lived. The entrance itself is small and needs to be crawled through. This leaves a void in the mind of the aspirant. It’s the churning of the ocean in the mind of the aspirant as he makes his way around the Great Shiva Linga housed within this temple.

In the literary aspect of the same mythology, the Mrityunjaya mantra is most profound as it praises the Lord in the form of Rudra and Shiva Neelakantha as the Lord who overpowers death (as we know it) and gains complete victory over it, ultimately feeling bliss. The mantra can be interpreted in the following way:

It is through the sincere worship of the forms of Rudra and Shiva Neelakantha, that there is a possibility to attain salvation from the cycle of birth and death, the churning of one’s ocean in this world of the living. The second part of the mantra explains that it is the elixir of living that we need to understand, and realize within ourselves that will elevate us to perfection, perfection that is in the same standing as the Devas possibly.

Mrityunjaya rudraya neelakanthaya sambhave |
Amriteshaya sarvaya mahadevayadhe namaha ||

In the devotional sense, it’s about invoking the presence of Lord Shiva into every living moment, every living breathe that fills the senses with His presence. To have Him in the mind constantly, a vision so strong with the mantra ringing in the mind, can reduce the mind's trauma towards the day's problems though the world around doesn't ever change. Isn't that state the first steps towards self realization, bliss and stress free existence, that even with the given world around us, the mind continues to remain calm and blissful within itself!

Peace! Silence! Lord Shiva Mrityunjaya! Neelakantha! A churn complete!

My thoughts on Khajuraho

Lost in a small village in Madhya Pradesh are a series of 20 temples profusely carved, gigantic and dominating the otherwise insignificant countryside.

And we seem to have moralistic problems with it!!

Our society is known for its hypocrisy. The world's largest demo'crazy' boasting of the maximum population on this earth ironically blames Khajuraho for its erotic sculptures! Where did our babies come from?

The strange thing is these sculptures that Khajuraho is apparently so famous for are found in most of other Indian temples as well, we just didn't bother to look. Even stranger is the fact that we need to hunt them down in the jungle of profusely carved stone to spot them out and tell everyone, I went to Khajuraho!

So, the average tourist goes to Khajuraho, not with beauty or spiritualism in his/her mind to appreciate the grandeur of 20 temples along the landscape but to hunt down minute erotic sculptures... how perverted are they?

Is Khajuraho really x-rated as people claim it to be? Are we even trying to find out why they are there in the first place and appreciate our ancient society for it?

The truth behind erotica as researched by Art Historian Devangana Desai is this. India was known to have very learned men who knew more than one science. They were Tantriks. They knew the science of astrology, architecture and ritual. They advised kings over the construction of these great temples all over the subcontinent, but primarily around northeast India where they flourished the most. They are also known to have practiced ritual rather indigestible to think of today.

Being initiated into Tantricism is/was not the simplest thing. One needed a guru for the initiation and there after ritual practice/sadhana is/was a must. This sadhana involved a change of lifestyle which meant it was not just about how to worship and faith but also about how to live - eat, conduct yourself, practice the art of love making etc, everything offered to the Gods in complete surrender. Ritual went deep down into understanding of mystical diagrams and worship of powers unknown to us like those of the Mother Goddess, Lord Shiva, the yoginis etc. Everything is very interconnected, the ritual practices might have ceased to exist but the science continues to live.

So when one approaches these extremely lavish Tantrik temples, one needs to be initiated to even understand them. The moralistically infamous temples hide deeper secrets of faith within diagrams of ritual, potent in power but rather simple to look at - delightful erotica to the uninitiated i.e. you and me. These erotic sculptures are very geometric, fit within a square with imaginary lines meeting at strategic points which house powers to protect these temples from evil forces unknown to you and me.

The result - erotica, because that is what we see and we don't have the patience to find out more. Take trouble, dig for information and understand the subtlety of Hinduism before giving judgment. Hinduism runs deeper than erotica, and the people then didn't pull up temples to quench our thirst for erotica.

To Mother Durga and Kali I pray

From the clouds of the heavens descends the all-encompassing strength of the universe, of all the Gods. A fury within the mind, vigor in the heart that crashes through space and descends into the battlefield of desire and illusion now almost clothed in a veil of death and gore of the self. One form of strength is the tiger* that growls, thundering through and is almost deafening to the ears. The other form of strength, is within those eyes* that see just one form to destroy that is the demon of desire. And yet a third form is that of my fortress*, the walls so thick that no evil can penetrate when I surrender to Her.

She is all power, She is potency, and She is energy in a feminine form, for all to see, feel, experience and worship. It is an enchanting moment when the silent energy of Lord Shiva now takes form, bringing down grace, beauty, power, goodness, warmth, faith, trust and surrender to this earth. It’s like the first raindrops on dry parched land that almost dies waiting, for the Lord’s grace to wake its soul and bring life to it.

The earth tremors to escape the gaping moment of doom, when the Mother descends to protect the world. The conqueror of desire, She rages ahead gracefully to protect our souls and destroys evil demons with one slash to tear up their very beings, to see Shumbha, Nishumbha, Mahishasura and Dhumralochana fall dead at Her merciful feet.

This glorious moment She presents when She yields Her trishul to dig it into the heart of Maya and destroy it forever, relieving us from this never ending cycle of misery called life.

To the Mother I play, to the Mother I offer myself, who saves me from the demons of my own mind that claw at me every moment through the waking hours of my day. Oh Mother, who protects the weak, who takes me as a child in her arms and destroys every form of misery that stops me from merging into You.

So small am I, so feeble is my being, so lost is my mind that I do not know what to feel even when You hold me in your arms. To me You show the world of green, of flowers and life, of peace and victory over the desires of my mind, and yet my miserable self fails to see Your ever shining grace on me. I pray to You O Mother, save me and grant me victory over this misery called me.

Ma Jayant Jayanti Jayanti

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*Tiger - Her Vahana, * Eyes - The powerful eyes of the Goddess, *Fortress - The very name Durga stems from the word Durg which means the fortress that protects the Self from the demons of desire.

A hunter's way to salvation - Kannappa Nayanar

In todays world it is difficult to get the levels of intensity in devotion that our ancients had. Devotion is something that is freely available to anyone, it needs to churned and expressed in the right direction for better spiritual evolution. It independent of time, stature or materialism. Its a simple equation of emotion with the Lord.

One such example of a great devotee of Lord Shiva who didn't think much when it came to ritual or purity is Tinna a hunter. All he knew was to hunt, and get home the meat of his killing and protect his tribe. He was a great successor to his father who was the chief of the tribe.

One day after the hunt Tinna came to rest at an old Shiva temple. His Love for the Lord and the sanctity of the place made him decide he didn't want to go home but wanted to continue staying there and worshiping the Lord. He would take a bath and collect water in his mouth to bathe the Lord, he would chew at the meat and give the best pieces to the Lord and decorate the Linga with flowers that he tucked on his head and took back to the temple. After abhishekam he would stay at the door step and guard the shrine chamber.

In the morning a priest often came to the temple to perform the puja and found flowers and meat scattered all around the Linga every night. This upset him a lot and he would clean up the temple again and offer his worship. He would sorrowfully leave the temple and come back to see the same offerings the next day. He prayed deeply to the Lord to give him an answer. The Lord appeared in his dream and instructed him to watch overnight to see what happens at the temple.

Next night the priest arrived at the temple as instructed. When he saw the Shiva Linga he couldn't believe his eyes. The Lord had opened his eyes and was now looking at him. He fell on the ground in adoration. When he got up, one of the eyes were profusely bleeding. The priest got worried and decided to make a hasty exit.

Later Tinna came to the temple with the flowers tucked in his hair and water in his mouth and fresh meat in his hands as an offering. When he stepped into the temple, he was shocked with what he saw. He dashed to the Linga and tried to bathe it and clean the eye that was bleeding. It still refused to stop. Tinna finally decided to replace the eye with one of his eyes. He took out his arrow and dug into his own socket and offered his eye to the Lord. When he replaced the eye, the bleeding stopped for a while and then again started in the other eye. Tinna decided to give up his other eye. He placed his foot on the eye of the Shiva Linga to mark the spot and took out the arrow to dig out the second eye. When he was about to do it, Lord Shiva appeared out of the Linga and stopped him and blessed him telling him to come with him to Kailasa.

View location map of Kannappa Nayanar temple, Kalahasti

Tinna came to be known as Kannappa Nayanar in the years to come. His shrine now resides on a hill near the Swarnamukhi river at Kalahasti.

Also read: Kalahasti - the land where Vayu is felt

Photo courtesy: Shaivam.org

Jyotir Linga - Grishneshwar near Ellora

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Grishneswar, 11kms from Daulatabad and Aurangabad, is the last of the 12 Jyotir Lingas in the Indian subcontinent. This is the last known residence of the Lord in the flaming form. This ancient spot has had its temple built and rebuilt several times.

The Sthala Purana goes as follows. On a mountain called Devagiri lived a Brahmin by the name of Brahmavetta Sudharm with his wife Sudeha. They were a childless couple for a very long time which made Sudharm very unhappy. Sudeha tried every remedy and failed. Finally she had her sister Ghushma married to her husband. On her sister's advice, Ghushma used to make 108 Shiva Lingas and worship them and perform Abhishekam near a lake.

In due course of time Ghushma was blessed with a son. She in turn became very proud and this got Sudeha very jealous of her. In due course of time Ghushma got her son married as well and continue to worship Lord Shiva. One night in this fit of jealousy Sudeha went and killed Ghushma's son. Her daughter-in-law went to inform her about this terrible mishap while she was worshiping the Lord. Ghushma stayed calm, as if nothing had gone wrong. She continued to worship the Lord near the lake when her son came back alive. Ghushma was neither happy nor sad. This pleased Lord Shiva and he gave her a boon. She requested the Lord to emancipate Sudeha. The Lord was very pleased and granted her another boon. She prayed that the Lord should descend there in Jyotir Linga form and reside there for ever with her name. Hence this shrine is known by the name of Ghushmeswar Shiva Jyotir Linga.

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We have come a long way since those times. The depth of faith has not changed in all these years or neither has the pinnacle for higher evolved living. The Jyotir Lingas pulled out events from time to teach us, that every thing can change around us, but it is the ever constant truth of devotion and faith that continues to ring in these temples. The Lord continues to get bathed in the milk and waters of life, purifying the world with potent syllables of devotion that have since then come down these centuries.

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Photo courtesy: Liveindia.com

Jyotirlinga Kedarnath, Garhwal Himalayas

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In the cold bleak regions of the Garhwal Himalayas lies one of India's holiest spots. The Jyotir Linga of Kedarnath rings a bell in anyone's mind towards the deep secrets of Indian spiritualism.

Kedarnath, is a magical name, a name that denotes spiritualism of a higher kind, that beckons one to make that journey against all odds to meet the Lord, in his holy abode in the Himalayas.

Its a world apart, where the Lord lives, within snow capped ranges and chilling weather. And in the backdrop of white snow and blue sky is a flash of color, an imposing facade decked in marigold. The dynamic facade of Kedarnath is an eyeful to anyone. One can experience the chill in the air, the fresh unpolluted breeze in the space around, the reverberating sound of the bells that hang down at the entrance constantly ringing and more than anything else a simple small temple housing a potent form of the Lord.

Brilliant colors light up the facade, with curtains of flowers raining down the entrance, almost waking us up to something quite similar to a Buddhist monastery lost in the mountains. Kedarnath lies at the head of the Mandakini River in the Chamoli district, dotted with a possible Ganesha in orange at its entrance. Bells ring through out the day reliving the very essence of sound - OM, that spreads over to the mountains beyond.

They say that Kedarnath is one of five shrines called the Pancha Kedar. After the Mahabharata war the five pandavas wanted to seek the help of Lord Shiva, for their redemption from the sin of killing their kith and kin and their guru. Lord Shiva avoided them repeatedly and took refuge in Kedarnath in the form of a bull. The second pandava, Bhima, tried to pick Him up, but the bull dived into the ground leaving behind His hump on the surface. Lord Shiva was pleased with their persistence and requested the Pandavas to worship His hump at Kedarnath. This hump is worshipped at Kedarnath in the form of a conical Shiva pinda form. The other parts of Shiva's body, his arms, face, navel and hair locks appeared at Tungnath, Rudranath, Madmaheshwar and Kalpeshwar. These four shrines along with Kedarnath are worshipped as "Panch Kedar".

When one stands in the middle of these towering mountains the mind just fills with peace and tranquility, with the very Lord Himself who descends down to earth to save us from our misery. Kedarnath, is one such abode, where the Lord resides forever.

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Click on photo to see enlarged view.

Photo courtesy: © All rights reserved. Arupdutta flickr.com

Jyotir Linga Trayambakeswar, Trimbak near Nasik

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Brahmagiri hills are a part of a charming countryside, in the wilderness of Maharastra surrounded by green and years of worship. A voice sings the praise of the 12 Jyotir Lingas and attributes his worship to Lord Shiva. The sweetness in his voice wake the senses and sends goose pimples through oneself, just experiencing the peace at Trayambakeswar temple.

Om Namah Shivaya

A shikhara rising up into the sky carries with it smaller vimanas intricately carved into itself. Its not just the beauty of these minor temples dotting the roof that stands out, its a reminder of the recurring pattern of our births, a cycle we don't want to get out of.

My life, like these endless vimanas, goes through its never-ending rhythm of living and desire. A churn so strong, that I do not know the way out. A reflection of this endless living with no effort to rise out of it brings the Jyotir Linga of Trayambakeshwar temple to those suffering this misery. How blind are we, that we don’t see this glaring truth in front of us and just leave it to being an ancient wonder. All that remains is a stone Linga embedded deep within these walls that beckons us to look within ourselves and find our own flame of enlightenment.

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The potency of this Linga is well known, from the yuga of Gautama Rishi(sage) and his wife Ahilya who lived in their ashram here and attained great siddhas such that it rendered even Indra insecure. Gautama Rishi's devotion was so superior that Varuna (Lord of water) blessed him with a bottomless well from which rose unlimited supply of grain. The other sages conspired against him in jealousy. Few versions run from here on. A cow once strayed into their ashram and began to eat the grain. This cow is believed to be the incarnation of Ganesha in some cases and Jaya(an associate of Parvati)in other versions.

When Gautama rishi saw the cow eating into the supply, he tried to shoo the cow away with a bunch of Darbha grass. The cow died within the ashram, this in reality was an illusion created and Gautama Rishi brings Kala Sarpa dosha upon himself. Kala(time) sarpa (snake like) dosha (sin) is a state of higher misery given to those who have attained higher levels of perfection like the great sages in ancient times. The misery is such that it follows generations of lineage of those who have commit a sin, the death of the sacred animal - the cow, being one of them.

In order to release himself from this dosha, Gautama made a small Linga and diligently worshipped the Lord asking for respite. He prayed to the Lord, asking for the Ganges to descend to the earth, in the form of Godavari, and flow through his ashram and rid him off the sin of killing a cow within his courtyard. The Lord answered his prayers and the source of the Ganges starts here in the south and forms the River Godavari.

The Ganges still flows within the shrine chamber, ever covering this small linga, that stays beneath the earth with the water rising out. The Lord lies here submerged, in a constant abhishekam, the worship of whom resurrects anyone from this endless churn of living.

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Photo courtesy: ©Lux

Jyotirlinga - Kasi Vishwanath, Varanasi

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Kasi-kshetrancha Kalabairava darsanam|
Prayaga madhavam Trushtva Yega Bilvam Sivarpanam||
Maha-Smsana Nilayam Prasanna Spadiga-prabavam|
Vedhacvam Jyothir Roopamcha Yega Bilvam Sivarpanam||

... Varanasyantu Vishwesam ...

The ancient city of Varanasi understands life in a different way from the rest of the world. The Ganges ever flowing sweeps the banks of this ancient city as she flows by. A city seeped in faith, aware that the only truth is death and reminds itself every time with every spec of ash that merges with the river, the essence of life leaves the body to return another day. This city has seen the soul depart every day with every burning pyre reminding us about the only truth that lies is the realm of Shiva.

While the mind dwells on the limitation of life, and witnesses its freedom along the burning ghats of the Ganges, as the ash merges into water, it presents a very different spectacle on the morning of Shivaratri.

As one rises up in the early hours of the morning, to make a visit to the Kasi Vishwanath temple, there is a strong possibility that you get run over by a clan of nagas visiting the Lord on this auspicious day. A river of ash clad naked men just gushes through the narrow street of Vishwanatha temple, and nothing except the Ganges can stop them. Its a different world, of Gods and saints, of a river of ash clad aspirants coming to life and suddenly disappearing into the darkness for another night of Shivaratri.

And then the path is open to us. To step in the direction of this ancient temple, to breath in the air that surrounds it, to imbibe the peace and tranquility it presents is a very different experience altogether. A series of small temples are located deep within the jungle of temples and mosques within this narrow street. And here within this small compound you find everybody. The heavend descend to earth to present its silent extravaganza.

The various shrines present within this complex are dedicated to Vishnu, Virupakshi Gauri, Avimukta Vinayaka along with a cluster of five Lingas that are enclosed inside another shrine chamber called Nilakanteshwar temple. Apart from them,Shanishchara and Virupaksha also are housed here. Interestingly there is a shrine chamber dedicated to Avimukteshwara Shiva, which has also been speculated to be the main Jyotir Linga at Kasi Vishwanath.

The main story goes that this temple was constructed by a brahmin called Divodas on the request of Nikumbha and Aunikumbha. This pleased the Lord and he granted a boon to all his devotees. Divodas wanted to have a son but he was not blessed with one. This enraged him and he went and destroyed the same temple he had built for the Lord. Nikumbha cursed the land and said it would be devoid of worshippers. When the land grew empty the Lord descended again and took residence here permanently. The Lord stands here as a Swayambhuvalinga. Parvathi offered food here to all her devotees and is known by the name of Annapoorni. The Lord Himself is seen with a bowl here, asking for annam from the seated Goddess.This is also a ShaktiPeetham as the Goddess's left hand fell here when her corpse was cut my Vishnu's Sudarshan chakra.

The Shiva Linga here is placed within a square shaped mettalic (silver/brass) pit. The Linga is of black stone. The Lord is worshipped and bathed with holy Ganges water and flowers are offered. The puja to the Lord for the day is complete when the Arti rises into the air and fills the chamber with song and light. Truly its a journey through life to heaven in a single visit to Kasi.















Photo courtesy: Liveindia.com

Jyotirlinga Nageshwar / Naganath Shiva

Nageswaram Naganatham Nagabrana booshidham |

Nataka-pradham Navarasa Pradham Jyodhir-Swaroopam Vandhe Namami ||

The Jyotirlinga Shloka goes: ...Nagesham Daarukavane...

There are three different interpretations to this part of the Jyotirlinga Shloka. The first version is that Darukavan is in Dwaraka, the land of Lord Krishna. There is another belief that goes to say that Darukavana means Daruka Vane or deodar forests at the Himalayan foothills, which would be Jageshwar which houses another cluster of Shiva temples. The third to take claim to Nageswar Shiva is Audhgram near Purna in Andhra Pradesh.

The surrounding mythologies seem to be constant and all of them refer to a demon called Daruka. Daruka was known to be a tyrant, who didn't allow anyone to live in peace. A merchant by the name of Supriya came to Darukavanam while he was out sailing to sell his wares. (This also probably explains why Dwaraka is celebrated to host a Jyotirlinga shrine as its on a coastline) Supriya was an ardent Shiva devotee. Daruka asked Supriya to teach him how to worship Lord Shiva, how to perform puja and penance. Supriya was worried that Daruka would gain additional power with his puja and hence refused to help. This enraged Daruka andhe tortured Supriya, but it didn't change Supriya's mind. Seeing the devotion of Supriya, Lord Shiva appeared in Jyotirlinga form and destroyed Daruka. But Supriya's problems did not end here. Daruki, who was Daruka's wife took on the reign and continued torturing everyone. Shiva vanquished her too and gave darshan to the people of Darukavana in Jyotirlinga form.

They say this linga is different from all the others as its Gomugam (the extension of the Linga from which the fluids of libation flow out) faces South, unlike all others that face North. It is beleived that a devotee called Namdev was singing bhajans to the Lord when one of the devotees asked him to move so that they could view the Lord. Namdev, continued to sing asking the devotees if there was any place that the Lord did not exist, he would be happy stand there. The enraged devotee, moved him to the south of the Linga only to realize that the Shiva Linga had turned South and pointed its Gomugam to the east.

Indian mythology has its charm. From great Gods testing aspirants to great sages reaching extreme heights of perfection to mortal devotees of the Lord getting to see His favor in their lifetimes. It probably just goes to say that a pure heart and a clean mind with sincerity is all that is needed to achieve this. Does it really matter where the real Jyotirlinga is hosted? Would it make the other Lingas installed in the Indian country side any less potent? Shiva is worshipped, respected with awe and possibly feared as well. Nobody would question that, but what needs to be questioned is whether we are willing and capable to handle that kind of potency.



















Photo courtesy: Liveindia.com

Taj Mahal - To break or for keeps?

I do not reply to many forwards, I scarcely react to most of them, but there was one series i felt strongly towards...The doubt in the minds of people who started the chain mail of forwarding the possibility that there was a Shiva temple or "Mahal" below the Taj.

Yet it bothered me, when I received it from more than one source, I began to reply back. The claim was simple, a Shiva temple had been uprooted or buried centuries ago and the Taj was built in its place, a spiritually potent shrine supposedly gave way to a marvel in white. Who ever started that mail, picked up pictures (which maybe true), and he/she very half heartedly interpreted them as symbols of Shiva entwined in Islamic design. Focus was on designs looking like Trishul among floral patterns and other auspitious hindu symbols being found on the mausoleum, right upto secret wells and chambers. What was the purpose? Demolish Taj to build a Shiva temple?

I couldn't help but question why this mail made it to so many mailboxes? Why didn't we think before forwarding it? Or was I being a fool taking it seriously. No I didn't think so. People still want to know the possibility of the presence of a ravaged Shiva temple lurking under the strong marble of the Taj.

So I raised the question...Do you want to dig it up or demolish it like the Babri mazjit to find nothing under it? Or do you want to leave it to your belief in your heart that Shiva doesn't need a temple to fundamentally exist.

And then...Wooosh! they proclaim the Taj a new wonder of the world. Campaigns ran, it was hyped as usual by the media, and people casted votes. Taj is back on the list of 7 wonders bringing fakir land and snake charmered India to the world map as hosting a beauty in marble. Pride could have bloated all our chests, we made it!! It didn't matter who the other 6 were. I don't think most of us even cared to find out, Taj is back and thats all that matters.

The same people who questioned the truth below the Taj with reference to a Shiva temple, today rejoice that the Taj has been rightfully respected. Now, do you want it to stay or do you want it to go?? What would we do if we knew the truth anyway?

As a religiously influenced nation, what do you want to do with the Taj. Now with Taj on the map of 7 wonders, am happy that the west made it clear, the Taj is here to stay.

We might be confused, we might not think, we might not know what do to with the Taj, but for now we don't have to worry. The Taj lives on, Shiva temple or otherwise. The world put our doubts to rest...if any, the only good thing I did was delete that mail.

Disclaimer on audio:

- Palaces could have been cleared for making the Taj, but the claimed presence of a Shiva Mahal sounds absurd, the canons of architecture never gave guidelines for a Mahal. Gods didn't ever have palaces, they only had temples with detail instructions for their building.
- Sealing of rooms...we will never know
- The well...so what about it. Its a well not a theertham.
- Do not trust the audio, I couldn't shut it down.

Jyotir Linga Rameswaram, shrine near the sea

Rameshwaram – Temple for a cosmic bath

It was a moment, a moment recorded in faith, not written on a tablet or a wall but in the mind’s of the generations to follow, an event that brought awe and amazement over the truth, that there is a supernatural out there.

In the middle of the vast ocean, a King lay his feet on the sandy beaches of earth and turned the island into a sacred land. It was an island that took the shape of the sacred subtle sound OM. On this island He was advised to worship the Lord by a great sage, who guided him through his worship. It was here that his worship brought into being a huge column of fire that rose out of the ocean and presented itself as a Jyotir Linga among these sacred sands.

A miracle on the golden sands remains embedded in the mind. The vast ocean ahead gives no hint that it ever subdued to a column of fire. Its sunrise again, the calm waters send ripples to the coast, ripples that gentle toss the boats waking the world out of deep slumber. Times have changed, the very idol of the Lord that once was worshipped by the great King in the open, is now covered well within the walls of a huge temple. Three prakaras, need to be crossed to see the Lord deep within his dark chamber. A chamber where the very light of the Jyotir Linga now lies dim, and is visible only to a true sincere aspirant.

They say the great King was Lord Rama who was advised by sage Agastya to perform the worship to Lord Shiva to rid himself off the karma of having killed Ravana, a great Shiva Bhakta. It was Hanuman who went to the banks of Narmada (or Kailasa is debatable) and brought back the Shiva Linga for the worship but didn’t make it in time. Lord Rama made a replica of the Lord in sand and Lord Shiva rose to give it its life. Hanuman was very disappointed that he didn’t make it in time and that the ritual was performed in his absence. He tried to uproot the Linga but was unsuccessful and the marks of it are still visible on the Linga. The Shiva Linga Hanuman brought was also installed, a little to the south, and should be worshipped first before the main Linga is worshipped.

Read more in details: Rameshwaram – Temple for a cosmic bath

It’s a different world there, when one descends into Rameshwaram, with 51 theerthams scattered around this island. 22 of these wells are well within the temple complex. The feeling of purity is very evident when you walk through the corridors, bathing at each well and heading into the temple to finally meet the Lord. The times have changed, the dark torch lit corridors now blaze with electric lights, yet the pillars and the music carries you back into those times, of a different living, perfect living with a slower life and more room for peace and spiritualism and oneness with the Lord.

Jyotir Linga Bhimashankar, Sahyadri Hills

View location map of this temple!

Kshetragyam Kshetrapalancha Parartyaika prayojanam|
vyomakesam Jyothir-swaroopam Beemasankaram Namamyaham||

It’s the peak of the rainy season, and the ghats are lush green and fresh under the cloudy sky. The air smells of the earth just wet with droplets of pure water from heaven as the clouds grey out the sunlight. Heavy droplets, bringing to the mind peace and tranquility that one doesn’t have to pay for but just experiences. The Sahyadri hills unfold their carpets of thick vegetation and it’s a divine feeling to feel the cool breeze ruffle ones hair! The mind is peaceful, the senses awake, the focus is Bhimashankar.

In this picturesque land among fort walls and rich pure streams of water lies a little temple, ancient and powerful holding the very light of the Lord within its walls. Here the ancient temple bell rings and the sound reverberates through the air, divine echo that has been heard since 1720 AD. Times have changed, new replace the old and yet this temple still stands there in all its ancient finery. Built in the ancient Nagara style, this temple has small shikharas rising upwards towards the ancient finial where one can see the orange glow of the flag that gloriously surmounts it.

It’s a winding way to walk down along a railing with small shops selling everything that can be offered to the divine within. Interestingly here, the lesser known milk weed flowers are offered as compare to the common marigold yellow mounds in baskets. A dip in the sacred waters of the kund here transports the mind to a different world as one proceeds to meet the Lord.


















Closing one's eyes and drifting towards infinity draws the soul to the sound of a river, a sacred river called Bhimarathi, fed by the divine sweat of Lord Shiva as He rests after the Tripurantaka Samharam. The story goes that the demon Tripurasura had accumulated enough power and had started harassing every one at Swarglok, Bhulok, and patal(Netherworld). Lord Shiva came to their rescue and took on the form of Rudravatar. He defeated Tripurasura and saved the three worlds.

The Puranas indicate that Bhima was an asura born to Kumbakarna and Karkadi. When he heard from his mother that his father, grandfather and uncles had been slain by Lord Rama in war he decided to avenge their deaths. He did severe penance and won the favour of Lord Brahma who granted him immense power and strength. With this he defeated the devas and finally came to attack all the Kings. King Priyadarman (Kamarupeswar) of Kamarupa and his queen Dakshinadevi were thrown into the dungeons. They continued to worship Lord Shiva even in the dungeons. Fearing they would vanquish him, Bhima commanded them to stop worship. When they refused he went ahead to kill them. Shiva rose out of the Linga they worshipped, in Jyotir Linga form and destroyed the asura. On the request of all the devas Shiva continues to reside here as Bhimashankar.






















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Photo courtesy: world66.com (Creative Commons License), Copyright © 1998-2001 Live India Internet Services!

Jyotir Linga Vaidyanath at Deogarh, Bihar

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Trithalam trigunadhaaram trinetram chatriyayudham |
Trijanma-papasamharam Yega-vilvam Sivarpanam ||

Though this is a write up on Deogarh Vaidyanath temple, there is a strong possibility the original Jyotir Linga is at Parali, Andhra Pradesh... Quoting the stotram - Paralyam Vaidyanatham

It’s a peaceful evening, as one walks around this quaint temple complex. This complex originally had 12 but now there are 22 temples in all that are dedicated to various Gods, the primary deity being Lord Shiva. Temple bells ring as devotees intimate the Lord that they have come to visit him. A bath in the nearby Shivaganga Lake purifies them before they make their way towards the main sanctum.

This temple complex is simple, with small shrines scattered around within its walls. The interesting aspect about this temple is that even today modern scientists have not been able to open a ventilated door; hence the popular belief of the common folk is that this temple has originally been built by Lord Viswakarma. This temple complex is also famous for being one of the 52 Shakti peethas of Sati. It is believed that when Vishnu used his Sudarshan chakra to destroy her half burnt body as Lord Shiva carried it; her heart fell here at Deogarh.

This temple complex lies on the undulating land of the plateau landscape among small hills, near the Shivaganga. The well-lit courtyard of this complex in ancient days would have had fire torches lighting up the various passages around the temples with oil lamps within shrine chambers, bringing the presence of the luminous Jyotir Linga out for any ardent aspirant to witness.

Talking about devotees, there were none as great as Ravana himself, who is known to be one of the greatest bhaktas of Lord Shiva. It is believed that it was his wish to bring the Jyotir Linga back with him to Sri Lanka. He is known to have attempted to raise the very peak of Mount Kailasa, which has been so beautifully depicted in the Ravana Anugrahamurti. Lord Shiva, pressed him down with his toe and promised to give Ravana a Jyotir Linga to take back home, with a condition that should he ever keep the Linga on the ground, it would take root again.

Having accepted the condition, Ravana started his long trek back to Lanka. On his way back to Lanka, Varuna the Lord of water created a disturbance in his stomach, and Ravana felt the need to relieve himself. Vishnu disguised as a lad offered to hold the Linga, but soon got tired and laid the Linga on the ground. With this the Linga was finally rooted to the ground here at Deogarh. Ravana tried very hard to uproot it, damaging it a little in the process. The Linga still carries the chip. Ravana, disappointed with the event, decided to worship Lord Shiva, and came to cutting off 9 of his heads. It was then that Shiva descended in the disguise of a Vaidhya and joined the various heads of Ravana, back on him. Shiva is therefore known as Shiva Vaidyanatha at Baidhyanath Dham.

At the entrance of this temple is a well called the Chandrakoopa well, the waters of which are considered very holy since the well has been built and consecrated with water from several theerthas by Ravana himself. It is believed that all physical ailments get cured when one visits this temple.

They say that this temple went into ruins and was later discovered by a young man called Baiju. According to folklore he used to religiously worship the Linga and hence this jyotir linga came to be known as Baidhanath.

Photo courtesy: © Kundan Amitabh, Angika.com 2004

Jyotir Linga Omkareswar and Amaleshwar in the Vindhya hills

Omkara Mantra Nilayam Mandhara Kusumapriyam |
Prutharaga priyadharam Jyothir mayam sivam Namami ||

An island was once cut out by the sacred Narmada as she flows furiously by the Vindya mountain. Omkareshwar is located in the little town of Mandhata, a little town still brimming with life among the lush green Vindhya hills along the Narmada. A sacred island, which carries the ancient charm of the north, as well as mythological legacy of Rishi Agasthya, Omkareshwar holds to the world one of the Jyotir Lingas out of 12. Interestingly this Linga was split into two, one placed at Omkareshwar and the other part was placed at Amaleshwar.

Omkareshwar gives the feel of the untouched north, untouched by the parasitic evolutions sold by the west. Here once can sit back and relax, having Lassi or a limca, and look at various colors of Sindur lined up for sales at shops near Dhabas. And then the curiosity moves on to the bridge that takes us back into the silence where only the sound of Om can be heard, on this island that is shaped the same way. A modern bridge that appears more like a blotch in this beautiful scenery connects ancient ghats from one side to the other, with even more ancient building towering around giving us a feeling that this still belongs to the ancient world, remnants of a city once built by the king of the Ikshvakus, King Mandhata who is believed to have worshipped Lord Shiva here.

Temple, ancient and sacred dot these beautiful ghats, a picture very similar giving the feeling of Varanasi and the Ganges. Rectangular boats ferry pilgrims across the river which shows all around, steep rising fort walls with ancient palaces and ghats with stairs leading up to the higher parts of this almost magical town, promising a darshan of the Lord in Jyotir Linga form.

As one rises up these steps, revealing a archaic world, where life goes on as usual, where old generations are replaced by new, where life may appear to “improve” but leaves behind the quaint little town hosting a grand temple to the Lord, and everyone gets to worship Him, bathing Him in abhishekam, on their own, something unheard of in the south of the Vindhyas. Mandhata is charming, with jarokhas and modern buildings intermingled so seamlessly that people and Gods in red occupy the street temples together, and worship still goes on as usual.

But what had Agasthya got to do with all this? It is believed that Narada once descended down into Bhu Loka and visited Mount Vindhya and sang praises of Mount Meru, saying all the devas live there. This was Narada’s way of attempting to reduce Mount Vindhya’s pride about his land. On the contrary Mount Vindhya prayed to Lord Shiva and performed penance vigorous enough for the Lord to appear in Jyotir Linga form as Omkareshwar and grant him a boon. Mount Vindhya, in comparison to Mount Meru wished that he would grow taller. And the wish was granted on a condition that he should not hinder the faith or worship of other Shiva devotees. Mount Vindhya grew, so much so that he blocked the Sun from rising as well as the moon. It was then that Rishi Agasthya descended to earth on the request of all in heaven and came upon the Vindhya range. He said he was headed south of the Vindhyas and that the mountains shouldn’t grow until he returned. Sure enough Mount Vindhya agreed and with that his growth was stopped. Sage Agasthya never returned to the North.

Omkareshwar also holds other treasures; Shankaracharya’s Guru is believed to have spent some time here in a cave. This island is also called Shivpuri. This also hosts to the Panchamuga Ganesha and Annapurani whose worship is considered equally auspicious. There is a lot to believe about Omkareshwar and Amaleshwar, apart from the others who hold equal respect in these soils.

















Video courtesy: VALPARD FILMS on Youtube

Jyotir Linga Ujjain(Avanti) - Mahakala Shiva

Mahakalam Lavanyam Madhura Karunarasa varithim |
Mahalingam Mangalaroopam Jyothir swaroopam sirasa namami||

Ujjain, a land of mystery and secrecy held together by a small little town, is considered to be one of the holiest shrines in India. Born within itself, a swayambhuva linga and not man made, this Linga is powerful to derive its own energy and has not been induced by mantra shakti, unlike other Lingas.

The interesting part of this temple is that it is multi-storeyed and the actual Jyotir Linga is underground. The beauty of it is that one walks through dark passages lit with brass lamps to find the Lord sunken within the earth, still alive and brimming with overpowering presence.

What a presence! To think that it actually spreads to the Linga above and makes the entire temple more potent. The presence of the Lord is far more intense here. The shikhara of this temple towers above enveloping Mahakaleshwar, a form of Dakshinamurthi Shiva Himself. Parvati, Ganesha and Karthikeya also reside within these walls.

The idol of Omkareshwar Shiva is placed above Mahakaleshwar Shiva who resides in the lower chamber. A additional floor as been attributed to Nagchandreswar, who is worshipped by devotees only on Nagpanchami day.

A silent Linga, Mahakaleswar Shiva and Omkareshwar, all reside together here. The myth goes as follows. Ujjain, previously known as Avanti was located on the banks of the sacred river Shipra. In this little town lived a brahmin named Vedhapriya who had four sons. Close to Avanti was a mountain kingdom called Ratnamala which was ruled by a demon King called Dushanan. Dushanan has done immense worship to Brahma and had acquired a lot of power and was now almost invincible. He had grown to be very proud and began to illtreat his people and subjects. Dushanan finally invaded Avanti and began to rule it with tyrany. A lot of unhappy people went to Vedhapriya to seek his help.

Vedhapriya at that time was performing Shiva puja with his four sons. When the people came to their house, Vedhapriya's eldest son Devapriya consoled them saying they were not strong enough to face the fierce demon. They told them to leave it in Lord Shiva's hands and continued to worship the Lord. King Dushanan came to know this and decided to kill Vedhapriya and destroy all the Lingas they were worshipping. He came upon the pit from which mud was traditionally taken to make the Lingas for centuries. As he advanced with his army, Lord Shiva rose out of the pit as a column of fire in Jyotir swarupa form and burnt King Dushana and his entire army in one blow.

All the people worshipped this form of the Lord and named Him Mahakala Jyotir Linga, the protector of the Universe.

Photo courtesy: Copyright © 1998-2001 Live India Internet Services!

Jyothir Lingam Sri Sailam - Mallikarjuna temple

Mahonnadham Mahakasam Mahodharam Mahabujam |
Mahavaktram Mallika arjunam Jyothi-swaroopam Namosthuthe ||

Andhra Pradesh, a state baking in the summer heart breaks into lush green carpeted landscape when the monsoons hit the parched lands. The Sri Sailam range has the Krishna River meandering through the foothills. There are places where the river flows inside the mountain, underground and is therefore called Patala Ganga. Legend has it that if one takes a dip in its sacred waters, they are blessed with amazing mind control and purity of thought. They say that even “manaseek darshan” (darshan through the mind) is also very effective here and bears fruit to one’s wishes.

Mallikarjuna is also known to be a Jyothir Linga sthala apart from hosting a Devi Peetham. It has its own share of mythologies surrounding it, in this case more than one event seem to have taken place in history, well beyond the measures of the western calendar.

Chandragupta ruled over a greater part of India, beyond the Northern banks of the Krishna River. He was a benevolent king who for the greater part of his life stayed away from the court fulfilling his royal duties. He had a very beautiful daughter, princess Chandravati who was very pious by nature. One day the princess when to the southern side of the Krishna River into the Sri Sailam forests to do penance. She was accompanied by a group of faithful herdsmen with cattle. She stayed in these forests for a while, and her main diet was milk from the cows.

One day she observed that her cow was not giving milk when the herdsman milked it. Curious to know the reason why, she ordered the herdsman to follow the cow wherever it went. The herdsman came back with news that the cow was yielding milk over a Manikam Shiva Linga (Linga made of Ruby). The princess went over and witnessed this for herself and was left pondering. That night Lord Shiva appeared in Jyotir Swarup in her dream and asked her to build a temple around this sacred Jyotir Linga. The princess built the temple according to the Lord’s instructions and the luminous Lord took the form of Shiva Mallikarjuna. This temple faces east and has a special shrine for Lord Brahma and Nandikeshwara occupies the central hall.

The Sthala puranam has another story to say. Lord Shiva and Parvati once decided to find suitable brides for their sons, Ganesha and Muruga who argued on who would get wedded first. Lord Shiva put the condition that the one who would go around the world in Pradakshinam would get married first. Lord Muruga took his vahana (vehicle), the peacock and flew away on his mission. Lord Ganesha held his hands together in adoration and walked around his parents 7 times. According to the Shastras, going round one’s parents in circumambulation is equal to going around the world in Bhupradakshinam. Having completed first, Lord Shiva got the daughters of Viswaroopan, Siddhi and Buddhi married to Ganesha.

When Muruga returned, he was enraged and went away to Mount Kravunja to stay alone there and assumed the title of Kumarabrahmachari (Bachelor). When Shiva and Parvati went to pacify him, he decided to move to another peak, but stayed back on request of the Devas. Lord Shiva and Parvati came to stay close at Sri Sailam. It is believed that Lord Shiva visits Muruga on Ammavasai and goes back to Parvati during Poornima.

















Photo courtesy: Copyright © 1998-2001 Live India Internet Services!

Jyothir linga Somanatham - The moon descends to earth

The Shiva Purana goes:

Somanadham Someswaram Samastha Gunaparagam |
Gora-Padhaka thavagnim Jyothir-Swaroopam Namamyaham ||

Along the sandy coastline of Northwest India, the Lord descended on earth in a column of fire. He made a divine appearance, one seen by few but sung by many. A flaming Linga of light came to reside along the silent sands of the western sea coast.

It is believed that the Chandra (Soman) was the chosen husband for the 27 beautiful daughters of King Daksha. Good natured and fair, Soman was not just kind to his many wives but presented himself with grace and charm unmatched. But this didn’t last long, Soman’s interested clearly drifted towards one of his wives and he began to favor Rohini over the others and gave her far more attention than the rest.

This angered his remaining wives and they went back heart broken to their father and complained to King Daksha over Soman’s new inclination. King Daksha’s anger knew no boundaries and he cursed Soman that he would lose all the beauty and charm that he was proud of till now.

Having realized his mistake Soman sort the help of the Devas who directed him to Brahma to help him get rid of his curse. Brahma advised him to descend to earth, and meditate on the Mrityunjaya mantra attributed to Lord Shiva at Somnath and seek his favor to get rid of the curse.

Soman (alias Chandra – Moon) descended to earth and along the confluence of the river Saraswati he stood on one leg and started to chant the Mrityunjaya mantra. He chanted for years until finally, Lord Shiva who was pleased with his penance appeared before him in the form of a light or Jyotir Swarupa. Lord Shiva couldn’t reverse the curse but he promised Soman that for one fortnight in a month he would grow to appear bright, charming, and glow to his fullest form for one night but the other fortnight of the month he would fade into darkness. Shiva promised him that he would be seated among his locks or jatas waxing and waning through the month. The waxing phase of the moon is called Krishna Paksham and the waning phase is called Sukla Paksham.

Within the shrine chamber is a sacred Jyothir linga, covered in red, with the Moon on its crown. Someswara Linga is potent for it has also been worshipped by Chandrabagha devi, making this place a Shakti peetham. The devi shrine resides behind the Shiva Linga itself. It was in later centuries that a temple was built to house the fiery Lord and his consort.














Also read: PRAN PRATISHTHA by Sardar Shri Vallabhbhai Patel

The meaning of Jyotir Linga

Jyotir Lingas, is a common household term, spoken by few with reverence and remembered by many in terms of geographical locations and associated temples. As we all know, there are 12 Jyotir Lingas in the Indian subcontinent. But what are Jyotir Linga? What makes up this Linga? Why are they so different from all the others?

Jyotir Lingas are associated with the vision of a column of fire. The only known sculpture of this kind is Shiva Lingodbhava. Yet these Lingas are of a different kind and are believed to be flame or the fiery form of the very Lord Himself.

When one begins to dwell into Jyotir lingas, the other symbolisms cease to exist. His association with the more obvious phallic symbol, the cults of tantriks and His connection to Devi and the miracle of birth depicted within the garbha griha do not seem to hold the same clout. We cannot associate Shiva with any one symbolism alone, He means different things to different people depending on their level of spiritual evolution at different times.

The presence of Jyotir lingas appears in many disconnected stories ranging from subduing ones vanity, to disconnection from the cycle of death and rebirth, to killing all demons but maintaining constant meditation to Lord Shiva for spiritual upliftment. Some of these stories have one underlying thread, and that is Shiva appearing as a column of fire or a flame or in a fiery form in each case. What appears in each temple is a simple unassuming stone Linga, like any other Linga found around the country, but with a difference.

When a devout person worships the Lord and rises up his spiritual ladder, he does not see the Linga anymore, but he witnesses a flame, or light in the place of a Linga. He witnesses the column of fire in his mind's eye. 12 jyotir lingas were brought into the Indian landscape as early as the Tretayuga, each temple built in a different era and therefore bringing with it a variety in architecture depending on the century and dynasty they were built under. The Jyotir Lingas are themselves far more ancient and didn't have an associated temple when they first came up.

Shiva stotras list out the names and locations of 12 Jyotir Lingas still in existence, and the belief goes as follows:














Yethaani Jyotir Lingaani shaayaam pratham pathenaram|
sapta janmaakritam paapam smaranine vinasthi|
Sri Shiva sharanam prabhatyey||

Meaning: These are the Jyothir Lingas of Lord Shiva, whose names if recited in the morning and evening every day with devotion destroys the accummulated sins of the aspirant over the last 7 births, and gives him all the Siddhis and brings the aspirant to rest at the feet of Lord Shiva Himself.

Having done this, and having lived as a devout Shaivite, there is then a possibility that the aspirant actually witnesses the flames of enlightenment within the Jyotir Linga.

When the priest becomes a lady

Click on photo to enlarge

Thiruvanaikkaval, Srirangam:

We walked into the temple, the thick stone walls beat out the heat. The cool dark interiors were most welcoming for any tired traveler seeking the blessings of the Lord. Its a small temple but here we witnessed tradition in full swing. It was the time for the Uchyakala puja, at the stroke of 12.00pm

It was not a Cinderella we saw, but quite something else. Having completed the worship and abhishekam of the Mother goddess at the Amman shrine, a priest came dressed in a maroon silk saree with rudraksha beads round his neck. Two beaded necklaces hung down from a well covered chest and a benign look on his face made him look very close to the Goddess Herself.

He walked in gracefully, his calm face adding to the charm. He wore a crown on his head, a brilliant maroon velveted crown with semi precious stones depicting Lord Shiva Jambukeshwara on it. He carried a pot with water almost making it appear like Parvati, the consort of the Lord who had descended to bathe Him with her very hands. He looked divine, straight out of the 11th century walking into the temple today.

The thick wooden doors creaked open, and he slipped through while the crowd savored the spectacle they had just witnessed. We waited for a few moments more, understanding why he was dressed that way when the doors were thrown open to all.

The very incarnate of the Goddess who had bathed the Lord now held the flame up to Him. The Arti started and each lamp with a million tiny flames was served up in circular motion to the Lord who stayed behind a grill window. The fire rose into the air, the smoke clouding the interiors, a figure raised his hands, adorned with a crown on his head that was taken straight out of Krishnadeva Raya's closet. I wondered what else there was hidden within these small towns that boast more of our living culture than the cities.

Minutes after the flames rose, and the bells rang, the crowd was allowed to visit the sacred shrine of the Lord representing water. We all moved in, taking our respective queues but no where could we set eyes on that Goddess again. She was just gone.

P.S. This is just my rough attempt to capture that moment to you. Please excuse lack of proportion in the sketch.

Within a watery bed of peace

An untouched world
So far away
In silent watery peace
Does the Lord reside
In constant meditation
The only sound heard – OM

The peace unreachable
The greenery untouched
The sound of crystal clear water
In constant bath
Draped in the ripples of life
Shimmering in the sunlight

Who carved these stones
These sacred emblems
Or did they rise out of the rock alone
Power in the air, purity in the water
Devotion in anyone’s mind
Whoever comes near

Far away from the madness called life
Far away from all the noise
In the lap of velvet green
As silvery waters flow
Cold and pure, waking up the soul
Revealing to mankind secrets unknown

Is it only for the pure hearted
The divine in His realm displays
The joys of peace and tranquility
The wonder called life unfolds
Its beauty within now touched now felt
An experience unknown, and yet so close

The cool crystal waters flow
Washing my feet, washing my soul
As I look on to see in rows
Sacred emblems lined up in stone
A vast ocean so sacred
Lies ahead untouched, unknown

The depth of faith is so strong
The world of emotions so true
The pinnacle of love felt in every drop
That flows this sacred land
Washing you in all your splendor
Bathing you in constant meditation

The water so cool and crystal clear
Purity in melted snow
Fresh, reviving, energy giving
Life giving water freely flowing
Washing away all fears
A silent mind rests in peace.

Ammavasai: Notes in the dark

The night sets in
The clouds clear
The ocean of stars
Display their grandeur.

The moon shies away
Hides within her dark veil
Leaving silence to drape
The earth below

Peace in world
A silent universe
Not a drop of light
In the space around

A moonless night
The sea calm
The wind low
The trees silent

The sound of bells
A musical note
The glowing horns
Of a gentle bull

The earth moves
The tremors felt
The bull breathes out
The basic words

The words flow in silent stream
The vibrations felt
The air holds
Feelings unsaid

The sound of water
Trickling down
The hymns pierce the darkness
The Lord bathes in milk

The ocean of purity
Fills again
Life giving water
Covers the Lord

The sounds reverberate
The Rudram rolls
The earth rumbles
The energy unfolds

The words flow out
A cloak of letters
Like droplets dance
Over His shimmering Self

The milk of knowledge
Rolls out to all
Life that we don’t know of
Killing fear within

A drumbeat heard
The cowbells roll
The mridangam resounds
In the darkness

The sound of ghunguru
Sweet sounds rise
The air moves
And the dance unfolds

A world in the dark
Refreshingly new
The Lord awakens
To protect our souls

The beat rises
The heart pounds
The sea recedes
The sand shakes

The wind challenged
The waves crash
The foam rises
The Lord descends

The power of life
The energy within
Unfolds and floods the heart
That pounds in the dark

The sun and moon
In His eyes they shine
The black waves sway
Cutting through the air

The music rolls
The Rudram recited
The drums beats rise
The wind is covered in sound

The Lord dances on
His feet he raises
A blessing that says
Fear not the darkness now!

Narasimha - From twilight to enlightenment

Shrimad akalanka paripurna shashikoti |
shridhara manohara satapatakanta ||
palaya kupalaya bhavambudhi nimagnam |
daityavarakala narasimha narasimha ||

Into the sea of black, the dark universe came to light. Brought by the death of Hiranyakashipu, the great demon slain by the Lord Narasimha Himself. Such was his form; fiery are his eyes, so terrific that the demon succumbed to Him in the twilight. There He immerses Himself into the Ocean of Knowledge, the ocean of destruction, the end of all evil.

Protector of the people, killer of the demons of the mind, Brahma reveals the power of Lord Narasimha in his Bija, in His mantra Kavacha. A kavacha that protects the body and the mind from evil. The pearls of wisdom locked in every word that falls in a garland of letters on every part of the body worshipped by the Bhakta.

"O Lord Nrisimha, the consort of Goddess Sri, the goddess of fortune. You are the death of the greatest demon. I am sinking into the ocean of birth and death, O Kripalaya, the treasurer of all mercy, please protect me.

You ripped apart the great demon with your nails. The blood that poured forth wet your heart turning it red like it was smeared with fresh Kumkum. O Lord Nrisimha, You are the shelter for all including Kamala, the goddess of fortune."

Within this wilderness of sound and sacred letters we hear yet another kind of mantra

Devah samastah khalu gopi mukhyaha |
gandharva vidyadhara kinnarash cha ||
yat pada-mulam satatam namanti |
tam narasimham sharanam gato shmi ||

"I have taken shelter of Lord Nrsimha unto whose lotus feet celestials, yogis, gandharvas, vidyadharas and kinnaras, are constantly offering their obeisances."

A part of 5 verses called the Panchamrita, it reflects the adoration of Lord Narasimha by attributing various names to him and by describing the various celestial beings who shower flowers and sing His praise.

This particular verse reflects the celestial beings like Gandharvas, vidhyadharas and kinnaras. The richness of our mythologies is reflected in dance, music, sculpture and literature. The depths of mythology are revealed in various forms of expression, those which will fit anybody's sense of aesthetics.

On the one end it clearly reflects the beauty of human emotion, the reflection of the soul, of Bhakti in the heart of the aspirant who sings in praise of the Lord Narasimha.

On the other hand, it makes me really wonder whether we are missing an entire section of reality purely based on our inadequacy to understand the "real world" around us. With such rich knowledge and explanation, such various forms of expression there was definitely a lot more to this sacred science.

There was a time when a prince waited for the sweet words of love to fall to him, to know his dear lady loved him well. And out of thin air appeared sweet pearls of love, inscribed in beetle leaf and touched his heart as an Apsara flew the skies above.

A snake hooded flower - Nagalinga flower

Click the photo to see larger view

Nature has its ways of bringing the Lord to us. Simple forms that bloom into flowers and seem to depict one of the most sacred forms known to us. The "Nagalingapoo" or Naga Linga flower is one such flower that brings the beauty of the Lord right before us.

They say the beauty of the Lord lies within a lotus, a thousand petaled lotus. Blooming out, holding the Linga within itself, sheltered deep inside housed by the flower that seems to cover it like a serpent, a multi hooded serpent.

Glowing with beauty
a flower speaks out
in the middle of the forest
God's own creation

Small wonders blooming around
singing away in the sunlight
a creation so unique
passes away unnoticed

A gigantic tree
with deeper roots
holding out delicate flowers
for the world to see

Behold this beauty
shining pink
within a pond of fragrance
filling the air

Joyous birds chirp
amidst her branches
holding out in full bloom
telling the world

The Lord appears
in various forms
some so simple
just don't look beyond

The Lord resides
in the hearts of all
displaying His beauty
through a simple flower!

The serpent king guards
in graceful curve
the very Lord Himself
Enclosed in a universal whole

Five petals hold
Love for the Lord
potent seeds with divine sound
Forever singing His praise.



















Photo courtesy for the first picture: Yan Manarsar (yan)

Part3 - Through the eyes of Goddess Kamakshi

The goddess who brings out Lord Shiva's more subdued quiet side is Kamakshi Amman, residing within her kumkum-smeared chamber seems to have the supreme power that brings to light the pleasant nature of the Lord.

Kamakshi Amman, with the moon on her crown, silently resides in her chamber, warm, pleasant and ever loving. She appears to be far away but is closest to the Lord at Kailasa. Another form of Parvati herself, Kamakshi Amman is exuberant, taking on various forms, Kali being one of them. In the silent chamber she stays, the Lord is heard in her heartbeat.

Within the walls of a temple
The silent mother stands
Dressed in all her finery
Glowing from within
She blesses the world

The crescent moon glows
On her crown across her brow
Like twinkling stars they shine
The jewelery on her glow
O mother sweet mother of mine

Within the icy abode
Of mount Kailasa she resides
The consort of the Lord
Forever on his side
Watching the world go by

The darkness of the night they kill
The crescent moon shines forth
The snake dances with a jeweled crown
The only light to behold
A loving game of dice

The ganas dance, nandi looks on
Kamakshi Amman rolls the dice of love
Sweetness from her hands it flows
Music to my ears
A coy smile, a giggle here

She brings his wild self down
She embraces him close
Forever they stay knotted in love
The sun and moon descend
Into the ocean of love below